Everything that could go wrong did go wrong: War, Terrorism, Natural Disasters. Evacuees were ushered from the cities to refugee camps in the surrounding counties. In-fighting, famine and ...
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Everything that could go wrong did go wrong: War, Terrorism, Natural Disasters. Evacuees were ushered from the cities to refugee camps in the surrounding counties. In-fighting, famine and disease took their toll on the survivors. Now, twenty years after the bombs fell and the plagues ran their course the few that remain live in fear and without hope. Azura Skye stars as Sarah in this Post-Apocalyptic Fairy Tale about a young woman's journey to deliver the first child born in 15 Years. Sarah's refusal to give up is inspired by a lone voice on her radio. Michael broadcasts dim and distant messages of hope mixed with the music he scavenges from the dead. Forced from her basement home by drought and relentlessly pursued by those who want her baby, Sarah crosses paths with Michael in a cavernous, underground refuge of disparate survivors. It is from Three Caves that Michael and Sarah will embark on a journey beyond the boundaries of the Southern Corridor and into the unknown future. Written by
The original/working title of the film ("Like Moles, Like Rats") comes from a line in the Thornton Wilder play, The Skin of Our Teeth. See more »
It is not enough to know that the world has ended. For there is more to the story. And soon it begins. Chaos drove us from the cities. Fear kept us away. Long after the bombs had fallen, after plagues and famine had run their course, we few that remain line in fear, and without hope. But this is a new place. A new time. Lost. Soon a time will come when we no longer live in caves. Like moles. Like rats.
20 YEAR AFTER
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Okay, firstly most of the reviews on here are really REALLY terrible, and I agree this movie was okay at best.
I don't care about budgets and such, so the fact that the cinematography had a kind of unfinished feel to it didn't bother me, however I know it bothers some.
Next, and most detrimentally, there is very little forward movement. The plot is severely lacking, in the special features they mention that this was a stage performance before a film and I think the cutting floor scooped up a lot of explanations that could have really helped the audience to understand.
Now that being said this movie had some things that even most blockbuster films don't. One: SOME REALLY GOOD ACTORS. The actors are not wooden and don't pander to the camera (at least not most of them). The character Sara is specifically very convincing and easy to empathize with. Two: ORIGINALITY. This movie was not a typically post-apocalyptic mess. No radiation freaks, no scantily clad bikini babes, no dune-buggy rally... Finally: many of the visuals were stunning. (I'm thinking specifically about the blue bottle tree).
The existential feel of the movie is kind of like Darjeeling Limited, and really I give this movie a six not a seven, but I'd like to see another star on it's rating.
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