This is not the way it was supposed to happen. Like every other morning, Christian Echeveria, huissier, should have been able to levy his daily distress in this Parisian suburb, before ... See full summary »
The poet Missak Manouchian leads a mixed bag of youngsters and immigrants in a clandestine battle against the Nazi occupation. Twenty-two men and one woman fighting for an ideal and for ... See full summary »
In France, the disturbed and mysterious Alexandre Demarre is hired as security guard for the Vigilante armored truck company earning 1,200 euros per month and lodges in a hotel nearby the ... See full summary »
When the platoon is ambushed, the radio operator reports that they are being fired upon by MG-42s, which are captured German machine guns from the Second World War. These machine guns have a high rate of fire and produce a different sound than that edited into the film. See more »
Well, Some official critics wrote "the French Apocalypse Now". Well, it's much less, hum, metaphorical than apocalypse now. Not just because of the countryside aspect. Were no more in the damp swamps of Vietnam, but the dry lands of Mediterranean countries. Here is just the ugly truth. No black and white, grey, like the uniforms covered of dust. That's a great aspect of this movie. They just show ordinary men becoming Beast. Because it's war, because war is ugly, because this wasn't an ordinary war. It's deeply based on true facts, like this former Resistant using torture, despite having being tortured himself while a resistant. Or those two Algerian mates, who used to fight in the Monte Casino against the German... and then one of them kill the other, because they're in two different side, and one of them had his family killed by the other one's friends. And the fellagas using ugly means, because there's no other mean to free your country. I was more shaken by this movie than I was by any Vietnam movies. Because, well, maybe, Terrien, he could just have been me.
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