Directed by | |||
| Nadir Moknèche | |||
Writing credits(in alphabetical order) | ||
| Nadir Moknèche | writer | |
Produced by | |||
| Bertrand Gore | .... | producer | |
| Yacine Laloui | .... | associate producer | |
| Nathalie Mesuret | .... | producer | |
Original Music by | |||
| Pierre Bastaroli | |||
Cinematography by | |||
| Jean-Claude Larrieu | |||
Film Editing by | |||
| Ludo Troch | |||
Casting by | |||
| Karine Bouchama | |||
| Aurélie Guichard | |||
Production Design by | |||
| Johann George | |||
Costume Design by | |||
| Paule Mangenot | |||
Makeup Department | |||
| Faëza Bennai | .... | makeup artist | |
| Fifi Mehaizi | .... | hair stylist | |
| Stéphane Eric Monteil | .... | key hair stylist | |
| Agnès Tassel | .... | key makeup artist | |
Production Management | |||
| Richard Allieu | .... | production manager | |
| Delphine Passant | .... | post-production supervisor | |
| Arno Richard | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Djamel Bouaboub | .... | assistant director | |
| Nicolas Cambois | .... | first assistant director | |
| Sébastien Gardet | .... | second assistant director | |
Art Department | |||
| Abdelhakim Ayad | .... | property master | |
| Jaoudet Gassouma | .... | first assistant decorator | |
| Medhi Izemrane | .... | assistant decorator | |
| Adel Mohamed Kacer | .... | assistant set dresser (as Adel Kacer) | |
| Ahmed Kobi | .... | head carpenter | |
| Toufik Makhlouf | .... | construction manager | |
| Patricia Ruelle | .... | head painter | |
| Mustapha Tigroudja | .... | painter | |
Sound Department | |||
| Esther Frey | .... | dialogue editor | |
| Benoît Hillebrant | .... | sound editor | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Camille Laurenti-Ede | .... | post-synchronisation (as Camille Laurenti) | |
| Michel Monier | .... | sound consultant: Dolby | |
| Philippe Penot | .... | foley artist | |
| David Rit | .... | boom operator | |
| Benjamin Viau | .... | sound recordist | |
| François Waledisch | .... | sound | |
Camera and Electrical Department | |||
| Yacine Boumaraf | .... | electrician | |
| François Coulin | .... | key grip | |
| Rabah Dalouche | .... | electrician | |
| Steve de Rocco | .... | second assistant camera | |
| Bertrand Follet | .... | first assistant camera | |
| Arnaud Hermeline | .... | electrician | |
| Jean-Claude Lother | .... | still photographer | |
| Salah Mehallia | .... | grip (as Salah Mehalia) | |
| Azzedine Pilah | .... | grip (as Azzedine Filah) | |
| Xavier Renaudot | .... | gaffer | |
| Gilbert Seybald | .... | electrician | |
| Noël Véry | .... | steadicam operator | |
Costume and Wardrobe Department | |||
| Rachida Bengherbi-Khaled | .... | wardrobe | |
| Géraldine Mangenot | .... | costume assistant | |
Editorial Department | |||
| Jean-Marc Grégois | .... | color timer (as Jean-Marc Grejois) | |
| Sarah Perrain | .... | assistant editor | |
Music Department | |||
| Benjamin Caillaud | .... | music editor | |
| Stéphane Reichart | .... | music mixer | |
Other crew | |||
| Tony Arnoux | .... | press attache | |
| Corinna Bargain | .... | production administrator | |
| Louisa Bouzar | .... | production secretary | |
| Camille Chandellier | .... | production assistant | |
| Vanessa Molin | .... | production administrator | |
| André-Paul Ricci | .... | press attache | |
| Marie Sauve | .... | production secretary | |
| Norredine Soudani | .... | groupman (as Noureddine Soudani) | |
| Zoe Zurstrassen | .... | script supervisor | |
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| Sunshine | On a Clear Day You Can See Forever | Clean | Choses secrètes | Stonewall |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
Though this is an important piece of Arab Cinema, which has been circulating in French territories for a couple of years, it appears to be unknown in the English speaking market.
It centres on Biyouna, an actress widely known in her own country, here playing what they call a Mafia madam, first encountered collecting her valuables at the jail check out and being met by associates, who drop off her keys and leave her alone - like Denzel Washington in American GANGSTER. The bulk of the film is extended flashbacks, taking her up to this point.
History, religion, scams, beautiful people, great music, strong two dimensional characters, intriguing Algiers settings (still recognizable from PEPE le MOKO) - a detailed picture of a corrupt society of which the central character is representative. The expert filmcraft never drags in it's two hours plus though the film lacks the strong resolution to turn it into a major work.
Finding a film of this ambition is a reminder of how little we know of Arab movies, indeed Arab life and suggests what we maybe missing.That's something quite important at this moment.