| Photos (See all 24 | slideshow) | Videos (see all 15) |
| Helen Mirren | ... | Sofya | |
| Christopher Plummer | ... | Tolstoy | |
| Paul Giamatti | ... | Chertkov | |
| James McAvoy | ... | Valentin | |
| John Sessions | ... | Dushan | |
| Patrick Kennedy | ... | Sergeyenko | |
| Kerry Condon | ... | Masha | |
| Anne-Marie Duff | ... | Sasha | |
| Tomas Spencer | ... | Andrey | |
| Christian Gaul | ... | Ivan | |
| Wolfgang Häntsch | ... | Priest | |
| David Masterson | ... | Reporter | |
| Anastasia Tolstoy | ... | Mourning Girl | |
| rest of cast listed alphabetically: | |||
| Maximilian Gärtner | ... | Kind (uncredited) | |
| Nenad Lucic | ... | Vanja (uncredited) | |
Directed by | |||
| Michael Hoffman | |||
Writing credits(WGA) | ||
| Michael Hoffman | (screenplay) | |
| Jay Parini | (based on the novel by) | |
Produced by | |||
| Bonnie Arnold | .... | producer | |
| Luke Carey | .... | junior producer | |
| Chris Curling | .... | producer | |
| Andrey Deryabin | .... | associate producer: Russia | |
| Brian Donovan | .... | line producer | |
| Undine Filter | .... | junior producer | |
| Regina Frankenberger | .... | junior producer | |
| Marc Hansell | .... | associate producer | |
| Yvonne Hüttig | .... | assistant producer | |
| Ewa Karlström | .... | co-producer | |
| Andrey Konchalovskiy | .... | executive producer (as Andrei Konchalovsky) | |
| Frank Lehmann | .... | associate producer | |
| Robert Little | .... | executive producer (as Robbie Little) | |
| Jens Meurer | .... | producer | |
| Jean-Luc Ormières | .... | associate producer | |
| Phil Robertson | .... | executive producer | |
| Judy Tossell | .... | executive producer | |
| Andreas Ulmke-Smeaton | .... | co-producer | |
| Jona Wirbeleit | .... | assistant producer: Egoli Tossell Films | |
| Marc Wächter | .... | production executive | |
Original Music by | |||
| Sergei Yevtushenko | (as Sergey Yevtushenko) | ||
Cinematography by | |||
| Sebastian Edschmid | (director of photography) | ||
Film Editing by | |||
| Patricia Rommel | (edited by) | ||
Casting by | |||
| Leo Davis | |||
| Lissy Holm | |||
Production Design by | |||
| Patrizia von Brandenstein | (as Patrizia Von Brandenstein) | ||
Art Direction by | |||
| Andreas Olshausen | (supervising art director) (as Andreas 'Ebbi' Olshausen) | ||
| Erwin Prib | (as Erwin W. Prib) | ||
Set Decoration by | |||
| Mark Rosinski | |||
Costume Design by | |||
| Monika Jacobs | (as Monica Jacobs) | ||
Makeup Department | |||
| Anna Sophie Evenkamp | .... | assistant makeup (as Anna Evenkamp) | |
| Manuela Franke | .... | additional makeup | |
| Juliane Hübner | .... | makeup: extras, Astapovo | |
| Beatrix John | .... | additional makeup: Astapovo | |
| Ragna Jornitz | .... | additional makeup: Astapovo | |
| Lena Lazzarotto | .... | makeup artist | |
| Jekaterina Oertel | .... | makeup designer | |
| Paul Schmidt | .... | makeup artist | |
| Anett Weber | .... | additional makeup: Astapovo | |
| Kathrin Westerhausen | .... | makeup: extras, Astapovo (as Katrin Westerhausen) | |
| Ariane Wisniewski | .... | makeup: extras, Astapovo | |
Production Management | |||
| Tina Mersmann | .... | post-production supervisor | |
| Niko Remus | .... | post-production supervisor | |
| Klaus Spinnler | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Natalie Beer | .... | second assistant director | |
| Lisa Hauss | .... | second second assistant director | |
| Barrie McCulloch | .... | first assistant director (as Barrie Mcculloch) | |
| Oneil Sharma | .... | third assistant director | |
| Samuel Tauber | .... | assistant director: second unit | |
| Jonny Benson | .... | assistant director (uncredited) | |
| Will Cummins | .... | third assistant director (uncredited) | |
Art Department | |||
| Sabrina Barteleit | .... | standby painter | |
| Hubert Bock | .... | set dresser (as Hubert Böck) | |
| Sabine Engelberg | .... | assistant art director | |
| Ulrike Eversmeier | .... | set dresser | |
| Manuel Hess | .... | set dresser | |
| Andreas Huschke | .... | standby prop | |
| Ulli Isfort | .... | prop buyer | |
| Roxy Konrad | .... | art department coordinator | |
| Harald Kögler | .... | storyboard artist | |
| Anna-Giulietta May | .... | art department production assistant | |
| Roman Peisger | .... | standby construction | |
| Mark Rosinski | .... | set designer | |
| Jan Rott | .... | prop master | |
| Silvia Sachseneder | .... | assistant standby prop | |
| Susanna Schnibbe | .... | painter (as Susanne Schnibbe) | |
| Leon Schulz | .... | painter | |
| Vladimir Vilanov | .... | calligrapher | |
| Johanna Wimmer | .... | standby painter | |
| Heike Wolf | .... | assistant set decorator (as Heike A. Wolf) | |
| Enzo Enzel | .... | scenic artist (uncredited) | |
| Rainer Kaufmann | .... | greens person (uncredited) | |
Special Effects by | |||
| Michael Bouterweck | .... | special effects: Pyrotechnik Gmbh | |
Visual Effects by | |||
| Markus Degen | .... | visual effects artist: Rise Fx | |
| Markus Degen | .... | visual effects supervisor: Rise Fx | |
| Claudia Gittel | .... | flame artist: CinePostProduction Geyer Berlin | |
| Thomas Lehmann | .... | flame artist: CinePostProduction Geyer Berlin | |
| Sven Pannicke | .... | visual effects producer: Rise Fx | |
| Christian Pundschus | .... | visual effects artist: Rise Fx | |
| Kariem Saleh | .... | visual effects artist: Rise Fx | |
| Jonathan Weber | .... | visual effects artist: Rise Fx | |
Stunts | |||
| Volkhard Buff | .... | stunts: Buff Connections Gmbh (as Volkhart Buff) | |
Casting Department | |||
| Brendan Donnison | .... | voice casting: Lyps Inc. | |
| Johanna Ragwitz | .... | extras casting: Agentur Filmgesichter | |
Costume and Wardrobe Department | |||
| Anke Baier | .... | wardrobe | |
| Luise Ebersbach | .... | additional wardrobe: Astapovo | |
| Natascha Gotowtschikow | .... | wardrobe | |
| Nora Kiessling | .... | wardrobe: extras, Astapovo | |
| Bettina Köhler | .... | wardrobe production assistant | |
| Kati Lafin | .... | wardrobe | |
| Maja Meschede | .... | wardrobe | |
| Richard Olaf Zintel | .... | assistant costume designer | |
| Patricia Puisy | .... | wardrobe: extras, Astapovo | |
| Camila Schwarz | .... | wardrobe: extras, Astapovo | |
| Linn Selter | .... | wardrobe production assistant: fittings | |
| Susanne Vierkötter | .... | additional wardrobe: Astapovo | |
Editorial Department | |||
| Matthias Albrecht | .... | on-line conforming: CinePostProduction Geyer Berlin | |
| Cory Augustyn | .... | assistant editor | |
| Ivar Beer | .... | digital lab manager: CinePostProduction Geyer Berlin | |
| Xavier Box | .... | associate editor | |
| Markus Bäuerle | .... | digital lab manager: CinePostProductiion Geyer Berlin | |
| Luke Carey | .... | postproduction coordinator | |
| Richard Curling | .... | assistant editor | |
| Andrea Jacob | .... | film scanning: CinePostProduction Geyer Berlin | |
| Antje Lass | .... | assistant editor | |
| Ute Lingner | .... | film lab manager: CinePostProduction Geyer Berlin | |
| Stefan Müller | .... | general manager: CinePostProduction Geyer Berlin | |
| Sandor Nagy | .... | digital color grading: CinePostProduction Geyer Berlin | |
| Sandra Neundorf | .... | digital lab manager: CinePostProduction Geyer Berlin | |
| Gabriela Schultze | .... | sales manager: CinePostProduction Geyer Berlin | |
| Kenneth Stiller | .... | lab coordinator: CinePostProduction Geyer Berlin | |
| Maik Strauch | .... | color timer: CinePostProduction Geyer Berlin | |
| Tina Stuth | .... | colorist/rushes | |
| Brian Welsh | .... | assistant editor | |
Music Department | |||
| Sergei Beck | .... | music production manager: The Hermitage Bridge Studio (as Sergey Beck) | |
| Andrey Deryabin | .... | music producer: The Hermitage Bridge Studio | |
| Peter Fuchs | .... | music mixing engineer | |
| Peter Fuchs | .... | music recording engineer | |
| Artem Gridney | .... | assistant to composer | |
| The Hermitage Music Academy Orchestra | .... | music performer | |
| Matilda Moreton | .... | assistant to composer | |
| Ian Neil | .... | music clearances | |
| Maggie Rodford | .... | music producer: Air-Edel | |
| Anatoly Rybalko | .... | conductor | |
| Vadim Shahov | .... | music supervisor: St. Petersburg Documentary Film Studios | |
| Sergey Sokolov | .... | music manager: St. Petersburg Documentary Film Studios | |
| Ilya Talochkin | .... | second music sound assistant: St. Petersburg Documentary Film Studios | |
| Andrev Titov | .... | junior music sound assistant: St. Petersburg Documentary Film Studios | |
| Kirill Yevtushenko | .... | soloist: cello | |
| Sergei Yevtushenko | .... | head of music academy: The Hermitage Music Academy (as Sergey Yevtushenko) | |
| Sergei Yevtushenko | .... | music orchestration (as Sergey Yevtushenko) | |
| Danil Zosin | .... | first music sound assistant: St. Petersburg Documentary Film Studios | |
| Samuel Karl Bohn | .... | technical assistant to composer (uncredited) | |
| John Riley | .... | music consultant (uncredited) | |
| Paul Thomson | .... | composer: stock music (uncredited) | |
Transportation Department | |||
| Teodor Ardeleanu | .... | driver: Helen Mirren | |
| Kai Bublitz | .... | driver | |
| Sven-Uwe Dassler | .... | driver | |
| Heiko Daugau | .... | unit trailers: Translux Germany | |
| Sascha Graetz | .... | driver | |
| Frank Gust | .... | driver | |
| Florian Haeger | .... | driver | |
| Gregor Hoppe | .... | driver | |
| Kerstin Jeschke | .... | unit trailers: Translux Germany | |
| Mike-Paul Müller | .... | driver: props | |
| Christian Nagel | .... | driver: props | |
| Marco 'Otti' Otta | .... | driver | |
| Ralf Pitzius | .... | driver | |
| Andreas Rose | .... | unit trailers: Translux Germany | |
| Matthias Schnedler | .... | driver | |
| Sebastian Von Merveldt | .... | driver: James McAvoy | |
| Miklas Wittmann | .... | driver: Christopher Plummer | |
| René Zeuner | .... | driver | |
Other crew | |||
| Monic Aust | .... | production intern: Egoli Tossell Films | |
| Dorothe Beinemeier | .... | junior producer assistant: Judy Tossell, Egoli Tossell Films | |
| Yves Boczek | .... | representative: Egoli Tossell Films, Halle | |
| Benedikt Bothe | .... | set manager | |
| Hans-Jürgen Bubser | .... | supervising accountant | |
| Janina Bukowski | .... | accountant | |
| Mel Churcher | .... | dialogue coach (as Ann Churcher) | |
| Rocco Coufin | .... | set-runner | |
| Timur Cutkov | .... | stand-in | |
| Ola Czarniecka | .... | assistant to: Michael Hoffman | |
| Erik Damm | .... | location department assistant | |
| Asal Dardan | .... | assistant: Christopher Plummer | |
| Mags Dowling | .... | accountant: UK | |
| Moritz Draheim | .... | production assistant: cast | |
| Franca Drewes | .... | script supervisor | |
| Martin Eichhorn | .... | title designer | |
| Melanie Faul | .... | assistant press: Egoli Tossell Films | |
| Adam Finch | .... | representative: Avid Rental, The Offlibe Editing Company, London | |
| Uta Freitag | .... | assistant accountant | |
| Rebekka Garrido | .... | representative: Avid Rental, Halle, The Post Republic | |
| Uwe Geissler | .... | representative: DREFA | |
| Gabriella Gobber | .... | script supervisor | |
| Olaf Godoba | .... | catering: Götterspeisen | |
| Thorsten Gottschalk | .... | production secretary: Egoli Tossell Films | |
| Renate Graichen | .... | accountant: Egoli Tossell Film | |
| Willi Grimm | .... | stand-in | |
| Kay Hahnefeldt | .... | unit medic: Medical Movie Service | |
| Berit Harksen | .... | accountant: Egoli Tossell Film | |
| Bernd Hausler | .... | representative: camera rental, Panther Gmbh | |
| Melanie Heise | .... | assistant accountant | |
| Franziska Heller | .... | representative: film stock, Kodak Gmbh | |
| Chris Hill | .... | script consultant: Zephyr Films | |
| Eric Horstmann | .... | technical support: avid rental, Halle, The Post Republic | |
| Jennifer L. Hoskin | .... | assistant: Bonnie Arnold | |
| Raidar Huber | .... | location scout | |
| Nicole Jäniche | .... | catering: Götterspeisen | |
| Christian Kaiserberger | .... | production intern: Egoli Tossell Films | |
| Anja Karg | .... | production intern | |
| Anja Karg | .... | production intern: Egoli Tossell Films | |
| Heiderose Kewitsch | .... | banker: Bayerische HypoVereinsbank Ag | |
| Andreas Kobs | .... | banker: Bayerische HypoVereinsbank Ag | |
| Bernhard Koellisch | .... | electronic press kit | |
| Jana Kohlmann | .... | assistant press: Egoli Tossell Films | |
| Lena Kopsch | .... | production secretary | |
| Thomas Kropatschek | .... | film insurance agent: Canineberg & Schouten | |
| Sören Lang | .... | location scout | |
| Benjamin Lange | .... | set-runner | |
| Tobias Lauterberg | .... | assistant accountant | |
| Felix Leitermann | .... | location manager | |
| Robin Maas | .... | set manager: second unit | |
| Emma Mager | .... | completion bond: International Film Guarantors | |
| Maxime Mardoukhaev | .... | historical and family advisor | |
| Frank Mathwig | .... | unit medic: Medical Movie Service | |
| Galina Meyer | .... | stand-in | |
| Tony Moewes | .... | head of accounting: Egoli Tossell Film | |
| Thomas Mohr | .... | film insurance agent: Canineberg & Schouten | |
| Konstantin Ness | .... | train coordinator | |
| Olga Ogurtsova | .... | representative: Konchalovsky Production Center | |
| Natalie Pauls | .... | representative: lights/grip rental, Media City Atelier Gmbh | |
| Gregor Pfüller | .... | technical support: Avid Rental, Halle, The Post Republic | |
| Luke Randolph | .... | completion bond: International Film Guarantors | |
| Albert Rath | .... | representative: camera rental, Panther Gmbh | |
| Petra Ringleb | .... | location scout: Berlin/Brandenburg | |
| Jenny Rinn | .... | assistant accountant | |
| Sybille Rohde | .... | production coordinator | |
| Ina Rossow | .... | representative: Egoli Tossell Films, Leipzig | |
| Karen Rudolph | .... | press agent: Bosfish Films | |
| Simon Rühlemann | .... | set-runner | |
| Philip Scaife | .... | technical support: Avid Rental, The Offline Editing Company, London (as Phil Scaife) | |
| Ingo Schlösser | .... | train coordinator | |
| Uli Schneider | .... | catering: Götterspeisen | |
| Michael Schweuneke | .... | animals: Filmtierschule | |
| Roland Schütz | .... | location scout: Berlin/Brandenburg | |
| Martin Sell | .... | unit medic: Medical Movie Service | |
| Benjamin Siemens | .... | catering: Götterspeisen | |
| Shellie Smith | .... | completion bond: International Film Guarantors | |
| Gabriele Spilles | .... | catering: Götterspeisen | |
| Evgeny Stepanov | .... | representative: Konchalovsky Production Center | |
| Nicola Stephenson | .... | public relations: Mission Media, UK | |
| Thomas Strohbach | .... | representative: lights/grip rental, Media City Atelier Gmbh | |
| Franziska Strutz | .... | assistant location manager (as Franziska Strutz-Zander) | |
| Zara Swift | .... | unit publicist | |
| Achim Thielmann | .... | banker: Commerzbank | |
| Sofie Thörner | .... | accountant: Egoli Tossell Film | |
| Vladimir Tolstoy | .... | made in collaboration with | |
| Claudia Trost | .... | script supervisor | |
| Daphne Tsaliki | .... | assistant: Helen Mirren | |
| Lisa Täter | .... | production intern: Egoli Tossell Film | |
| Jürgen Vogel-Jahn | .... | representative: DREFA | |
| Sören von der Heyde | .... | location scout: MDM (as Sören Von Der Heyde) | |
| Gregor Wille | .... | technical support: Avid Rental, Halle, The Post Republic | |
| Hans-Georg Witthohn | .... | representative: MCA | |
| Hans-Georg Witthohn | .... | representative: lights/grip rental, Media City Atelier Gmbh | |
| Martina Wittkopf | .... | production secretary | |
| Reinhard Zölle | .... | accountant | |
| Gero Brugmann | .... | legal advisor: financing (uncredited) | |
| Thomas Duchnicki | .... | location scout (uncredited) | |
| Louise Thörner-Anderson | .... | accountant: Egoli Tossell Film (uncredited) | |
Thanks | |||
| Ami Armstrong | .... | special thanks (as Amy Armstrong) | |
| Dieter Ulrich Aselmann | .... | special thanks (as Uli Aselmann) | |
| Christophe Audeguis | .... | special thanks | |
| Nadezhda Bekeneva | .... | special thanks | |
| Christian Berg | .... | special thanks | |
| Christine Berg | .... | special thanks | |
| Boaty Boatwright | .... | special thanks | |
| Rüdiger Braun | .... | special thanks | |
| Aleksandr Buravskiy | .... | special thanks | |
| Philippe Carcassonne | .... | special thanks | |
| Stephen Dalziel | .... | special thanks | |
| Peter Dinges | .... | special thanks | |
| Mario Fischer | .... | special thanks | |
| Willi Geike | .... | special thanks | |
| Aleksandr Golutva | .... | special thanks (as Alexander Golutva) | |
| Ira Gotovseva | .... | special thanks | |
| Natalia Grigorova | .... | special thanks | |
| Vladimir A. Gusev | .... | special thanks | |
| Markus Görsch | .... | special thanks (as Dr. Markus Görsch) | |
| Olivia Hetreed | .... | special thanks | |
| Ian Hutchinson | .... | special thanks | |
| Jaqueline Jagow | .... | special thanks | |
| Peter Kaiser | .... | special thanks: Naturpark Dübener Heide | |
| Jerry Kalajian | .... | special thanks | |
| David Kelly | .... | special thanks (as David P. Kelly) | |
| Lora Kennedy | .... | special thanks | |
| Linda Lichter | .... | special thanks | |
| Christoph Liedke | .... | special thanks | |
| Tony Loeser | .... | special thanks | |
| Marina Lyubimova | .... | special thanks | |
| Maxime Mardoukhaev | .... | special thanks | |
| Martin McCourt | .... | special thanks (as Martin Mccourt) | |
| Oliver Meurer | .... | special thanks | |
| David Milner | .... | special thanks | |
| Audrey Mitroshin | .... | special thanks | |
| Charles Moore | .... | special thanks | |
| Laurence Mutkin | .... | special thanks | |
| Kirsten Niehuus | .... | special thanks | |
| Christoph Ott | .... | special thanks | |
| Andrew Paterson | .... | special thanks | |
| Andreas Pense | .... | special thanks | |
| Anthony Quinn | .... | in memory of: with gratitude | |
| Katherine Quinn | .... | special thanks | |
| David Quli | .... | special thanks | |
| Udo Reiter | .... | special thanks | |
| Vitalij Remizov | .... | special thanks | |
| Valentin A. Rodionov | .... | special thanks | |
| Manfred Schmidt | .... | special thanks | |
| Guy Sheppard | .... | special thanks | |
| Jeff Shumway | .... | special thanks | |
| Jeff Springer | .... | special thanks | |
| Alexander Thies | .... | special thanks | |
| Vladimir Tolstoy | .... | special thanks | |
| Valentina Ukhanova | .... | special thanks | |
| Rupert Walters | .... | special thanks | |
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Silly, shallow, sleepy and slow, this sumptuous costume drama about the aging Leo Tolstoy and his long-suffering wife Sophy fails to do several things well.
It fails to give you any insight into why Tolstoy was one of the greatest writers who ever lived. Or why he wanted to give all his money to the poor. Or why he was so desperate to renounce sex. Or how any of this connected to what was actually happening in Russia at the time.
The movie spends hours and hours tittering and giggling over Tolstoy's earthy appetites -- as though it's so extraordinary that older people still enjoy having sex. But we don't get even five minutes of time with the people Tolstoy wants to help -- the Russian peasants. If we can't see them suffering, then Tolstoy's ideas just seem like charming whimsicality. Which is just what this movie wants -- to keep things shallow, so we can celebrate the joys of casual sex (and the gossip and glamor surrounding celebrity couples) and not get all hung up on heavy things like poverty, justice, and human suffering.
One moment sums up the whole problem. Early in the movie, Tolstoy and his wife actually have a rather interesting conversation about the people. Tolstoy says that if they give all their wealth to the peasants the peasants will embrace them as family and they'll all live peacefully in a world without hunger or injustice. Countess Sophy replies tartly that if the peasants ever got their hands on that much money they'd just spend it on whores and drink.
Neither of them brings up a third possibility -- that the peasants HATE them and do not WANT to live in brotherhood. The truth the movie ignores is that sooner or later the peasants will make the beautiful people pay for three hundred years of stealing their food, women, and land. The laziness, corruption, greed, and callousness of the Russian aristocracy -- which the real Count Leo Tolstoy knew only too well -- is entirely absent from this film.
As a result, we entirely miss the real tragedy of a flawed but courageous nobleman trying (too late) to make amends. Instead we get melodrama, sentimentality, and a lot of schoolgirl giggling about sex.
It's like reading PEOPLE magazine instead of War and Peace.