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The Last Station (2009)

7.0
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Ratings: 7.0/10 from 13,485 users   Metascore: 76/100
Reviews: 77 user | 181 critic | 34 from Metacritic.com

A historical drama that illustrates Russian author Leo Tolstoy's struggle to balance fame and wealth with his commitment to a life devoid of material things.

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(screenplay), (based on the novel by)
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Nominated for 2 Oscars. Another 2 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
...
Dushan
...
Sergeyenko
...
...
...
Andrey
Christian Gaul ...
Ivan
Wolfgang Häntsch ...
Priest
...
Reporter
Anastasia Tolstoy ...
Mourning Girl
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Storyline

The Countess Sofya, wife and muse to Leo Tolstoy, uses every trick of seduction on her husband's loyal disciple, whom she believes was the person responsible for Tolstoy signing a new will that leaves his work and property to the Russian people. Written by IMDb Editors

Plot Summary | Add Synopsis

Taglines:

Intoxicating. Infuriating. Impossible. Love.


Motion Picture Rating (MPAA)

Rated R for a scene of sexuality/nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

15 January 2010 (USA)  »

Also Known As:

La última estación  »

Box Office

Budget:

€13,000,000 (estimated)

Opening Weekend:

£135,368 (UK) (19 February 2010)

Gross:

$6,615,578 (USA) (11 June 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Composer Sergei Yevtushenko wrote the entire score after reading the script and before filming had started. Michael Hoffman rejected it on principle but after several months, several composers and other attempts to score the film, he realized that Yevtushenko's score was perfect for the film. See more »

Goofs

When Sofya is looking into Leo Tolstoy's diary it is written in modern Russian orthography which was not used at that time. See more »

Quotes

Sofya Tolstaya: [to Leo] Look at me! This is who I am, *this* is what you married. We may be older, maybe we're old, but I'm still your little chicken. And you're still my big cock.
See more »

Crazy Credits

Special thanks to Samantha - Atticus - Phoebe - Olivia Jade - Joseph - Jasper Rosa - Richard - Cathy - Ben - Leo See more »

Connections

Featured in Breakfast: Episode dated 1 April 2011 (2011) See more »

Soundtracks

Un bel dì vedremo
from "Madama Butterfly"
Giacomo Puccini
Performed by Miriam Gauci (Soprano), Symfonický orchester Slovenského rozhlasu (as CSR Symphony Orchestra)
Conducted by Alexander Rahbari
Licensed courtesy of Naxos Rights International Ltd.
Libretto by Luigi Illica (uncredited) and Giuseppe Giacosa (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The return of big cinema
12 February 2010 | by (United Kingdom) – See all my reviews

The Last Station is described as a melodrama - and I would say that's a fair description. It's the kind of film they don't really make any more. The spirit of David Lean lives on. It's beautiful to look at, for a start, and the music is genuinely incidental, lushing away in the background. We all know that Leo Tolstoy wrote a book, although few of us have the nerve to actually sit down and get to grips with War And Peace. But there was more to the great man than that - in his time he was regarded as godlike, and enjoyed a fairly big cult following, the Tolstoyan Movement, devoted to goodness, purity and equality - as long as it didn't mean the end of the deferential lower classes.

Tolstoy's young secretary Valentin is dropped into this, at the deep end. The 19th century Russian hippies, the fanatically devious disciple Chertkov who wants the great man to sign away the rights to his work, to the Russian People; the hard-pressed but manipulative wife determined to keep it in the family. And the girl who introduces the young man to the pleasures of the flesh. It's a great cast, headed by the unrecognisable Christopher Plummer, and the always marvelous Helen Mirren. The constant undertone in Tolstoy's saga is the disparity between his wish for a good life for the peasants, and the sight of those peasants beavering away in the background while the upper classes get on with their lives of pampered angst.

It's the growing struggle between the disciple and the wife, with the secretary pulled between new and conflicting loyalties, that will grab your attention. You really will care about these people. And what follows is the melodrama. I will say no more, except that it's a big story, told big. Just what Norma Desmond told us we had lost.


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