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The Last Station (2009)

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A historical drama that illustrates Russian author Leo Tolstoy's struggle to balance fame and wealth with his commitment to a life devoid of material things.



(screenplay), (based on the novel by)
Nominated for 2 Oscars. Another 3 wins & 15 nominations. See more awards »



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Complete credited cast:
Christian Gaul ...
Wolfgang Häntsch ...
David Masterson ...
Anastasia Tolstoy ...
Mourning Girl


The Countess Sofya, wife and muse to Leo Tolstoy, uses every trick of seduction on her husband's loyal disciple, whom she believes was the person responsible for Tolstoy signing a new will that leaves his work and property to the Russian people. Written by IMDb Editors

Plot Summary | Add Synopsis


Intoxicating. Infuriating. Impossible. Love.

Motion Picture Rating (MPAA)

Rated R for a scene of sexuality/nudity | See all certifications »

Parents Guide:




| |


Release Date:

26 February 2010 (USA)  »

Also Known As:

La última estación  »

Filming Locations:


Box Office


€13,000,000 (estimated)

Opening Weekend:

$94,093 (USA) (15 January 2010)


$6,615,578 (USA) (11 June 2010)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

2.35 : 1
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Did You Know?


Marks the first joint venture of real-life spouses James McAvoy and Anne-Marie Duff on a feature film. See more »


When Sofya is talking to Vladimir about the new will, the right side of her face varies from being in and out of a shadow between shots. See more »


Sofya Tolstaya: [to Leo] Look at me! This is who I am, *this* is what you married. We may be older, maybe we're old, but I'm still your little chicken. And you're still my big cock.
See more »

Crazy Credits

Anthony Quinn is thanked in the end credits. Quinn was the first to purchase rights to Jay Parini novel. See more »


Featured in 16th Annual Screen Actors Guild Awards (2010) See more »


Gente, gente, all'armi, all'armi
from "Le nozze di Figaro"
Wolfgang Amadeus Mozart
Performed by Mariano Stabile (as Stabile), Ezio Pinza (as Pinza), Aulikki Rautawaara (as Rautawaara), Esther Rethy (as Rethy), Jarmila Novotna (as Novotna), Virgilio Lazzari (as Lazzari), Angelica Cravcenko (as Cravcenko), Chor der Wiener Staatsoper (as Chorus of the Vienna State Opera)/Wiener Philharmoniker (as Vienna Philharmonic Orchestra)
Conducted by Bruno Walter
Licensed Courtesy of Istituto Discografico Italiano.
Libretto by Lorenzo da Ponte (uncredited)
See more »

Frequently Asked Questions

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User Reviews

Like Reading People Magazine Instead of War and Peace
9 April 2010 | by (Troy, NY) – See all my reviews

Silly, shallow, sleepy and slow, this sumptuous costume drama about the aging Leo Tolstoy and his long-suffering wife Sophy fails to do several things well.

It fails to give you any insight into why Tolstoy was one of the greatest writers who ever lived. Or why he wanted to give all his money to the poor. Or why he was so desperate to renounce sex. Or how any of this connected to what was actually happening in Russia at the time.

The movie spends hours and hours tittering and giggling over Tolstoy's earthy appetites -- as though it's so extraordinary that older people still enjoy having sex. But we don't get even five minutes of time with the people Tolstoy wants to help -- the Russian peasants. If we can't see them suffering, then Tolstoy's ideas just seem like charming whimsicality. Which is just what this movie wants -- to keep things shallow, so we can celebrate the joys of casual sex (and the gossip and glamor surrounding celebrity couples) and not get all hung up on heavy things like poverty, justice, and human suffering.

One moment sums up the whole problem. Early in the movie, Tolstoy and his wife actually have a rather interesting conversation about the people. Tolstoy says that if they give all their wealth to the peasants the peasants will embrace them as family and they'll all live peacefully in a world without hunger or injustice. Countess Sophy replies tartly that if the peasants ever got their hands on that much money they'd just spend it on whores and drink.

Neither of them brings up a third possibility -- that the peasants HATE them and do not WANT to live in brotherhood. The truth the movie ignores is that sooner or later the peasants will make the beautiful people pay for three hundred years of stealing their food, women, and land. The laziness, corruption, greed, and callousness of the Russian aristocracy -- which the real Count Leo Tolstoy knew only too well -- is entirely absent from this film.

As a result, we entirely miss the real tragedy of a flawed but courageous nobleman trying (too late) to make amends. Instead we get melodrama, sentimentality, and a lot of schoolgirl giggling about sex.

It's like reading PEOPLE magazine instead of War and Peace.

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