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The Last Station (2009)
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The Last Station (2009)

R  |   |  Biography, Drama, Romance  |  26 February 2010 (USA)
7.0
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Ratings: 7.0/10 from 14,544 users   Metascore: 76/100
Reviews: 79 user | 182 critic | 34 from Metacritic.com

A historical drama that illustrates Russian author Leo Tolstoy's struggle to balance fame and wealth with his commitment to a life devoid of material things.

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Writers:

(screenplay), (based on the novel by)
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Nominated for 2 Oscars. Another 2 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
...
Dushan
...
Sergeyenko
...
...
...
Andrey
Christian Gaul ...
Ivan
Wolfgang Häntsch ...
Priest
...
Reporter
Anastasia Tolstoy ...
Mourning Girl
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Storyline

The Countess Sofya, wife and muse to Leo Tolstoy, uses every trick of seduction on her husband's loyal disciple, whom she believes was the person responsible for Tolstoy signing a new will that leaves his work and property to the Russian people. Written by IMDb Editors

Plot Summary | Add Synopsis

Taglines:

Intoxicating. Infuriating. Impossible. Love.


Motion Picture Rating (MPAA)

Rated R for a scene of sexuality/nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

26 February 2010 (USA)  »

Also Known As:

La última estación  »

Filming Locations:

 »

Box Office

Budget:

€13,000,000 (estimated)

Opening Weekend:

$94,093 (USA) (15 January 2010)

Gross:

$6,615,578 (USA) (11 June 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

There still is a real Tolstoy family, who live in Yasnaya Polyana in Russia. This film was made with their support and they like the film, although they were surprised that one could laugh about Lev. (If you look closely, you can catch Anastasia Tolstoya, an Oxford graduate, in a short scene at the end of the film.) See more »

Goofs

After Tolstoy signs the letter, Bulgakov is seen with the buttons on the right side of his collar instead of the left. It appears the film has been flipped. See more »

Quotes

Sofya Tolstaya: Oh, Leovochka, why do you insist on dressing like that?
Leo Tolstoy: What do you mean, like what?
Sofya Tolstaya: Like a man who looks after the sheep!
Leo Tolstoy: It wasn't meant to offend you.
Sofya Tolstaya: You're a count, for God's sake!
See more »

Crazy Credits

Anthony Quinn is thanked in the end credits. Quinn was the first to purchase rights to Jay Parini novel. See more »

Connections

Featured in Breakfast: Episode dated 1 April 2011 (2011) See more »

Soundtracks

Gente, gente, all'armi, all'armi
from "Le nozze di Figaro"
Wolfgang Amadeus Mozart
Performed by Mariano Stabile (as Stabile), Ezio Pinza (as Pinza), Aulikki Rautawaara (as Rautawaara), Esther Rethy (as Rethy), Jarmila Novotna (as Novotna), Virgilio Lazzari (as Lazzari), Angelica Cravcenko (as Cravcenko), Chor der Wiener Staatsoper (as Chorus of the Vienna State Opera)/Wiener Philharmoniker (as Vienna Philharmonic Orchestra)
Conducted by Bruno Walter
Licensed Courtesy of Istituto Discografico Italiano.
Libretto by Lorenzo da Ponte (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A very enjoyable movie
3 March 2010 | by (United States) – See all my reviews

There is nothing to fault in this movie, really, and pretty much everything to praise.

The script is very good. The characters are fleshed out and developed in complexity as the movie goes along. You continue to learn more about them, see more facets of their character.

And they are realized by first-rate performances. There is not a weak one in the batch.

The direction is also very fine. There is not really much of a plot here; it's more of a character study. Still, the director keeps things moving along, never veering into the sentimental or the cute. You grow to like these characters a lot, but there is no attempt to yank your emotions.

My only very slight reservation about this movie is just a personal preference. I went into it knowing virtually nothing about Tolstoy's life or the movement that was developed out of his later writings. I would have appreciated a little dialogue somewhere explaining more about that. I realize, however, that that is not the norm in modern movies, and I certainly had no problems following what was going on without it. Viewers such as myself will just have to go read a book about Tolstoy for that additional information, which is certainly not a bad thing.

This is not a film for the ages, a Citizen Kane or a Rules of the Game, a Potemkin or such. Still, it is a very well-crafted movie, one that I could easily watch again with no diminished pleasure. One that, as well, I can recommend to anyone who enjoys good acting and watching interesting characters being developed by and through it.


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