Changeling (2008)

User Rating:

8.1/10   

Director:

Clint Eastwood

Writer (WGA):

J. Michael Straczynski (written by)

Release Date:

31 October 2008 (USA)

Genre:

Drama | History | Mystery | Thriller

Tagline:

To find her son, she did what no one else dared.

Plot:

A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.

Plot Keywords:

Police | Boy | Corruption | Single Mother | Missing Child

Awards:

Nominated for 3 Oscars. Another 3 wins & 30 nominations

Cast

Angelina Jolie	...	Christine Collins
Gattlin Griffith	...	Walter Collins
Michelle Gunn	...	Sandy
Jan Devereaux	...	Operator
Erica Grant	...	Operator
Antonia Bennett	...	Operator
Kerri Randles	...	Operator
Frank Wood	...	Ben Harris
Morgan Eastwood	...	Girl on Tricycle
Madison Hodges	...	Neighborhood Girl
John Malkovich	...	Rev. Gustav Briegleb
Colm Feore	...	Chief James E. Davis
Devon Conti	...	Arthur Hutchins
Ric Sarabia	...	Man at Diner
J.P. Bumstead	...	Cook

MPAA:

Rated R for some violent and disturbing content, and language.

Runtime:

141 min

Country:

USA

Language:

Portuguese | English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | Dolby Digital | DTS

Certification:

USA:R (certificate #44429) | UK:15 | Canada:13+ (Québec) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | Ireland:16 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Australia:MA | Finland:K-15 | Denmark:15 | Iceland:16 | Netherlands:16 | Sweden:15 | Japan:PG-12 | South Korea:18 | Czech Republic:15 | Singapore:NC-16 | New Zealand:R16 | Portugal:M/12 (Qualidade) | Brazil:16 | Philippines:R-18 (MTRCB) | Norway:15 | Germany:12 (f) | Hong Kong:IIB | Taiwan:PG-12 | Argentina:13 | Peru:14 | Austria:14 | France:U (with warning) | Mexico:B

Filming Locations:

Daniel Webster Elementary School - 2101 E. Washington Boulevard, Pasadena, California, USA

Company:

Imagine Entertainment

Trivia:

Based on the true story of the Wineville Chicken Coop Murders, also known as the Wineville Chicken Murders.

Goofs:

Continuity: When the 15-year-old accomplice stops digging and rolls on the floor, his overalls are hanging. When the officer tries to pull him up, his overalls are normal.

Quotes:

[first lines]
Christine Collins: Walter, honey. Time to wake up.
Walter Collins: Just ten more minutes...
Christine Collins: Sorry, sport. You can sleep in tomorrow, that's what Saturdays are for.

Movie Connections:

Referenced in "Saturday Night Live: John Malkovich/T.I. (#34.10)" (2008)

An interesting story told well.

Christine Collins: "The boy they brought back is not my son."

ClintEastwood s knows a good story, and he knows how to tell it on film. Not everything he does is as powerful as his depiction of a dynamic female boxer in Million Dollar Baby, for which Hilary Swank won a best actress Oscar among four for the film. In Changeling he presents another strong woman, Christine Collins, played by the notable Angelina Jolie. Because she is directed to weep at almost every turn and regularly underplay her grit, Jolie won't win accolades, nor will Eastwood rack up the nominations as he frequently does in Oscar season. But his adaptation of the historic Wineville Chicken Murders chills with his perceptions about the capriciousness of crime and the determination of those who choose to fight it.

In a Prohibition-era 1928, Collins gets word that the Los Angeles Police Department is returning her kidnapped eight-year old son. When she sees him at the station, a finely directed sequence showing the forces of motherhood and politics clash, she knows it is not her child. LAPD, needing the good publicity, forces her to take the boy overnight with the logic that she is merely in shock. The rest of this overly long thriller carefully traces the discoveries leading to resolutions and disappointments. Along the way, police corruption is exposed, mental institution incarceration of women is laid bare, and grisly serial murdering is slowly detailed.

Yet in this discursive narrative, Eastwood indulges himself beyond Jolie's annoying crying by gratuitously laboring over the details of an execution. The stark San Quentin setting is ghastly and the villain worthy except for the film's obvious criticism of false mental institution lockup, ironic here because this murderer is clearly deranged enough to be determined unfit for trial.

As in every Eastwood production, the values are first-rate, in this case period costuming and vehicles (those Model T's and trolley cars are beautiful). As in Mystic River, Eastwood knows how to splice family and community together in the struggle against organized crime, from street violence to public service malpractice. The activist preacher Reverend Briegleb (John Malkovich) helps bring the worlds together in his radio broadcasts, Malkovich for once playing good well. Eastwood continues to be the director of choice for depicting crimes and heartaches that strike the common citizen at will.

We all should be as productive in our later years. May he extend well beyond his golf-playing days and into our future.