A divorced woman in her thirties fights a losing battle in Munich to attain belated self-fulfillment. The die is cast in a briskly impersonal society geared to male dominance and early training for career women.
At a boarding school in the pre-war Austro-Hungarian Empire, a pair of students torture one of their fellow classmates, Basini, who has been caught stealing money from one of the two. The ... See full summary »
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie ... See full summary »
Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up ... See full summary »
Frenchman Abel Tiffauges likes children, and wants to protect them against the grown-ups. Falsely suspected as child molester, he's recruited as a soldier in the 2nd World War, but very ... See full summary »
A regular day in a Louisiana sugarcane plantation changes course when a local white farmer is shot in self defense. A group of old, black men takes a courageous step by coming forward en ... See full summary »
Louis Gossett Jr.,
Ruth Halbfass has been married to the industrialist Erich Halbfass for sixteen years in a loveless marriage and they have a fourteen year-old teenage daughter, Aglaia. Ruth has a love ... See full summary »
In 1988, Oscar-winning German filmmaker Volker Schlondorff ("The Tin Drum") sat down with legendary director Billy Wilder at his office in Beverly Hills, California and turned on his camera for a series of filmed interviews. The conversation went on for two weeks. The results were aired on German TV in 1992 and debuted on U.S. television when it was shown on Turner Classic Movies in 2006. We are presented with a generous smattering of film clips, rare photographs and artwork, but mostly Wilder just sits in his office and talks with the off screen Schlondorff, moving easily between English and German. Clips shown include: "Double Indemnity," "The Lost Weekend," "A Foreign Affair," "Sunset Blvd.," "Ace in the Hole." "Stalag 17," "Sabrina," "Witness for the Prosecution," "Some Like It Hot," and "The Apartment." Wilder discusses all these films, and the actors in them as well. Mostly, Wilder offers his philosophy of movie making from one of its undisputed masters. As one might expect from... Written by
Same material as "Billy Wilder, wie haben Sie's gemacht?"
Maybe I'm crazy -- entirely possible -- but this seems to me to be identical to "Billy Wilder, wie haben Sie's gemacht?" which is another documentary containing the same interview. I'm not saying it's not edited differently or whatever - I don't know the material that well - but the interview with Wilder seemed the same. He speaks a great deal in German and tells some wonderful stories about Marilyn Monroe, Marlene Dietrich, Audrey Hepburn, the making of Sunset Boulevard and Sabrina, and the films he made about the concentration camps after the war that were shown in Germany.
Wilder was a marvelous raconteur speaking in English or German, and his explanation of why he used "Isn't it Romantic" in so many Paramount films is hilarious, as are his stories of the first showing of Sunset Boulevard and trying to get Monroe to say It's me, Sugar," instead of "Sugar, it's me" in "Some Like it Hot." The stories are unforgettable, which is why I know I already heard them in "Billy Wilder, wie haben Sie's gemacht?" Well worth seeing if you're a fan of Wilder or just a film buff. He was a true genius and a lively personality.
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