7.2/10
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3 user 7 critic

Michtavim Le America (2006)

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2:05 | Trailer
In the early sixties, Hilik, a ten years old boy who lives in Tel Aviv, Torn between his fear that his father, a holocaust survivor, would abandon him, and the wish to make him happy. Hilik... See full summary »

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5 nominations. See more awards »

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Cast

Credited cast:
...
Moishe
...
Rivka (as Jenya Dodina)
Ido Port ...
Hilik
Roy Mayer ...
Jonathan
Ela Armoni ...
Nirit
...
Rozeka
...
Froyeke
Gadi Poor ...
Zaks
Esti Svidenski ...
Batiya
Eli Gorenstein ...
Principal
Rest of cast listed alphabetically:
Arie Adler
Yeshayahu Ben-Israel ...
Ambessy officer
Tamir Buskila
Sima Elkayam ...
Neiboughr
NaAma Ginat ...
Ambessy worker
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Storyline

In the early sixties, Hilik, a ten years old boy who lives in Tel Aviv, Torn between his fear that his father, a holocaust survivor, would abandon him, and the wish to make him happy. Hilik chooses to test his father's love to him, while accepting the risk of loosing him. Written by Hanan Peled

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Drama

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Release Date:

28 December 2006 (Israel)  »

Also Known As:

Dear Mr. Waldman  »

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Budget:

$1,300,000 (estimated)
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(cut)

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(35 mm prints)

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1.66 : 1
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Goofs

A boy with a guitar is heard playing "House of the Rising Sun" as popularized by The Animals, whose recording appeared years later than the time when the movie is set. See more »

Connections

References Spartacus (1960) See more »

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User Reviews

 
A nostalgic look at the Tel Aviv boyhood of the son of survivors
11 January 2008 | by (Detroit, MI) – See all my reviews

At its heart, Dear Mr. Waldman deals with Holocaust survivor Moishe's relationship with two sons, the ten-year-old currently living with him in 1960's Tel Aviv, and the other who perished along with his mother in the camps. On the surface, the living son, Hilik (played by the adorable Ido Port), has the kind of childhood we remember with fond nostalgia. When he's not in with school (with its vivid teachers), he hangs out with a "bad influence" classmate amid the seamy but colorful inhabitants of Tel Aviv's perennially impoverished Florentine neighborhood, and watches Hollywood epics like Spartacus over and over again. But his idyll is spoiled by the ghosts of his father's first family, who in Hilik's nightmares take his father away from him.

The precarious balance tips when Moishe see a newspaper photo of President Kennedy with an adviser whose name is similar to that of his dead son. He is haunted by the absurd notion that this man might actually *be* his dead son, miraculously escaped to America and elevated to high office,and he soon plunges utterly into delusion. It is only with Hilik's help that he is able to break the chains of the past, and reconnect with the land of the living.

Mr. Peled is intimately acquainted with the themes in this movie, because he too had a father whose first wife and young son perished in the Holocaust, and as a son of survivors he too felt an obligation to try to compensate for the horrors his parents went through.

Although the movie deals with Holocaust survivors, it isn't heavy handed or depressing. Instead, the colorful external details of life in Tel Aviv in the 60's are used to set off the main characters' internal struggles.


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