After five years of being married to wealthy executive Rahul Sarin, Pooja has a secret and intimate affair with Lt. Col. Aditya Singh every Thursday, on the pretext of visiting an ailing ...
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A small-time criminal, betrayed by his girlfriend and owing money to a fearsome crime lord, agrees to travel to Goa for a drug deal and becomes involved with a local woman and her much older husband, both of who want to kill each other.
Siddhant Dheer lives a wealthy lifestyle with his brother, Shashank, and sister, Anu. Both Siddhant and Shashank work for India's Anti-Terrorist Cell (ATC), along with Aditya and Aditi. ... See full summary »
While returning home from the marriage of her friend, Ritu Pereira, Neha Verma, an air hostess, witnesses the brutal death of Superintendent of Police Jaidev Singh, at the hands of several ... See full summary »
Sharad S. Kapoor
18 years ago, the Darr family, consisting of Pushkaran and his son, Kunal, were forced to leave Kashmir by terrorists, who had forced thousands of other Kashmiri Pandits to be mere refugees... See full summary »
On a calm summer day in 1991, in the bustling Lokhandwala Complex, five criminals including Maya and Dilip were counting 70 lakhs in flat no. 32 B, when 286 policemen, headed by ACP Khan, ... See full summary »
Honest and diligent police officer Veer Chauhan believes in arresting law-breakers and placed them in the lock-ups for trial in a court of law while his colleague inspector Khan feel that ... See full summary »
Two brothers namely the eldest Baba and the younger one Avinash live in a small apartment in a Bombay city slum. Another orphan named Nawab reside there with them along with there widowed ... See full summary »
Raja (Saif Ali Khan) and Yash Vardhan (Aditya Pancholi) are childhood friends. Though they come from different backgrounds, Raja being poor and Yash being wealthy, they treat each other as ... See full summary »
After five years of being married to wealthy executive Rahul Sarin, Pooja has a secret and intimate affair with Lt. Col. Aditya Singh every Thursday, on the pretext of visiting an ailing aunt, not realizing that Rahul is aware of this; Kabir and Kaamna get high on the highway - and encounter thugs; Mini is accused of being intimate with a male just before her marriage; A husband questions his wife for trying to seduce a terrorist; After re-locating to a flat in Versova, struggling write, Sahil, falls in love with his Missouri-born attractive neighbor, Sia; After a chance encounter with Aman, Anya has second thoughts of getting married to her fiancé, amidst a confession from her dad that he loved another woman; Dino is lured by a beach nymphet with a dark secret; A Hindu Tamil-speaking Mumbai-based maternal grandma, on her way to Pune by train, has encounters with people from different religious faiths; While traveling by bus with her husband, Simran meets a male taking eleven balloons... Written by
'Dus Kahaniyaan' is very much a collection of 10 shorts. None of the stories have anything to do with the other. 6 directors tell their story in 10 short films but only a few are worth watching.
Apoorva Lakhia's "Sex on the Beach": These days one can only expect sleaze where Dino Morea is concerned and this one provides that. It looks like the sleazy version of a story from 'Darna Mana Hai' except this one is boring. Tarina Patel in a cheap bikini trying to pull off Ursula Andreas's famous walk-from-the-sea scene is laughable. This is the worst short of them all.
Sanjay Gupta's "Rise & Fall": I don't understand why Gupta chose to tell this uninteresting story that has been told x number of times already. Well, it is quite known that Gupta is a hack so nothing new there. Sanjay Dutt is decent and Sunil Shetty is bad. The cinematography is good but the action sequences are overdone.
Sanjay Gupta's "Strangers in the Night": The twist in this one will make viewers laugh. From erotic it turns to preachy. Why were these two people having this conversation? Mahesh Manjrekar was lame and Neha Dhupia was alright (she looks sizzling).
Hansal Mehta's "High on the Highway": Another pointless uninteresting story. It tries to be dark but ends up being too messy. Jimmy Shergill hams when he's screaming but otherwise he's okay. Ditto for Masumi Makhija.
Sanjay Gupta's "Matrimony": This is a poor adaptation of Roald Dahl's 'The Colonel's Coat'. It lacks the wit of the original short story and the characters aren't that interesting. Arbaaz Khan fails to impress while Mandira Bedi and Sudhanshu Pandey are just okay.
Jasmeet Dhodhi's "Lovedale": What i liked about this one was Anuradha Patel. OK, she was there only in one scene (and does a good job) but it's remarkable to see how little she's changed in 20 years (I last saw her in 'Ijaazat'). The story is nice but seems a little too rushed, hence unbelievable. Anupam Kher is forgettable. Neha Oberoi looks sleepy and Aftab Shivdasani is average.
Sanjay Gupta's "Zahir": This is one of those stories with a message. It's not as engaging but what makes it watchable is Manoj Bajpai's performance. The actor displays Saahil's easy-going nature, his loneliness and his sexual frustration with tremendous ease. Diya Mirza shows improvement as an actress.
Meghna Gulzar's "Pooranmashi": A tragic tale of a mother and daughter. It's one of the shortest stories but also most effective. Amrita Singh is fantastic and Minisha Lamba is really cute and does a fine job. The story is a little predictable but this one engages far more than the other seven mentioned above.
Sanjay Gupta's "Gubbare": A touching story. The story sounds familiar but the dialogues seem genuine. Gupta does a good job with this one. Nana Patekar is wonderful. Rohit Roy and Anita Hassandani are very competent. This is a nice one.
Rohit Roy's "Rice Plate": Save the best for last. This one is the best among the 10 shorts not only because of two of the most accomplished actors, but also because of the way the story is told. Roy tackles relevant issues concerning religion and prejudice but he does it with a wonderful balanced sense of humour, that doesn't prevent the message to get through. It's great to see Naseeruddin Shah and Shabana Azmi work together after years. Azmi is hilarious as the eccentric Brahmin while Shah downplays his part with dignity. Rohit Roy shows great promise as a director and perhaps this is a career-path he can consider. This one is a treat to watch.
On the whole, it is the last three shorts that I liked the most while the rest did not make much of an impression but one big flaw is that none of the stories are original and most of them have been plagiarized. I'd say watch it only for the three good.
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