Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. ... See full summary »
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Following her sister's death from drug addiction, a high school student is forced to leave her private school to return to her old, crime-filled neighborhood where she re-kindles an unlikely passion for the competitive world of step dancing.
Ian Iqbal Rashid
Lauryn is a girl from Indiana who wants to be a dancer. So she tries to audition for a dance school in Chicago, when she fails to impress them. They tell her to come back for the second audition which will be in a few weeks and to also try to do something different. But in the meantime, after her car gets towed and not wanting to return to Indiana; to her brother, who doesn't exactly support her, she gets a job at a burlesque club. And while there she discovers a different kind of dance. Written by
The facade of the Dance school Lauryn walks into is the "Centennial Concert Hall" in Winnipeg, Canada. See more »
In the scene were Lauren dances onstage at Ruby's for the first time, as she goes into her starting pose, she realizes that she is too fair to the left (viewer's left, her right) of the stage and adjusts herself so her silhouette (outline) is right in the middle of the sliding stage door (at the line where the doors meet). However, in the very next shot her silhouette is now to the right (viewer's right) of the middle/door split. See more »
Maybe he was upset cos you were so bad.
Ease off Carmen, she was killing it.
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It was no surprise that, throughout Make It Happen's 80-minutes duration, one would find this latest dance flick (helmed by occasional music director, Darren Grant) riddled with the most tiresome and obnoxious clichés that the genre could offer across its existence. Yes, to be fair, the film seems to be borrowing each scene from similarly plotted features. Yet, in one way or another, Make It Happen seems to present all of them just that better.
One of the flick's greatest and most undeniable asset would be lead Mary Elizabeth Winstead, who displays some of her best work here. It's hard not to swoon for Winstead, who switches from ferocious, limb-swinging urban dancer to ingénue, down-to-earth, corn-fed small town girl with impressive and flawless flair. She seems born for the role, radiating an unbelievable amount of charm, and drawing life into a well-written character. Despite having been supplied with a prosaic script, Winstead performs admirably well, both on and offstage.
Regardless of Winstead's poetic beauty, the film lacks a substantial screenplay, and every line feels tacky and uninspired. It's safe to say that the film is no more scripted than it is choreographed. Adler's libretto felt unremarkably familiar, and, with or without hindsight, you could almost tell how the film will unfold before the lights dim down. It was fortunate that the rest of the troops, though never coming close to stealing the show (leave that to Winstead), played their - stereotypical - parts adequately, with the provocative Julissa Bermudez standing out exiguously.
The film's lack of flesh on show is an affront to the cast's sensual, slinky sex appeal, and it is hard to find that the clubgoers are majorly made up of cheering females, rather than drooling guys. However, the dances are already enticing in nature, so more skin would not have been necessary, but simply more effective. Speaking of, the dance sequences are entertainingly beautiful, aided with a catchy soundtrack, and as a whole, undeniably a visual and aural delight - a testament to the eyes and ears.
Make It Happen is not much a film rather than a montage of energetic dance romps, connected solely by filler sequences enlaced with drama and romance. That said, they are good sequences of drama, as Winstead's verisimilar approach to her character enlivens each of the film's dramatic scenes. The same cannot be said for the sequences of romance though. Try as they might, the pairing of Winstead and Smith lacks chemistry, and as a result, the film is forced to present a dull romance that you couldn't care for. It doesn't help that Smith's character is near unlikable - as another critic put it - "a smarmy douche".
All the same, Grant's experience in the music video industry helped a lot here. Stunning cinematography entwine each scene, and the dance sequences are nothing short of being optically magnificent. Although there might not be much to entertain those with a passionate dislike of this variety, it is nevertheless a fine installment into the dance genre. Make It Happen passes as both a short, drama film entwined with great dance sequences, and an overtly long, energetic music video interweaved with filler drama scenes. However you put it, I believe Make It Happen is still a decent film.
Verdict: Darren Grant has crafted an enjoyable popcorn dance flick, an improvement over the recent additions to the genre. There's still much room for improvement, but Winstead's soulful performance atones for much of the flaws. Nevertheless, its feeble screenplay and extremely predictable fade-out could not go off easily unnoticed.
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