In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
Father Greg Pilkington (Linus Roache) is torn between his call as a conservative Catholic priest and his secret life as a homosexual with a gay lover, frowned upon by the Church. Upon ... See full summary »
PRIEST, a post-apocalyptic sci-fi thriller, is set in an alternate world -- one ravaged by centuries of war between man and vampires. The story revolves around a legendary Warrior Priest from the last Vampire War who now lives in obscurity among the other downtrodden human inhabitants in walled-in dystopian cities ruled by the Church. When his niece is abducted by a murderous pack of vampires, Priest breaks his sacred vows to venture out on a quest to find her before they turn her into one of them. He is joined on his crusade by his daughter's boyfriend, a trigger-fingered young wasteland sheriff, and a former Warrior Priestess who possesses otherworldly fighting skills. Written by
In many scenes, the cross on Priest's face, which is supposed to be a tattoo, is wiped off from the end of his nose and reappears as a full cross. One of the most noticeable moments in a short time span is at the Nightshade Reservation. Priest has one of the familiars pinned to the ground and when the camera focuses on his face, the end of the cross has been wiped off. Camera switches back to the familiar who points to the sky and when Priest turns to face the sun, the cross is fully drawn on again. See more »
[Priest is carving crosses into bullets]
What's with all the bullets? I thought priests didn't use firearms.
We don't. They're for you.
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Mozart III Sequentia: Dies irae (Requiem in D minor K. 626)
Written by Wolfgang Amadeus Mozart (as W. A. Mozart)
Performed by Berliner Philharmoniker - Conductor Herbert von Karajan, Organ: Rudolf Scholz, Choir: Wiener Singverein, Chorus Master: Helmuth Froschauer
Courtesy of Deutsche Grammophon See more »
Like Equilibrium meets Mutant Chronicles minus the depression
Don't get me wrong I'm not going to gush about how great this film was, but to be fair it didn't insult my intelligence either and that's a big plus for me when it comes to films these days. I purposely avoided reading any literature in relation to the "story" of Priest to avoid any bias or pointless expectations.
I wanted to judge it based on what was told in the film alone and honestly I have no complaints as far as the story development went, it was pretty straight forward with the plot, the characters were put into position early on, no dicking about with badly handled sub-plots and phony intrigue. I wouldn't consider this to be a pretentious movie in any way, it's says what it's about from the beginning and it doesn't deviate from that narrative, it doesn't bring in (or keep) useless characters, (unlike "Sucker Punch"), it's a gateway movie but it doesn't treat it's support characters like balsa wood cut-outs (i.e "Thor")
Sure there could have been more action but what action there was, was nicely done, visuals weren't eye popping gorgeous but suited the film none-the-less. This was a lean movie, no needless fluff no overly complex ungainly plot just a "wham bam thank you ma'am" type deal.
This is one of the rare times I'm looking forward to a sequel.
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