When a group of strangers at a dusty roadside diner come under attack by demonic forces, their only chance for survival lies with an archangel named Michael, who informs a pregnant waitress that her unborn child is humanity's last hope.
Charles S. Dutton
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
PRIEST, a post-apocalyptic sci-fi thriller, is set in an alternate world -- one ravaged by centuries of war between man and vampires. The story revolves around a legendary Warrior Priest from the last Vampire War who now lives in obscurity among the other downtrodden human inhabitants in walled-in dystopian cities ruled by the Church. When his niece is abducted by a murderous pack of vampires, Priest breaks his sacred vows to venture out on a quest to find her before they turn her into one of them. He is joined on his crusade by his niece's boyfriend, a trigger-fingered young wasteland sheriff, and a former Warrior Priestess who possesses otherworldly fighting skills. Written by
The animated opening was more of a compromise solution because the studios had no interest in going over budget for a live-action version of the century-long battle of humans against vampires, so the scene was done by animation which was much cheaper to realize. See more »
When Priest readies himself to leave the city, his hands change from being wrapped to unwrapped then back to wrapped when he gets his motorcycle. See more »
[after Priest explained that Hicks should anticipate a vampire's move, he had to learn how to see their movement from Point A to Point B. And Hicks was apparently learning because he just, finally, shot a vampire]
Point A? Meet point fucking B.
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Priest was exactly what I'd hoped for... Visually stunning, great action and fight scenes, decent effects - and in my case being a red-blooded woman, plenty of eye candy. I don't go into these sci-fi/action/monster movies expecting Oscar-caliber story and dialog, so when critics pan these movies for that sort of thing, I just roll my eyes and know I'll probably love it. Maybe that makes me simple, but I go to the movies to escape reality not drown in more of it, so Priest did the trick. I liked it enough to hope they get a sequel out of it.
Paul Bettany and Karl Urban both did a great job in their roles, as did Maggie Q. We were forced to see it in 3D because we missed the 2D show (but at least there was a choice). I tend to not care either way, and go for 2D over paying the '3D tax', but there were some aerial views that were pretty cool in 3D. If you dig dark, fun movies like 'Underworld,' you'll probably like Priest and like any dark, graphic-novel adaptation, it's worth seeing on the big screen for the imagery.
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