When a group of strangers at a dusty roadside diner come under attack by demonic forces, their only chance for survival lies with an archangel named Michael, who informs a pregnant waitress that her unborn child is humanity's last hope.
Charles S. Dutton
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
PRIEST, a post-apocalyptic sci-fi thriller, is set in an alternate world -- one ravaged by centuries of war between man and vampires. The story revolves around a legendary Warrior Priest from the last Vampire War who now lives in obscurity among the other downtrodden human inhabitants in walled-in dystopian cities ruled by the Church. When his niece is abducted by a murderous pack of vampires, Priest breaks his sacred vows to venture out on a quest to find her before they turn her into one of them. He is joined on his crusade by his niece's boyfriend, a trigger-fingered young wasteland sheriff, and a former Warrior Priestess who possesses otherworldly fighting skills. Written by
In many scenes, the cross on Priest's face, which is supposed to be a tattoo, is wiped off from the end of his nose and reappears as a full cross. One of the most noticeable moments in a short time span is at the Nightshade Reservation. Priest has one of the familiars pinned to the ground and when the camera focuses on his face, the end of the cross has been wiped off. Camera switches back to the familiar who points to the sky and when Priest turns to face the sun, the cross is fully drawn on again. See more »
[With an evil smirk]
After all, if you're not committing sin... you're not having fun.
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I loved Priest. It was a visually stunning piece of art, very beautiful even in the post-apocalyptic world in which it was set. Each scene was thoughtfully composed and really pulled you into the film... even without that annoying 3D. (I saw it in 2D and completely loved every second.) I've never read the comics so I didn't have any preconceived notions about what I'd be getting into. The film's composition, pace, story, and overall look are what drew me in, the characters kept me there. Sure there were a few "surprises" that weren't really surprises, but that's only because I don't think they were intended to be surprises to the audience, only to other characters.
Karl Urban is awesome (all the time, not just in Priest ;)) and Paul Bettany is a quiet, understated hero in the title role. Even the music was gorgeous.
Highly recommended. =D
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