In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
Father Greg Pilkington (Linus Roache) is torn between his call as a conservative Catholic priest and his secret life as a homosexual with a gay lover, frowned upon by the Church. Upon ... See full summary »
While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
Paul W.S. Anderson
PRIEST, a post-apocalyptic sci-fi thriller, is set in an alternate world -- one ravaged by centuries of war between man and vampires. The story revolves around a legendary Warrior Priest from the last Vampire War who now lives in obscurity among the other downtrodden human inhabitants in walled-in dystopian cities ruled by the Church. When his niece is abducted by a murderous pack of vampires, Priest breaks his sacred vows to venture out on a quest to find her before they turn her into one of them. He is joined on his crusade by his niece's boyfriend, a trigger-fingered young wasteland sheriff, and a former Warrior Priestess who possesses otherworldly fighting skills. Written by
In many scenes, the cross on Priest's face, which is supposed to be a tattoo, is wiped off from the end of his nose and reappears as a full cross. One of the most noticeable moments in a short time span is at the Nightshade Reservation. Priest has one of the familiars pinned to the ground and when the camera focuses on his face, the end of the cross has been wiped off. Camera switches back to the familiar who points to the sky and when Priest turns to face the sun, the cross is fully drawn on again. See more »
The church teaches us that the eyes are the windows to the soul. And that since vampire evolved without eyes, it is a soulless creature, to be eradicated. And I have seen the soul of the vampire, and let me tell you that it is far more pure than that of any man. Now you ask me what I am. I am the bringer of the tide. I am the wave that will wash clean this unclean world. And you, and your Priest, will help me do it.
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Mozart III Sequentia: Dies irae (Requiem in D minor K. 626)
Written by Wolfgang Amadeus Mozart (as W. A. Mozart)
Performed by Berliner Philharmoniker - Conductor Herbert von Karajan, Organ: Rudolf Scholz, Choir: Wiener Singverein, Chorus Master: Helmuth Froschauer
Courtesy of Deutsche Grammophon See more »
Priest was exactly what I'd hoped for... Visually stunning, great action and fight scenes, decent effects - and in my case being a red-blooded woman, plenty of eye candy. I don't go into these sci-fi/action/monster movies expecting Oscar-caliber story and dialog, so when critics pan these movies for that sort of thing, I just roll my eyes and know I'll probably love it. Maybe that makes me simple, but I go to the movies to escape reality not drown in more of it, so Priest did the trick. I liked it enough to hope they get a sequel out of it.
Paul Bettany and Karl Urban both did a great job in their roles, as did Maggie Q. We were forced to see it in 3D because we missed the 2D show (but at least there was a choice). I tend to not care either way, and go for 2D over paying the '3D tax', but there were some aerial views that were pretty cool in 3D. If you dig dark, fun movies like 'Underworld,' you'll probably like Priest and like any dark, graphic-novel adaptation, it's worth seeing on the big screen for the imagery.
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