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Priest (2011)

PG-13 | | Action, Fantasy, Horror | 13 May 2011 (USA)
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A priest disobeys church law to track down the vampires who kidnapped his niece.

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Writers:

, (graphic novel series "Priest")
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2,751 ( 153)
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Monsignor Orelas
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Shannon Pace
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Boy
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Crocker
Joel Polinsky ...
Dr. Tomlin
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Familiar
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Familiar
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Storyline

PRIEST, a post-apocalyptic sci-fi thriller, is set in an alternate world -- one ravaged by centuries of war between man and vampires. The story revolves around a legendary Warrior Priest from the last Vampire War who now lives in obscurity among the other downtrodden human inhabitants in walled-in dystopian cities ruled by the Church. When his niece is abducted by a murderous pack of vampires, Priest breaks his sacred vows to venture out on a quest to find her before they turn her into one of them. He is joined on his crusade by his niece's boyfriend, a trigger-fingered young wasteland sheriff, and a former Warrior Priestess who possesses otherworldly fighting skills. Written by Screen Gems

Plot Summary | Plot Synopsis

Taglines:

Vampire Killer See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violence and action, disturbing images and brief strong language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

13 May 2011 (USA)  »

Also Known As:

Priest - El vengador  »

Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend:

£396,038 (UK) (6 May 2011)

Gross:

$29,136,626 (USA) (17 June 2011)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Karl Urban gets to give a severe thrashing to Brad Dourif in this movie, after having been prevented from doing so by another character in The Lord of the Rings: The Two Towers (2002). See more »

Goofs

In many scenes, the cross on Priest's face, which is supposed to be a tattoo, is wiped off from the end of his nose and reappears as a full cross. One of the most noticeable moments in a short time span is at the Nightshade Reservation. Priest has one of the familiars pinned to the ground and when the camera focuses on his face, the end of the cross has been wiped off. Camera switches back to the familiar who points to the sky and when Priest turns to face the sun, the cross is fully drawn on again. See more »

Quotes

Hicks: [Priest is carving crosses into bullets] What's with all the bullets? I thought priests didn't use firearms.
Priest: We don't. They're for you.
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Connections

Featured in Projector: Priest (2011) See more »

Soundtracks

Mozart: 3. Sequentia: Tuba mirum (Requiem in D minor, K. 626)
Written by Wolfgang Amadeus Mozart (as Mozart)
Performed by The Academy of St. Martin-in-the-Fields (as The Academy of St. Martin in the Fields) - Conductor Neville Marriner (as Sir Neville Marriner)
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
Short, slick and vacuous.
7 May 2011 | by (United Kingdom) – See all my reviews

Based on the long-running Korean comic of the same name, Priest is one of those films that's been stuck in development hell for the last few years, running a gauntlet of director and lead actor changes and more recently, coping with a series of release date delays in order to facilitate the inevitably shoddy post-production conversion to 3D that's currently so beloved of mainstream cinema.

The added dimension isn't going to win any prizes - for the most part it is relatively pointless, and the world in which Priest takes place is not interesting enough to require any additional depth.

The ever-reliable Paul Bettany stars as the titular character. Stoic to the end, he's not your typical priest - more a deadly weapon, specialising in martial arts and weapons skills that make him the perfect killer. He exists in a time where vampires are a horrifying reality, battling humans for control of a conflict-ridden, barren wasteland punctuated only by large, soulless, church-controlled cities where humans live only for their faith and 'an honest day's labour'.

You don't watch films like this expecting an Oscar-winning tale, and action-wise, Priest is fairly solid, packing in a series of high-octane fights and chases for its duration. Helmer Scott Stewart knows where to put a camera in order to maximise the impact upon the viewer, and the oil-slick manner in which everything is filmed shows a director moving away from his previous field as a visual effects specialist and having a decent stab at mastering his craft.

Unfortunately, there's not a lot going on when knives and bullets aren't being flung around - the supporting cast of Cam Gigandet, Maggie Q and Karl Urban are given next to nothing to do and the dialogue serves only to move the film along to its next set-piece. Story-wise, it's paper-thin, and it's difficult to care about the motivation of any character when the levels of emotion on display resemble that of Mount Rushmore.

It is also strangely edited - 87 minutes is very short for a film with this kind of budget, and there's all manner of blunt cuts that give credence to the theory that there was once a longer, potentially better film here.

So, was Priest worth the wait? Not particularly, but for all its faults, it certainly has promise. Depending on box office performance, it could really benefit from a deeper, beefed-up sequel along the lines of Blade II. The good news is that there's plenty of source material available for a return to this mythology - it's just a shame that it's as shallow as the film it's spawned.


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