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Directed by | |||
| David Frankel | |||
Writing credits(WGA) | ||
| Scott Frank | (screenplay) and | |
| Don Roos | (screenplay) | |
| John Grogan | (book) | |
Produced by | |||
| Joseph M. Caracciolo Jr. | .... | executive producer (as Joe Caracciolo Jr.) | |
| Arnon Milchan | .... | executive producer | |
| Gil Netter | .... | producer | |
| Karen Rosenfelt | .... | producer | |
Original Music by | |||
| Theodore Shapiro | (music by) | ||
Cinematography by | |||
| Florian Ballhaus | (director of photography) | ||
Film Editing by | |||
| Mark Livolsi | (film editor) | ||
Casting by | |||
| Margery Simkin | |||
Production Design by | |||
| Stuart Wurtzel | |||
Art Direction by | |||
| W. Steven Graham | |||
Set Decoration by | |||
| Hilton Rosemarin | |||
Costume Design by | |||
| Cindy Evans | |||
Makeup Department | |||
| Caridad 'Cuqui' Collazo | .... | key hair stylist (as Caridad Collazo) | |
| Felice Diamond | .... | key makeup artist | |
| Tina Earnshaw | .... | makeup artist: Owen Wilson | |
| Kelsie Gigandet | .... | hair stylist: Jennifer Aniston | |
| Geraldine Jones | .... | hair stylist: Owen Wilson (as Gerry Jones) | |
| Angela Levin | .... | makeup artist: Jennifer Aniston | |
| Chris McMillan | .... | hair stylist: Jennifer Aniston | |
| Diane Dixon | .... | hair stylist (uncredited) | |
| Linda Schonning | .... | additional hair stylist: crowd (uncredited) | |
Production Management | |||
| Aaron Downing | .... | executive in charge of post-production | |
| Jeffrey Harlacker | .... | post-production supervisor | |
| Dana Robin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Rebecca Baughman | .... | second second assistant director | |
| Steve Dale | .... | additional second assistant director | |
| Stephen Lee Davis | .... | first assistant director (as Stephen L. Davis) | |
| Jessica Franks | .... | second second assistant director | |
| Greg Gilman | .... | second second assistant director | |
| Vanessa Hoffman | .... | second assistant director | |
Sound Department | |||
| Patrick Arnheim | .... | adr artist | |
| Bob Chefalas | .... | additional sound re-recording mixer | |
| Rick Chefalas | .... | first assistant sound editor | |
| Marko A. Costanzo | .... | foley artist | |
| Greg Farrell | .... | adr engineer | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Joe Foglia | .... | sound mixer | |
| Kenton Jakub | .... | adr editor | |
| Bret Johnson | .... | sound re-recordist | |
| George A. Lara | .... | foley mixer | |
| Stefano Mascitti | .... | synchronization | |
| Paloma Mele | .... | assistant sound editor | |
| Jason Miller | .... | sound utility | |
| Michael Pisano | .... | sound utility | |
| Eric Potter | .... | sound effects recordist | |
| Nicholas Renbeck | .... | supervising sound editor | |
| Ray Rifice | .... | additional sound mixer | |
| K.H. Santy | .... | boom operator | |
| Timothia Sellers | .... | sound utility | |
| Wyatt Sprague | .... | sound effects editor | |
| Greg Steele | .... | adr mixer | |
| Lidia Tamplenizza | .... | assistant sound editor | |
| Paul Tirone | .... | sound re-recordist | |
| Paul Urmson | .... | additional sound re-recording mixer | |
| Paul Urmson | .... | supervising sound editor | |
| Steven Visscher | .... | supervising foley editor (as Steve Visscher) | |
| Greg Zimmerman | .... | adr recordist | |
| Lawrence Zipf | .... | apprentice sound editor (as Larry Zipf) | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Jeremy S. Brock | .... | special effects technician | |
| J.C. Brotherhood | .... | special effects supervisor | |
| Harry F. Brown | .... | special effects best boy: local snow effects (as Harry Brown) | |
| James Carter | .... | special effects technician | |
| Derrick Crane | .... | snow effects: Pennslyvannia | |
| Gary Giffune | .... | special effects technician | |
| John E. Gray | .... | snow effects coordinator (as John Gray) | |
| Bruce E. Merlin | .... | special effects coordinator | |
| Jared Merlin | .... | special effects technician | |
| Dan Yeager | .... | snow effects: Pennslyvannia (as Daniel Yeager) | |
Visual Effects by | |||
| Casey Allen | .... | senior flame artist | |
| Spencer Armajo | .... | flame artist | |
| Mike Ash | .... | digital artist: Pixel Magic | |
| Anthony Barcelo | .... | digital compositor | |
| Trent Claus | .... | flame artist | |
| Molle DeBartolo | .... | digital intermediate coordinator | |
| Victor DiMichina | .... | visual effects producer: Pixel Magic | |
| Patrick Flanagan | .... | digital compositor | |
| Jim Gorman | .... | digital compositor | |
| Craig Hilditch | .... | digital compositor | |
| Jeremy Hunt | .... | visual effects artist | |
| Chris Ingersoll | .... | flame artist | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Gabriel Köerner | .... | digital artist: Pixel Magic (as Gabe Koerner) | |
| Lawrence Littleton | .... | digital artist: Pixel Magic | |
| Steven Lloyd | .... | digital artist: Pixel Magic (as Steve Lloyd) | |
| Jose E. Lopez | .... | dustbuster | |
| Chris MacKenzie | .... | smoke artist | |
| Ray McIntyre Jr. | .... | visual effects supervisor: Pixel Magic (as Ray McIntyre) | |
| Brad Moylan | .... | digital compositor: Pixel Magic | |
| Thomas Nittmann | .... | visual effects | |
| David Ridlen | .... | digital artist: Pixel Magic | |
| Mark Robben | .... | digital artist: At The Post | |
| Michael Saz | .... | digital compositor | |
| Ray Scalice | .... | general manager: Pixel Magic | |
| Wayne A. Shepherd | .... | visual effects supervisor: At The Post | |
| Hudson Shock | .... | digital artist: Pixel Magic | |
| Norie Varga | .... | digital artist | |
| Edson Williams | .... | visual effects supervisor: lola visual effects | |
| Ryan Zuttermeister | .... | associate visual effects producer: Lola Visual Effects | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator | |
| Billy Bates | .... | stunt driver | |
| Rosie Bernhard | .... | stunt driver | |
| Chick Bernhardt | .... | stunt driver | |
| John Cenatiempo | .... | stunt coordinator | |
| Blaise Corrigan | .... | stunt coordinator | |
| Stacy Courtney | .... | stunt double: Jennifer Aniston | |
| Eddie J. Fernandez | .... | stunt driver | |
| Cort Hessler | .... | stunt driver | |
| Howard S. Lefstein | .... | stunt double | |
| Paul Marini | .... | stunts | |
| Joni Podesta | .... | stunt double | |
| Nancy Wetzel | .... | stunt driver | |
Casting Department | |||
| Danielle Colli | .... | casting assistant | |
| Regina Haigh | .... | casting assistant | |
| Regina Haigh | .... | extras casting | |
| Diane Heery | .... | extras casting | |
| Justine Hempe | .... | casting associate | |
| Slaine Jenkins | .... | casting assistant | |
| Phyllis Karpinski | .... | casting associate | |
| Jason Loftus | .... | extras casting | |
| Jason Loftus | .... | location casting | |
| Jennifer Painter | .... | casting assistant | |
| L.E. Wallace | .... | casting associate: Lori Wyman Casting | |
Costume and Wardrobe Department | |||
| Brooke Fein | .... | set costumer | |
| Mary Fox | .... | set costumer | |
| Risa Garcia | .... | costumer: Owen Wilson | |
| Honora Jackson | .... | costumer | |
| Anne Laoparadonchai | .... | costumer: Jennifer Aniston | |
| Patricia McLaughlin | .... | costume supervisor | |
| Kara Morasco | .... | tailor | |
| Lisa Parmet | .... | key costumer | |
Editorial Department | |||
| Steve Beganyi | .... | colorist: HD previews | |
| Mitchell Ferm | .... | digital intermediate producer | |
| Joe Gawler | .... | digital intermediate colorist | |
| William Kruzykowski | .... | first assistant editor | |
| Jack Lewars | .... | digital intermediate assistant colorist | |
| Ralph Perez | .... | colorist: dailies | |
| Mathieu Reid | .... | color timer | |
| David Rogow | .... | additional editor | |
| David Rogow | .... | first assistant editor | |
| Gina Sansom | .... | post-production assistant | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Bryan Carrigan | .... | digital score recordist | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Dan DiPrima | .... | supervising music editor | |
| George Doering | .... | musician | |
| Thomas S. Drescher | .... | music editor | |
| Chris Fogel | .... | music mixer | |
| Chris Fogel | .... | music recordist | |
| Ludwig Göransson | .... | composer: additional music | |
| Mike Knobloch | .... | music executive | |
| Paul Lamalfa | .... | assistant music engineer | |
| Tim Lauber | .... | score recordist | |
| Julia Michels | .... | music supervisor | |
| Kevin Mills | .... | assistant music engineer | |
| Francesco Perlangeli | .... | music stage manager | |
| Victor Pesavento | .... | music preparation | |
| Jasper Randall | .... | choir contractor | |
| Peter Rotter | .... | music contractor | |
| Andrew Shulman | .... | musician | |
| Tom Steel | .... | music stage manager | |
| James Thatcher | .... | musician: french horn | |
Transportation Department | |||
| Michael Kelly | .... | driver | |
| Nicholas Krouse | .... | driver: ShaunPaul Costello | |
| William 'Mac' Maquez | .... | driver | |
| Thomas McGoldrick | .... | transportation co-captain | |
| Edward O'Donnell | .... | transportation coordinator | |
| Richard P. Pecora | .... | transportation captain | |
| David Sullivan | .... | driver: cast | |
| K.C. Colebrooke | .... | driver: cast (uncredited) | |
Other crew | |||
| Sophie Arnold-Bluestone | .... | production assistant | |
| Sarah Arvanites | .... | talent production assistant | |
| Jan Ascanio | .... | production assistant | |
| Amy Barnes | .... | production secretary | |
| Raymond W. Beal | .... | animal trainer | |
| Ashley Bissing | .... | production assistant | |
| Brooks Boutwell | .... | location assistant | |
| Jane Bulmer | .... | assistant: Arnon Milchan | |
| Robert Cahoon | .... | assistant production coordinator | |
| Luke Cartwright | .... | runner | |
| Adrian Casas | .... | production coordinator: second unit | |
| Charles Castilla | .... | epk dp | |
| Emmy Castlan | .... | assistant: Karen Rosenfelt (as Emmy Castlen) | |
| Al Cerullo | .... | helicopter pilot | |
| Lee Cipolla | .... | production assistant | |
| Lisa Cofini | .... | post production accountant | |
| Linda Colangelo | .... | unit publicist (as Linda McGhan) | |
| Pierre M. Coleman | .... | production secretary | |
| James Connors | .... | production assistant | |
| Tracy L. Connors | .... | key set production assistant | |
| Shaun Paul Costello | .... | stand-in: Owen Wilson | |
| Candace B. Cothern | .... | animal trainer | |
| Aidan Orion Crawford | .... | assistant: Kevin Halloran | |
| Divi Crockett | .... | production assistant | |
| Amy Cutler | .... | location assistant | |
| Matilda de Cagny | .... | lead animal trainer (as Mathilde De Cagny) | |
| Justin Dec | .... | set production assistant | |
| Melissa Demyan | .... | stand-in: Jennifer Aniston | |
| Steve Eckelman | .... | assistant: Owen Wilson | |
| Brett Eidelman | .... | second assistant accountant | |
| Verena Faden | .... | secondnd assistant to David Frankel & producers | |
| Karen Faust | .... | first assistant accountant | |
| Mark Forbes | .... | head animal trainer | |
| John Galloway | .... | location assistant | |
| Ellen Gannon | .... | production coordinator | |
| Brandon Goodman | .... | set production assistant | |
| Dan Gorman | .... | location scout | |
| Chris Gormley | .... | location assistant | |
| Jim Gourley | .... | office production assistant | |
| Amanda Greenblatt | .... | assistant: David Frankel & Joe Caracciolo Jr. | |
| Duck Grossberg | .... | data manager | |
| Al Guthery | .... | helicopter pilot | |
| Christian Hall | .... | continuity | |
| Lauren Harrison | .... | additional set production assistant | |
| Kristyn Hume | .... | main title design | |
| David Jennis | .... | set production assistant | |
| Marc H. Katz | .... | craft service | |
| Carmita Lasso | .... | production assistant | |
| Candice LeClaire | .... | construction accountant | |
| April Mackin | .... | animal trainer | |
| Larry Madrid | .... | lead animal trainer | |
| Melissa Manousos | .... | office production assistant | |
| Todd A. Marks | .... | computer/video playback supervisor | |
| Lizzie McCausland | .... | production assistant | |
| Lauren McGarry | .... | parking assistant | |
| Mack McKelvey | .... | craft service | |
| Bruce Merwin | .... | epk cameraman | |
| Caroline Miller | .... | second assistant accountant | |
| Joshua Otis Miller | .... | computer/video playback assistant | |
| Christie Moreau | .... | adr loop group | |
| Sean Oliver | .... | adr loop group | |
| Jelena Panfilova | .... | stand-in | |
| Mark J. Parker | .... | stand-in: Owen Wilson | |
| Larry Payne | .... | animal trainer | |
| Bill Phillips | .... | key second assistant accountant | |
| Marcel Pinkowski | .... | location assistant | |
| Susanne Ragnarsson | .... | key assistant location manager | |
| Giovanni Rodriguez | .... | set production assistant | |
| Julian Ruhe | .... | assistant location manager | |
| Lori Scowley | .... | production accountant | |
| Bryan Smiley | .... | assistant: Arnon Milchan | |
| Patricia Taggart | .... | location manager | |
| Sam Tedesco | .... | location manager | |
| Joel Tokarsky | .... | payroll accountant | |
| Susan Torri | .... | clearance coordinator | |
| Susan Torri | .... | research consultant (as Suzy Torri) | |
| Sheila Waldron | .... | script supervisor | |
| James P. Warren | .... | dog trainer (as James Warren) | |
| Mario Xavier | .... | production assistant | |
| Kelly Young | .... | assistant: Gil Netter | |
| Arturo Mendez | .... | film painter (uncredited) | |
| Peter Pamela Rose | .... | adr loop group (uncredited) | |
Thanks | |||
| Johann Benét | .... | very special thanks | |
| Riley Kathryn Ellis | .... | special thanks | |
| Drew Reed | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
After reading some of the outlandish bad reviews, I had to comment on this film. I know people's perceptions differ, but some of the bad reviews are so exaggerated and are, lack of a better word, incorrect! I was hesitant about going to see just another generic man and dog film. It was my girlfriend's idea, and I figured it would be another corny chick flick about how a couple get a dog and how it brings them together. After I began watching, it grabbed my attention and never let go! I don't think my review of this film will be able to capture the true essence and emotions this film captures, but here goes: The film was very gripping in its realistic portrayal of the development of a family and their pet from the couple's wedding until the film's end approximately 40 years into their lives. I think for most people, the couple's relationship and even a troublesome pet will seem familiar(imperfect, but yet believable). The movie isn't solely about the dog, but how the dog is a bit of a nuisance at first, but matures along with the family. Giving many more details may ruin the story, so I'll hit some of the points that need attention.
Some people argue that this film lacks comedy, but it's subtle comedy(the type real life offers...nothing exaggerated and unbelievable...like too many Seth Rogan films). Owen Wilson is more toned down, but he adds his spin to a more down-to-earth role as a husband that chooses his life as a husband over the dream life he had pictured. Aniston delivers one of her best performances, in my opinion. I'm not a big fan of her acting, but she gives an undeniably good performance as Wilson's adoring wife.
Regarding the "nudity" and "sex", yes they hint at having sex, but nothing is shown nor sounds like sex. There is NO NUDITY!!! There is a shot of Aniston's naked BACK(not her backside, her back). All of the film's sexual innuendos are while they are married! If anything I think this sends a positive message to younger viewers that this is the way it's supposed to be...fun isn't over after marriage and in some cases, it's when the real adventure begins. Children these days have seen worse than this film shows on network TV and MTV. I didn't hear any bad language that isn't on TV already. It wasn't what most people consider the worst words. And lastly, the sad part of the film is realistic not morbid, murder, or uncalled for...sometimes I think people are so used to films like The Dark Knight that when they see a wholesome, realistic film they're disappointed because they're wanting something epic.
Give this film and chance and realize going into it that it's not the mindless, idealistic comedy that Hollywood has stuffed down our throats lately. It's heart-warming, wholesome, and true to life.