The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Tale of the passions and perils of love in all its forms. Five unique short films that focus on the lives of a group of beautiful yet troubled twenty-somethings, this compilation explores ... See full summary »
The movie is a coming-of-age drama about a boy growing up in Astoria, N.Y., during the 1980s. As his friends end up dead, on drugs or in prison, he comes to believe he has been saved from their fate by various so-called saints.
Robert Downey Jr.,
In 2005, the only thing hurting Los Angeles Times columnist Steve Lopez more than his face from a recent bike accident was his pressing need for story ideas. That is when he discovers Nathaniel Ayers, a mentally ill, homeless street musician who possesses extraordinary talent, even through his half-broken instruments. Inspired by his story, Lopez writes an acclaimed series of articles about Ayers and attempts to do more to help both him and the rest of the underclass of LA have a better life. However, Lopez's good intentions run headlong in the hard realities of the strength of Ayers' personal demons and the larger social injustices facing the homeless. Regardless, Lopez and Ayers must find a way to conquer their deepest anxieties and frustrations to hope for a brighter future for both of them. Written by
Kenneth Chisholm (email@example.com)
In the scene that Nathaniel Ayers and Steve Lopez attend a rehearsal concert, all the seats are covered with canvas. This was not cinematic imagery; this is actually done in some concert halls during rehearsals to reflect a more accurate sound as if the seats were being occupied. See more »
A utility truck is seen in the tunnel when Lopez and Nathaniel are talking. The utility truck was not there before Lopez stopped his car. See more »
[greeting his co-workers]
Buen dia, muchachos.
"Points West" by Steve Lopez. A construction worker in Griffith Park heard the
[swerving his bicycle to avoid a raccoon]
He saw a cyclist cartwheel off his bike and slam face-first into the unforgiving asphalt of Riverside Drive.
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At the end of the credits, the music concludes with the sound of a cassette tape grinding to a stop, referencing Lopez's omnipresent recorder. See more »
Within a one-week period, I saw my second screening of this powerful movie today. I am mystified by some of the "bilious-type" reviews found here, seemingly driven by an anti-Joe Wright campaign. I found no cheap sentiments in the story line and I was awed by the high-octane performances of Jamie Foxx and Robert Downey, Jr. Nothing being perfect in an imperfect world, as "adult" entertainment, "The Soloist" did not once insult my intelligence. I marveled at the complexity of the screenplay and the realization of it by its gifted director and the camera-work of Seamus McGarvey. The gifted Dario Marianelli is credited as the film's composer, anecdotally, in the gigantic shadow of Ludwig van Beethoven. Mental illness, genius, homelessness, journalism and music has rarely been so well presented as an "entertainment." Yes, Mr. Ayers is depicted as experiencing a "light show" when attending a rehearsal of the L. A. Philharmonic. At least we didn't see pink hippopotamus in tutus or dinosaurs on a rampage in a prehistoric setting. Being so accustomed to televised concerts, I expected the camera to focus on the instruments themselves in this sequence. And, "clapping pigeons." Great idea that works. A brave film directed at a "non-art house" audience. I also want to cite the wonderful work of Nelsan Ellis who plays David at LAMP. So much compassion comes off the screen with his presence. There is no way we can make "light" of the tragedy of the homeless, so many with mental illness. Thank you Mr. Steve Lopez for introducing me to Mr. Nathaniel Anthony Ayers. My life is richer for the experience. LisaGay Hamilton, as Jennifer Ayers, Nathaniel's sister, deserves recognition in a small, but pivotal role that brings dignity and catharsis to a heart-wrenching experience.
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