In 2005, the only thing hurting Los Angeles Times columnist Steve Lopez more than his face from a recent bike accident was his pressing need for story ideas. That is when he discovers Nathaniel Ayers, a mentally ill, homeless street musician who possesses extraordinary talent, even through his half-broken instruments. Inspired by his story, Lopez writes an acclaimed series of articles about Ayers and attempts to do more to help both him and the rest of the underclass of LA have a better life. However, Lopez's good intentions run headlong in the hard realities of the strength of Ayers' personal demons and the larger social injustices facing the homeless. Regardless, Lopez and Ayers must find a way to conquer their deepest anxieties and frustrations to hope for a brighter future for both of them. Written by
Kenneth Chisholm (email@example.com)
In the film, Steve Lopez is portrayed as divorced. However, his real-life counterpart remains happily married. Lopez said that while having himself portrayed as recently single in the film was a bit weird, it was much more important to him that the filmmakers captured the themes of his articles, rather than absolute facts. See more »
In the movie, Steve takes Nathaniel to listen to Beethoven's Third Symphony. In the DVD bonus material an interview with the real Nathaniel and Steve confirms that this took place, and that it was the Third Symphony. Reminiscing, the real Nathaniel then plays Steve an excerpt on his cello...except that he actually plays the second movement of Beethoven's better known Fifth Symphony - not the Third. See more »
[greeting his co-workers]
Buen dia, muchachos.
"Points West" by Steve Lopez. A construction worker in Griffith Park heard the
[swerving his bicycle to avoid a raccoon]
He saw a cyclist cartwheel off his bike and slam face-first into the unforgiving asphalt of Riverside Drive.
See more »
At the end of the credits, the music concludes with the sound of a cassette tape grinding to a stop, referencing Lopez's omnipresent recorder. See more »
I sometimes work clinically with schizophrenics. This film shows us the truth about working with severely mentally ill people. David, the man who runs the shelter for the homeless honestly spoke the truth with his stance that is opposite of what the Pharmaceutical Industry, most of psychiatry and the legal system try to make us believe. David was my hero in this movie.
All though the movie goes quickly over Jamie Fox's childhood trauma and losses -- it's still there, i.e. no father and the truck on fire represent some of the traumas that created his illness. Homeless people with mental illness did not come from healthy childhoods. Almost all came from repeated childhood trauma.(see New Zealand Psychologist John Read PhD and colleagues, the ACE Study from the CDC, and Charles Whitfield's book The Truth about Mental Illness, 2004).
Hollywood did not cover over the painful truths in this story. Jamie Fox's character's mother and his sister were good people and that comes through but they couldn't prevent his wounding. At the end of the film, we are told "90,000 Homeless people in Los Angeles." We walked out of the theater overwhelmed with that figure and uplifted by this true story.
If you're really interested in the truth about schizophrenia there is an excellent DVD documentary called Take These Broken Wings: Recover from Schizophrenia without Medication by Daniel Mackler
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