The Soloist (2009)

Director:

Joe Wright

Writers (WGA):

Susannah Grant (screenplay)
Steve Lopez (book)

Release Date:

24 April 2009 (USA)

Genre:

Biography | Drama | Music

Tagline:

Life has a mind of its own

Plot:

A Los Angeles journalist befriends a homeless Julliard-trained musician, while looking for a new article for the paper.

Plot Keywords:

Musician | Journalist | Columnist | Los Angeles Times | Reporter

Cast

Jamie Foxx	...	Nathaniel Ayers
Robert Downey Jr.	...	Steve Lopez
Catherine Keener	...	Mary Weston
Tom Hollander	...	Graham Claydon
Lisa Gay Hamilton	...	Jennifer Ayers (as Lisagay Hamilton)
Nelsan Ellis	...	David Carter
Rachael Harris	...	Leslie Bloom
Stephen Root	...	Curt Reynolds
Lorraine Toussaint	...	Flo Ayers
Justin Martin	...	Young Nathaniel
Kokayi Ampah	...	Bernie Carpenter
Patrick Tatten	...	Paul Jr.
Susane Lee	...	Marisa (as Susane E. Lee)
Marcos De Silvas	...	Mayor Antonio Villaraigosa
Ilia Volok	...	Harry Barnoff

Also Known As:

Imagining Beethoven (USA) (working title)

MPAA:

Rated PG-13 for thematic elements, some drug use and language.

Runtime:

117 min

Country:

UK | USA | France

Language:

English

Color:

Color (DeLuxe)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | SDDS | DTS

Certification:

Australia:M | USA:PG-13 (certificate #44923) | Netherlands:12 | South Korea:12 | Ireland:12A | Singapore:PG | Portugal:M/12 (Qualidade) | UK:12A | Finland:K-11 | Argentina:13 | Brazil:12 | New Zealand:M | Mexico:B

Filming Locations:

Biltmore Hotel - 506 S. Grand Avenue, Downtown, Los Angeles, California, USA

Company:

DreamWorks SKG

Trivia:

The film makers shot on "skid row" in Los Angeles, which is known for being home to one of the largest stable populations of transient persons (homeless) in the United States.

Goofs:

Continuity: When Lopez pulls over in the tunnel after spotting Ayers, his car blocks the right lane. In subsequent shots, cars are seen in the background cruising through that very same lane, one even merges into it, even though Lopez's car is blocking it just a few yards ahead.

Quotes:

Steve Lopez: 'Points West' by Steve Lopez. A year ago, I met a man who was down on his luck and thought I might be able to help him. I don't know that I have. Yes, my friend Mr. Ayers now sleeps inside. He has a key. He has a bed. But his mental state, and his well-being...

Movie Connections:

References Fantasia (1940)

A True Story About Urban Homelessness

What makes this film watchable is that it is based on a true story. A caring Los Angeles reporter named Steve Lopez (Robert Downey, Jr.) tries to help a homeless man named Nathaniel Anthony Ayers (Jamie Foxx).

Ayers suffers from paranoid schizophrenia. But he once attended Julliard, and he still lives and breathes the music of Beethoven. Ayers, with his shopping cart of possessions, walks the streets, playing his violin amid the noise of the freeway. He's content, in his own world.

That unusual behavior grabs the attention of Lopez, no doubt as a human interest story for his own column. But as Lopez gradually becomes more genuinely concerned about Ayers, their relationship encounters frustration, anger, and emotional pain.

It's a poignant, gritty story, full of realism. The film manages to be compassionate without being patronizing. The film does a terrific job in portraying the harsh, depressing reality of the boarders who live at a large shelter where Ayers goes, at the insistence of Lopez.

Technical elements of the film are good. The visuals are thematically impressive. Production design and costumes are detailed and realistic. Acting is credible. Robert Downey, Jr. gives a fine performance.

The main problem is the plot. Too much time is spent on Lopez and his trivialities. Somehow, the compelling Ayers story morphs into a weighty examination of Lopez and his distress in dealing with Ayers. The script is to blame here. I think if the main character had been Ayers, instead of Lopez, the film could have been quite inspiring.

Even so, the film clearly calls attention to the plight of the urban homeless. As such, the film deserves viewer support.