A chronicle of John Lennon's first years, focused mainly in his adolescence and his relationship with his stern aunt Mimi, who raised him, and his absentee mother Julia, who re-entered his life at a crucial moment in his young life.
Kristin Scott Thomas,
In 2005, the only thing hurting Los Angeles Times columnist Steve Lopez more than his face from a recent bike accident was his pressing need for story ideas. That is when he discovers Nathaniel Ayers, a mentally ill, homeless street musician who possesses extraordinary talent, even through his half-broken instruments. Inspired by his story, Lopez writes an acclaimed series of articles about Ayers and attempts to do more to help both him and the rest of the underclass of LA have a better life. However, Lopez's good intentions run headlong in the hard realities of the strength of Ayers' personal demons and the larger social injustices facing the homeless. Regardless, Lopez and Ayers must find a way to conquer their deepest anxieties and frustrations to hope for a brighter future for both of them. Written by
Kenneth Chisholm (email@example.com)
Lorraine Toussaint (who played Mr. Ayers' mother), LisaGay Hamilton (who played Mr. Ayers' sister Jennifer), and Nelsan Ellis (who played LAMP director David Carter) are all real-life graduates of The Juilliard School's Drama Division. Mr. Ayers was a student in their prestigious Music Division. See more »
Juilliard dance is not a ballet school. Reference was made to ballerinas and you see them in tutus and make up when he is living in NYC and attending Juilliard. Although they do have ballet classes, it is a contemporary dance focus. They do not do ballets. See more »
Uplifting: Finding a Golden Needle in the Haystack of Urban Blight
First off, I should say that I am personally familiar with this story, having worked in downtown L.A. for the last 19 years and seeing Mr Ayers and his cello many a time around 3rd and Hill Sts. I've also read Lopez's columns in the Times for years and followed this one with interest and satisfaction. Making a film about a tale like this restores my belief in Hollywood beyond the mindless bunk it churns out year after year.
Downey Jr and Foxx play a newspaper columnist and homeless man who come together in a most unusual way. Downey is a newspaper columnist looking for something original and interesting to write about. He finds it when he sees Foxx beautifully playing battered stringed instruments along 3rd street in downtown L.A. Foxx has been there for years but on this day grabs the eye of the columnist because the columnist himself is experiencing hardship and doubt related to his own position. He begins to write about this talented but troubled man who fills the stinky air around him with harmony. They become friends but keep in mind this is not fiction. The friendship hits many bumps that continue to this day. Nathaniel Ayers (Foxx's character) may be a brilliant, educated musician, but he suffers from bouts of schizophrenia that manifest at any time. Downey's character accepts this as it adds more intrigue to his columns. Then he accepts it on a personal level. Their friendship ultimately becomes real and meaningful. You sense that Downey's character needs the friendship even more than Foxx's homeless man does. In the end, Downey's Lopez can see the positive effect his work has brought to the plight of the homeless, yet he wonders personally how much better he has made Nathaniel...? His reflections make us think also.
Downey Jr and Foxx play their characters to near perfection and the film masterfully takes its time in developing the relationship between the two. Great to see director Joe Wright telling a contemporary tale just as effectively as he has in previous works. The film makes us wonder how many other Nathaniel Ayers are lurking out there on the streets? Life being what it is, of course we will never know. The beauty of the film is that is shows what can happen when just one Nathaniel Ayers is found after being lost for so many years. There's no sugarcoating; Ayers doesn't magically get better and rejoin mainstream society. Instead, the mainstream accepts him for what he is and what he offers and begins integrating him as best it can. This film will certainly pop up at award time next year.
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