| Photos (See all 20 | slideshow) |
| Anna Paquin | ... | Elaine Goodale | |
| Chevez Ezaneh | ... | Ohiyesa / Young Charles | |
| August Schellenberg | ... | Sitting Bull | |
| Duane Howard | ... | Uncle | |
| Aidan Quinn | ... | Henry Dawes | |
| Colm Feore | ... | General Sherman | |
| Fred Dalton Thompson | ... | President Ulysses S. Grant (as Fred Thompson) | |
| Nathan Lee Chasing His Horse | ... | One Bull (as Nathan Chasing Horse) | |
| Wayne Charles Baker | ... | Jacob | |
| Brian Stollery | ... | Bishop Whipple | |
| Shaun Johnston | ... | Col. Nelson Miles | |
| Gordon Tootoosis | ... | Chief Red Cloud | |
| Billy Merasty | ... | Young Man Afraid | |
| Morris Birdyellowhead | ... | American Horse | |
| Eddie Spears | ... | Chasing Crane | |
| Holly Bird | ... | Scarlet Whirlwind | |
| Sean Wei Mah | ... | Bull Head | |
| Star Birdyellowhead | ... | Bull Head's Wife | |
| Eric Schweig | ... | Gall | |
| Jayson Therrien | ... | Soldier | |
| Chantal Perron | ... | Teacher | |
| Patrick St. Esprit | ... | Major Walsh | |
| David Cowley | ... | Mountie | |
| Jemma Blackwell | ... | Woman | |
| Adam Beach | ... | Charles Eastman | |
| Laura Bachynski | ... | Mrs. Goodale | |
| Barbara Scout | ... | Singing Sioux Woman | |
| David Bigchild | ... | Sergeant / Horse Thief | |
| Nakotah LaRance | ... | Crow Foot | |
| Michelle Thrush | ... | Four Robes | |
| J.K. Simmons | ... | James McLaughlin | |
| Tom Carey | ... | Issue Clerk | |
| Jim Rattai | ... | Crier | |
| Jonathan Fox | ... | Chasing Crane's Son | |
| Lee Tergesen | ... | Daniel Royer | |
| Scott McAdam | ... | Photographer | |
| Wes Studi | ... | Wovoka / Jack Wilson | |
| Hrothgar Mathews | ... | Reverend Woods | |
| Tokala Clifford | ... | Little Wolf | |
| Jason Blackhorse | ... | Young Sioux Man | |
| Jonathan Brewer | ... | Village Man | |
| Robert Big Sorrel Horse | ... | Village Man | |
| Marty Antonini | ... | Colonel James Forsyth | |
| Jimmy Herman | ... | Yellow Bird | |
| Brian Copping | ... | Secretary |
Directed by | |||
| Yves Simoneau | |||
Writing credits(WGA) | ||
| Daniel Giat | (screenplay) | |
| Dee Brown | (based on the book by) (as Dee Alexander Brown) | |
Produced by | |||
| Clara George | .... | producer | |
| Yves Simoneau | .... | co-executive producer | |
| Tom Thayer | .... | executive producer | |
| Dick Wolf | .... | executive producer | |
Original Music by | |||
| George S. Clinton | |||
Cinematography by | |||
| David Franco | (director of photography) | ||
Film Editing by | |||
| Michael Brown | |||
| Michael D. Ornstein | (as Michael Ornstein) | ||
Casting by | |||
| Rene Haynes | |||
Production Design by | |||
| Ian D. Thomas | (as Ian Thomas) | ||
Art Direction by | |||
| Douglasann Menchions | (as D.A. Menchions) | ||
Set Decoration by | |||
| Paul Healy | |||
Costume Design by | |||
| Mario Davignon | |||
Makeup Department | |||
| Iloe Flewelling | .... | hair designer | |
| Chris Harrison-Glimsdale | .... | hair stylist (as Chris Harrison) | |
| Heather L. Ingram | .... | hair stylist (as Heather Ingram-Smith) | |
| Gail Kennedy | .... | key makeup artist | |
| Gail Kennedy | .... | special makeup effects artist | |
| Rochelle Pomerleau | .... | makeup artist | |
| Joanne Preece | .... | makeup artist | |
| Penny Thompson | .... | hair stylist (as Pennylea Thompson) | |
| Sharon Toohey | .... | assistant makeup artist | |
| J.D. Bowers | .... | prosthetics lab technician: W.M. Creations Inc. (uncredited) | |
| J.D. Bowers | .... | prosthetics sculptor: W.M. Creations Inc. (uncredited) | |
| Donna Fuller | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Linda Rogers-Ambury | .... | production manager | |
| Greg Spence | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Mark Ambury | .... | additional first assistant director | |
| Ricky Friedman | .... | additional first assistant director (as Richard Friedman) | |
| Joanna Krupicz | .... | third assistant director | |
| Tony LaHaye | .... | trainee assistant director | |
| Karen Margolese | .... | second second assistant director | |
| Peter D. Marshall | .... | first assistant director | |
| Martin Pedersen | .... | second assistant director | |
| Lisa Jemus | .... | daily on-set third assistant director (uncredited) | |
| Adam Martin | .... | second assistant director (uncredited) | |
Art Department | |||
| Cheryl Allsen | .... | on-set greensperson | |
| Alfred A. Arndt | .... | construction coordinator (as Alf Arndt) | |
| Robert Arndt | .... | construction foreman | |
| Leonard Ayotte | .... | head carpenter (as Len Ayotte) | |
| Rick Barrett | .... | scenic carpenter | |
| Pierre Bartlette | .... | lead scenic carpenter (as Pierre F. Bartlette) | |
| Trent Breitkreutz | .... | set dresser | |
| Tim C Campbell | .... | paint coordinator (as Tim Campbell) | |
| Barbara Chandler | .... | scenic painter | |
| Dawn-Anne Coulson | .... | construction buyer | |
| Jack Crowells | .... | on-set dresser | |
| John Dambrauskas | .... | greens coordinator | |
| Ron Darby | .... | props assistant | |
| Barry De Bolt | .... | scenic carpenter | |
| Darcy Healy | .... | lead set dresser | |
| Crystal Husum | .... | paint foreman | |
| Johnny Jones | .... | assistant property master | |
| Craig Lazdins | .... | set dresser | |
| Alan McCullagh | .... | assistant set decorator (as Alan J. McCullagh) | |
| Rhonda Nielson | .... | set buyer (as Rhonda L. Nielson) | |
| Steve Pilon | .... | scenic carpenter | |
| Albert Seibert | .... | props assistant (as Albert F. Seibert) | |
| F. Dale Stevens | .... | best boy greens | |
| Susan Turner | .... | set designer | |
| Bev Ulmer | .... | scenic painter (as Beverly Ulmer) | |
| Rob White | .... | set dresser | |
| Jordy Wihak | .... | property master | |
| Justin Faubert | .... | set dresser (uncredited) | |
| Craig Humphries | .... | art department assistant (uncredited) | |
| Craig Humphries | .... | graphic artist (uncredited) | |
| Megz Reynolds | .... | trainee set dresser (uncredited) | |
| Derek Steenstra | .... | set dresser (uncredited) | |
Special Effects by | |||
| Kelly Coe | .... | special effects technician | |
| Neil Krause | .... | special effects technician | |
| Marc Lord | .... | special effects technician | |
| Jason Paradis | .... | special effects best boy | |
| Maurice Routly | .... | special effects coordinator | |
| Amanda Paller | .... | first assistant (uncredited) | |
Visual Effects by | |||
| Joseph Bell | .... | visual effects production manager: Digital Dimension | |
| Erik Bruhwiler | .... | digital compositing supervisor: Digital Dimension | |
| Todd Carson | .... | roto/paint artist: Digital Dimension | |
| Chris Del Conte | .... | visual effects producer: Digital Dimension | |
| Brian DeMetz | .... | visual effects technical director: Digital Dimension | |
| George Gervan Jr. | .... | roto/paint artist: Digital Dimension | |
| Richard Gervan | .... | roto/paint artist: Digital Dimension | |
| David Goldberg | .... | visual effects supervisor | |
| Philipp Hartmann | .... | massive technical director | |
| Matthew Lee | .... | 3D artist: Digital Diomension | |
| Daniel J. Lombardo | .... | visual effects executive producer: Digital Dimension | |
| Landon Medeiros | .... | visual effects production assistant: Digital Dimension | |
| Sarah Mihalec | .... | visual effects coordinator: Digital Dimension | |
| Justin Mitchell | .... | 3D artist: Digital Dimension | |
| Chad Ridgeway | .... | roto/paint artist: Digital Dimension | |
| Andrew Roberts | .... | lead computer graphics supervisor: Digital Dimension | |
| Ryan T. Smolarek | .... | lead compositor: Digital Dimension (as Ryan Smolarek) | |
| Tammy Sutton | .... | 2D coordinating supervisor: Digital Dimension | |
| Phi Tran | .... | 3D artist: Digital Dimension | |
| Tommy Tran | .... | 3D artist: Digital Dimension (as Tong Tran) | |
| Tong Tran | .... | 3d artist: Digital Dimension | |
| Rachel Leigh Arnold | .... | graphic designer (uncredited) | |
| Ryan Beadle | .... | digital I/O (uncredited) | |
| Jason Bond | .... | junior compositor: Digital Dimension (uncredited) | |
| Tatjana Bozinovski | .... | digital compositor: Digital Dimension (uncredited) | |
| Samuel M. Dabbs | .... | motion graphics (uncredited) | |
| Michele Ferrone | .... | visual effects producer (uncredited) | |
| Mitch Gates | .... | visual effects technical director: Digital Dimension (uncredited) | |
| Benoit Girard | .... | visual effects executive producer: Digital Dimension (uncredited) | |
| Martin Hilke | .... | visual effects (uncredited) | |
| Mark Intravartolo | .... | visual effects artist (uncredited) | |
| Justin Jones | .... | junior compositor (uncredited) | |
| Anthony Kramer | .... | junior compositor: Digital Dimension (uncredited) | |
| Paulina Kuszta | .... | visual effects coordinator (uncredited) | |
| Wing Kwok | .... | digital compositor (uncredited) | |
| Jeremy Lang | .... | head of information technology: Custom Film Effects (uncredited) | |
| Sean Looper | .... | pipeline architect: Digital Dimension (uncredited) | |
| Lori C. Miller | .... | art director (uncredited) | |
| Robert Rozycki | .... | visual effects production assistant (uncredited) | |
| Brian Smallwood | .... | compositor (uncredited) | |
Casting Department | |||
| Candice Elzinga | .... | casting: Canada | |
| Rhonda Fisekci | .... | casting: Canada | |
| Leigh French | .... | adr voice casting | |
| Jeff Ham | .... | casting associate: U.S. | |
| Alyson Lockwood | .... | extras casting | |
| Zahn McClarnon | .... | adr voice casting: Lakota | |
| Martina Smyth | .... | casting associate: Canada | |
| Chris Ippolito | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Jill Blackie | .... | co-assistant costume designer | |
| Devora Brown | .... | truck costumer | |
| Quynh Chestnut | .... | costume first hand | |
| Judy Darough | .... | cutter (as Judith Darough) | |
| Karen Durrant | .... | costumer | |
| Nancy Jones | .... | background costume coordinator | |
| Judith Marie Loewen | .... | costumer | |
| Lizzie McGovern | .... | costume breakdown artist | |
| Susan Montalbetti | .... | costume breakdown artist | |
| Nancy Prevost | .... | costume coordinator | |
| Micheline Rouillard | .... | co-assistant costume designer | |
| Diane Routly | .... | set costume supervisor | |
| Sharon E. Templeman | .... | costumer: extras | |
| Leslie Tufts | .... | costumer | |
| Naomi Wise | .... | costumer | |
| Katherine Dover | .... | set costumer: Los Angeles re-shoots (uncredited) | |
| Eileen Gano | .... | costumer (uncredited) | |
| Fran Murphy | .... | key set costumer: Los Angeles re-shoots (uncredited) | |
| Ute Porath | .... | costume props (uncredited) | |
Editorial Department | |||
| Nori Chia | .... | post-production coordinator | |
| Sean Kallis | .... | post-production assistant | |
| Joe McJimsey | .... | assistant editor (as Joseph McJimsey) | |
| Kevin O'Connor | .... | digital intermediate color timer | |
| Tom Reagan | .... | assistant editor | |
| Rui Martins | .... | telecine operator (uncredited) | |
| Jessica Schulte | .... | assistant editor (uncredited) | |
Music Department | |||
| George S. Clinton | .... | conductor | |
| Debbi Datz-Pyle | .... | musician contractor (as Debbie Datz-Pyle) | |
| George Doering | .... | musician | |
| Ray Espinola Jr. | .... | associate music supervisor | |
| Mike Flicker | .... | supervising music editor | |
| Rick Giovinazzo | .... | orchestrator | |
| The Hollywood Symphony Orchestra | .... | musician: score performer | |
| Carlton Kaller | .... | temp music editor | |
| Suzie Katayama | .... | orchestrator (as Suzy Katayama) | |
| Steve Kempster | .... | score recordist | |
| Steve Kempster | .... | scoring mixer | |
| Evyen Klean | .... | music supervisor (as Evyen J. Klean) | |
| Ernest Lee | .... | digital music engineer | |
| Bobbi Page | .... | choir contractor | |
| Bryon Rickerson | .... | music editor | |
| Raymond Schnurr | .... | music preparation | |
| Michael Spears | .... | musician: singer, massacre prayer song | |
| John Two-Hawks | .... | musician: native american instruments | |
| John Two-Hawks | .... | musician: singer | |
| Gina Zimmitti | .... | musician contractor | |
| Matt Friedman | .... | music editor (uncredited) | |
| Tom Hardisty | .... | score recordist (uncredited) | |
| Larry Mah | .... | digital score recordist (uncredited) | |
| Scott McRae | .... | music preparation (uncredited) | |
Transportation Department | |||
| Cathy Barillaro | .... | driver | |
| Dwight Beard | .... | driver | |
| Mel Brown | .... | driver | |
| Sherry Collard | .... | driver | |
| Darryl W. Collins | .... | driver | |
| Shelley Crooks | .... | driver | |
| Fred Dunphy | .... | driver | |
| Travis Foot | .... | driver | |
| Lawrence Gooch | .... | driver | |
| Danny C. Klepper | .... | transportation coordinator (as Dan Klepper) | |
| Sergio Lever | .... | driver | |
| Pavel Lidmila | .... | driver | |
| Tom Lloyd | .... | transportation captain | |
| Wayne Luctkar | .... | driver | |
| Bruce Mctavish | .... | driver (as Bruce McTavish) | |
| Debbie Porter | .... | driver | |
| John Woodrow Pound | .... | driver (as Woody Pound) | |
| Kevin Simpson | .... | driver | |
| Bruce Toy | .... | driver | |
Other crew | |||
| Lesia Bear | .... | stand-in | |
| Joy Bond | .... | production coordinator | |
| Gloria Boucher | .... | wrangler | |
| Lori Boyle | .... | animal trainer | |
| Lori Boyle | .... | dog trainer | |
| Amy A. Brewster | .... | wrangler | |
| Christina Buchli | .... | Canadian production legal | |
| Michael Buster | .... | dialect coach | |
| Sandi Cameron | .... | script supervisor | |
| Cameron Chapman | .... | assistant production coordinator | |
| Ryan Chatfield | .... | assistant chef | |
| Kevin Colyn | .... | assistant chef | |
| Marina Crane | .... | on-set language advisor: Lakota | |
| Rose Crane | .... | on-set language advisor: Lakota | |
| Allison Cruthers | .... | craft service assistant (as Allison Crothers) | |
| Allison Cruthers | .... | first aid assistant (as Allison Crothers) | |
| Raymond J. DeMallie | .... | academic advisor: Indiana University | |
| Jordan Dodds | .... | wrangler | |
| Troy Dorchester | .... | wrangler | |
| Brian Dunne | .... | assistant location manager | |
| Colin Eskeland | .... | wrangler | |
| Joe Fisher | .... | wrangler | |
| Bruce Flewelling | .... | wrangler | |
| Kim Gawryluk | .... | second assistant accountant | |
| Linda Gee | .... | accounting clerk | |
| Jim Gilfillan | .... | location assistant | |
| Jan Gillan | .... | first assistant accountant: payroll | |
| Peter Gurr | .... | security coordinator | |
| Steven Hanulik | .... | trainee production coordinator | |
| Penny Ann Hardage | .... | assistant: Mr. Thayer and Ms. George | |
| Michael Her Many Horses | .... | consultant (as Michael Her-Many Horses) | |
| Edsel Hilchie | .... | location manager | |
| Connie House | .... | craft service | |
| Connie House | .... | first aid | |
| Frederick E. Hoxie | .... | historical consultant | |
| Shirley Irvine | .... | craft service assistant | |
| Shirley Irvine | .... | first aid assistant | |
| Lloyd Jacobson | .... | wrangler | |
| Mark K. Jones | .... | wrangler | |
| Shawn Lauder | .... | wrangler | |
| Tilda Long Soldier | .... | cultural advisor: Lakota | |
| Darryl McDonald | .... | consultant: ghost dance | |
| Kylie McLean | .... | wrangler | |
| Tim McLean | .... | wrangler (as Tim R. McLean) | |
| Tobi McLeod | .... | wrangler | |
| Ryan Monaghan | .... | trainee location manager | |
| Nathan Mosewich | .... | location production assistant | |
| Jeffrey Ostler | .... | academic advisor: University of Oregon | |
| Brenda Rampp | .... | first assistant accountant: A/P | |
| Allison Red Crow | .... | wrangler (as Allison B. Red Crow) | |
| John Rota | .... | production staff | |
| Siobhan Rowand | .... | production accountant | |
| Christin Scholten | .... | assistant: Mr. Simoneau | |
| John Scott | .... | head wrangler | |
| Kerry M. Scott | .... | on-set technical advisor | |
| Clayton Smith | .... | wrangler (as Clayton D. Smith) | |
| Jay St. Louis | .... | assistant location manager | |
| Vance Wagner | .... | chef | |
| Charlie White Buffalo | .... | language advisor (as Charles White Buffalo) | |
| Lee White | .... | wrangler | |
| Russ Wideman | .... | wrangler (as Ross Wideman) | |
| Jess Willard | .... | wrangler | |
| Brian Willoughby | .... | wrangler | |
| Ken Zilka | .... | wrangler captain | |
| David Benning | .... | set production assistant (uncredited) | |
| Chris Cinnamon | .... | office production assistant (uncredited) | |
| Curtis Cripps | .... | production assistant (uncredited) | |
| K. Lynn Martin | .... | additional script supervisor (uncredited) | |
| Tory Mell | .... | production secretary (uncredited) | |
| Angelique Midthunder | .... | adr voice (uncredited) | |
| David Midthunder | .... | adr voice (uncredited) | |
| Jason Nolan | .... | location scout (uncredited) | |
| Tracey Roulhac | .... | production assistant (uncredited) | |
| Randy Sexsmith | .... | production assistant (uncredited) | |
| David Steinberg | .... | legal (uncredited) | |
| Rebecca Thornell | .... | script clearance (uncredited) | |
| Amanda Troop | .... | adr voice (uncredited) | |
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| Soldier Blue | The Assassination of Jesse James by the Coward Robert Ford | America, America | The Best of Youth | Persepolis |
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BURY MY HEART AT WOUNDED KNEE is a somber retelling of the events leading up to the massacre at (what is now) the Wounded Knee Memorial. But this isn't a documentary. This is a made-for-TV fictional retelling, and it is the "made-for-TV" bit that makes this important American event lose some of its composure.
The entire production flags because of the TV aspect, many of the film shots losing their impact either because of lack of attention to detail or funds (or probably both). Either way this could've been an extreme visual recollection for most viewers but instead it lacks the depth I would've liked to have seen.
Regardless, there are some stellar appearances and acting within it. August Schellenberg as Sitting Bull undeniably has the most impact. Recent movie viewers will probably remember him from his portrayal as Powhatan in THE NEW WORLD. The contrast between the character in The New World and here in Wounded Knee shouldn't be lost, either. Without Powhatan and Pocahontas, the white settlers at Jamestown would've perished within the first few winters. And now, in Wounded Knee, it is the white man who destroys what is left of Native American life; a terribly stark (and bloody) reality.
The other notables are Adam Beach (FLAGS OF OUR FATHERS) as Charles Eastman, and Aidan Quinn as Senator Henry Dawes. They spend a lot of time together on film and they played against/off each other exceptionally well. Charles being the "new wave" Indian who melds into the white man's way of life until exposed to reservation life at Pine Ridge. Henry Dawes seeing himself as "The Great White Savior Of The Indians" by passing legislation that loops a few nooses around the necks of the Plains Indians' way of life without even realizing it.
But other actors have little to offer. Anna Paquin (X-MEN) as Charles' white love interest (and eventual wife) is seen too infrequently so the relationship between the two has little impact. She does a good job of acting but the script stymied any possibility of real success. From here the acting dips into the drab and boring. I have to give mention to Senator Fred Thompson (currently a Republican runner for the U.S. Presidency) who plays President Ulysses S. Grant. We see maybe four frames of film with him in it and then he's gone. This surprised me greatly since it was Grant's administration that doomed Native Americans by rounding them up and placing them on reservations.
Despite my misgivings about the script, cinematography and acting, this is a vital story that needs to be told, and it isn't something that is normally taught in grade school or higher. Europeans (us) conquered this land and its people, and pushed them into holding pens where they, to this day, await justice for our multiple treaty violations and massacres of their men, women and children (I will say that the scenes depicting large-caliber rifle bullets ripping through young kids was filmed well and was equally hard to watch).
So the story gives this film a higher rating than anything within it, which is unfortunate, as this terrible moment in American history needs to be remembered just as much as Germany needs to remember its holocaust.