| Matteo Razzouki-Safardi | ... | L'enfant | |
| Philippe Pollet-Villard | ... | Philippe | |
| Richard Morgiève | ... | Richard | |
| Samir Guesmi | ... | Ahmed, le réceptionniste | |
| Emiliano Suarez | ... | Max | |
| Jean Sarguera | ... | Pickpocket 1 | |
| Jean Camaccio | ... | Pickpocket 2 | |
| Fatima Halassi | ... | Angry Woman | |
| Suzanne Wognin | ... | Angry Woman | |
| Ludovic Pinette | ... | Bowling Policeman | |
| Mathieu Suzanne | ... | Cheesed-off Policeman | |
| Jean Bailloux | ... | Policeman in Van | |
| Thibault De Lussy | ... | Tourist | |
| Lionel Robert | |||
| Marcel Roger | |||
| François Bureloup |
Directed by | |||
| Philippe Pollet-Villard | |||
Writing credits | ||
| Philippe Pollet-Villard | (scenario and dialogue) | |
Produced by | |||
| Antoine Gandaubert | .... | associate producer | |
| Fabrice Goldstein | .... | producer | |
| Antoine Rein | .... | producer | |
Original Music by | |||
| Flemming Nordkrog | |||
Cinematography by | |||
| Philippe Piffeteau | (director of photography) | ||
Film Editing by | |||
| Cyril Nakache | |||
Casting by | |||
| Camille Brunat | |||
| Raphaëlle Espagne | |||
| Valerie Espagne | |||
Production Design by | |||
| Jérémy Streliski | |||
| Laurent Tesseyre | (chief production designer) | ||
Set Decoration by | |||
| Vivien Balzi | |||
Production Management | |||
| Matthieu Dubois | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Patricia Eberhard | .... | first assistant director | |
| Stephen Gregory | .... | second assistant director | |
Art Department | |||
| Elsa Bandelier | .... | assistant art director | |
| Elsa Bandelier | .... | property assistant | |
| Clemence Rafin | .... | assistant designer | |
Sound Department | |||
| Nicolas Fejoz | .... | boom operator | |
| Vincent Piponnier | .... | sound | |
Camera and Electrical Department | |||
| Michel Anglio | .... | grip | |
| Sarah Boutin | .... | video technician | |
| Pierre Antoine Conan | .... | electrician | |
| Steve de Rocco | .... | second assistant camera | |
| Vladimir Duranovic | .... | key grip | |
| Alain Herpe | .... | first assistant camera | |
| François-Xavier Le Reste | .... | chief electrician | |
| Arnaud Marchand St. Martin de Veyran | .... | electrician (as Saint Arnaud Marchand St Martin de Veyran) | |
Casting Department | |||
| Camille Brunat | .... | casting assistant | |
| Rachel Desmarest | .... | casting assistant (as Rachel Berger) | |
Other crew | |||
| Caroline Leloup | .... | script supervisor | |
Thanks | |||
| Viva Delorme | .... | thanks | |
| Valerie Espagne | .... | thanks | |
| Celine Kamina | .... | thanks | |
| Morad Kertobi | .... | thanks | |
| Sylvie Pion | .... | thanks | |
| Hugo Rubini | .... | thanks | |
| Claude Sabbah | .... | thanks | |
| Nadine Trochet | .... | thanks | |
| Recent Posts (updated daily) | User |
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| Cultural context | redshield3 |
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| Pickpocket | The Wages of Fear | Pierrot le Fou | Bulgarian Lovers | The Three Burials of Melquiades Estrada |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb France section |
Two Paris losers are enlisted by a gang of Gypsy pickpockets to impersonate cops in order to get them out of tight situations. All does not go according to plan though and the thieves are arrested by real police before the counterfeit cops can step in. Stuck with a mute child of the gang they at first attempt to lose him when they discover he turns out to be a more adept thief than his entire jailed family. With their prodigy they soon become wildly successful robbing billfolds and pocket books from movie patrons across Paris.
This energetic short film is a comic walk on the low life side filled with able performances and deadpanned humor. The hapless leads are well developed in the film's brief running time and tight editing keeps the story moving along. Things get a little excessive at the end as our thieves flush with success conspicuously run through the streets with armloads of booty before they arrogantly trip themselves up in a bowling alley but all in all it remains in keeping with the spirit of this light hearted film about thievery.