HEAD IN THE CLOUDS is a sweeping romantic drama set in 1930's England, Paris, and Spain. Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee ... See full summary »
Two feisty, free-spirited women are connected by the brilliant, charismatic poet who loves them both. The passion and pathos of legendary poet Dylan Thomas is told through the lives of two extraordinary women. Vera Phillips and Dylan were teenage loves; fast forward ten years and the two reconnect in London. She's working as a singer whilst he's churning out scripts for government propaganda films and living off the last in a long line of infatuated women. The two former lovers feel the thunderbolt once more, but Thomas is now married to the adventurous Caitlin. Despite their love-rival status, the women form a surprising friendship. Caitlin indulges in her own infidelities, and recognises a similar adventurous spirit in her husband. But she knows his connection with Vera is something different, not to mention dangerous. Romantic turmoil continues in Vera's life. She marries her devoted admirer William Killick, but she can't deny the chemistry between herself and Dylan, nor does she ... Written by
The air war scenes outside (as opposed to the opening film scenes in the Underground) purport to show London being bombed during the Blitz. The scenes actually were other film footage as Germany used no four motor bombers during the Blitz. The scenes were actually of Allied B-17s bombing Dresden, Germany at the war's end. See more »
Worth a glance if you're REALLY interested otherwise it's not worth the entrance fee.
I went to see this as the Edinburgh Film Festival the other day and I have to say I was a bit disappointed.
The score and the cinematography were lush and gorgeous and the acting was very good but the script lacked characterisation. I realise that Dylan Thomas was not meant to have been an overly pleasant man, but I failed to see why the seemingly likable, headstrong character of Vera Phillips ever fell in love with him. He came across as completely selfish and sleazy with virtually no redeeming qualities and it frustrated me that there seemed to be no explanation for every woman fawning over him. Characters made choices out of the blue and eventually I just grew to dislike all the characters I have loved in the first half.
What also grated about this film is that sometimes I swear I could have been watching 'Atonement' the amount of time Keira Knightley said "Come back to me." I really hope she wasn't trying to relive the glory of 'Atonement' through this film because I am afraid she will be sorely disappointed. Even though I personally did not enjoy 'Atonement' I can recognise that it is a marvellous film and sadly "The Edge of Love" just cannot compare.
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