When pretty but troubled Kaye moves to New Orleans from Atlanta with her mother and little brother, she forges a special friendship with Emily, a rebellious high school senior with troubles...
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The talented Jane Hawkins (Dreya Weber, Lovely & Amazing) was an impressive gymnast at the top of her game until a devastating injury ended her career. Now she pours the passion, strength ... See full summary »
David De Simone
A 2008 romance film adapted from a same name novel about a London-based Jordanian of Palestinian descent, Tala, who is preparing for an elaborate wedding. A turn of events causes her to ... See full summary »
An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly between ... See full summary »
When pretty but troubled Kaye moves to New Orleans from Atlanta with her mother and little brother, she forges a special friendship with Emily, a rebellious high school senior with troubles of her own. They become instant best friends, and begin spending all their free time together. Emily even helps Kaye run away from home. The girls' mothers do not approve of their relationship, and Emily's mother accuses her of associating to closely with a corrupted and confused young girl. As Kaye and Emily grow closer, Kaye's mother begins to suspect what she fears is the worse, that Emily's sexual prowess has corrupted her daughter. Faced with the ridicule from their peers, and the pressures of their families and conservative religious beliefs, Kaye and Emily are forced to choose between true love and the promises they've made to each other, and fitting into a society that refuses to accept them. Written by
Inspired by the real-life high school personal romance between writer-director Mia Salsi and her girlfriend Kellie, whom later committed suicide several years after their breakup. See more »
Your life isn't going to be easy Emily but think about what Kaye's going to have to go through.
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The closing credits features still photos of writer-director Mia Salsi as a teenager with her girlfriend Kellie whom later committed suicide which served as the inspiration for the film's plot. See more »
Written by Lauren Hamlin, John Frederick Reeves III, and Lisa Rahon
Performed by Joy Kill See more »
This movie obviously had good intentions. At the end there is a dedication to someone named Kellie who, as a viewer, I can only assume found herself in a situation similar to the one the movie depicts. Perhaps she made the "wrong" choice. That dedication is the ONLY redeeming quality of Love & Suicide.
The movie becomes unbearable from the opening sequence. Once the viewer is already that irritated only about five minutes into the film, it's pretty much going to be downhill after that...which it was. I know the film was low budget and the camera shots were actually pretty good...unfortunately, everything else was horrid. The acting, the plot, the sound quality, the picture quality...the acting. I'm sorry but the acting is horrible. Beyond horrible. It's as if the actors are trying to act like people acting. That's the only way I can think to describe it. As I watched, I actually pictured the script with the stage direction in my mind. None of the movements were natural and none of the characters' reactions to one another fit. In short: the timing is WAY off. The timing of the entire film is way off. I'm no director so I know the limits of my knowledge but I really feel there had to be SOME way to convey the passing of time...until they explained about graduation not being too far away I was under the impression that the first portion of the movie had taken place over the span of a week...a month at most.
All that being said, it's really a shame. This movie truly could have been powerful with a little tweaking. All the moments in the film in which we are supposed to feel something are obvious but only because the set-up is obvious (which is a bad thing). The moving scenes totally fell flat. For instance, when Kaye's brother takes his hat of his head and puts it on hers, we should feel the understanding he has for her, the innocence and protectiveness of the love of her brother...somehow it just doesn't come off that way. There are so many more scenes like this (for example: ALL of the fight scenes) and all they do is take away from the movie. All these things put together, Love & Suicide comes off as one long, cheesy, low-budget commercial.
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