The writer and college professor, Alexandre Fayard, researches and gives lectures about the gruesome literary work of the mysterious Japanese writer Shundei Oe, considered by him to be the ... See full summary »
Filmmaker Barbet Schroeder explores themes of sexual freedom, mind alteration, and pursuit of paradise against the backdrop of an early 70's encounter with the Mapuga rain forest tribe in upland New Guinea.
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ... See full summary »
In the late 60's, after graduating in Mathematics, the German Stefan Brückner hitchhikes from Lübeck to Paris to see the world without money. He befriends Charlie in an arcade and they go ... See full summary »
The writer and college professor, Alexandre Fayard, researches and gives lectures about the gruesome literary work of the mysterious Japanese writer Shundei Oe, considered by him to be the master of manipulation. In his underground detective novels, evil always prevails and Shundei Oe has never allowed anyone to see his face. His only image available is a frightening picture on the back of his best-sellers. Alex travels to Kyoto to promote his successful detective story that follows the same style of the Shundei Oe but with a positive message instead. He meets with his publisher, Ken Honda, from the publishing house Hakubunkan. While in an interview in a TV show, Alex receives a phone call from Shundei Oe that advises him to return to Paris, and Alex believes it is a marketing strategy of Ken. Then Alex and Ken go to a tea house where he meets the Masochist geisha Tamao, and Alex has a crush on her. Tamao discloses to Alex that she knows Shundei Oe and his real name is Hichiro Irata; ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
if it not becomes boring.a French writer in Japan. in search of a ghost. a meeting. adventures. and a confuse chain of events. the story is beautiful and the cast is nice. but not Benoit Magimel or Lika Minamoto can save the film. it remains a mixture of Hollywood crumbs and Oriental atmosphere. drawing of thriller with few drops of erotic scenes. and the end can impress at first view. like a magic of clown. but it is not really credible and seems be a kind of Pulp Fiction copy. full of good intentions, its ambitions are too great. it is not really a sin. but the game with delicate ingredients for a story with beautiful air but without a real subject is not base for success. only for a sparkle.
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