A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
More than a dozen Angelenos navigate Valentine's Day from early morning until midnight. Three couples awake together, but each relationship will sputter; are any worth saving? A grade-school boy wants flowers for his first true love; two high school seniors plan first-time sex at noon; a TV sports reporter gets the assignment to find romance in LA; a star quarterback contemplates his future; two strangers meet on a plane; grandparents, together for years, face a crisis; and, an "I Hate Valentine's Day" dinner beckons the lonely and the lied to. Can Cupid finish his work by midnight? Written by
On the bridge when Alphonso is fishing and talking to Reed, the camera goes back and forth to both sides of Alphonso. Alphonso is holding the fishing pole different each time, on one side he is holding the handle and the fishing line and the other he is holding the handle and the pole, not the line. Also, importantly, he is using a bait-casting reel and the proper way to keep the line from unreeling is to place your thumb on the spool. The way he is holding the reel is like that of a spinning reel. See more »
Stalin once said, "No retreat, no surrender."
I think that was from a Jean-Claude Van Damme movie.
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Gag reel during the closing credits, and at the end of the closing credits cheerleaders form a heart on the football field. See more »
Did you read that cast list? Gives the term 'star-studded' a new meaning. Imagine what kind of film you could make with all that talent. Well, Valentine's Day is not that film. Far from it in fact. This who's who of a cast hampers any chance of real emotion due to the need to share screen time among them all. When you start getting interested in a character you'll most likely not see them again for another 45 minutes, pretty annoying when there are so few likable characters in the first place.
What is perhaps the scariest is that despite a plethora of plots, subplots and sub-subplots all intertwining somehow there isn't a shred of originality. Sure, you might be surprised who Bradley Cooper hooks up with at the end, but one small unforeseen twist barely counts. Bulge and fluff replace characterization and narrative development whilst the corny dialogue comes off as cutesy more than cute. It all goes back to the bloated cast: with over 20 stars that need their quota of jokes, sobs and happy endings filled, it's majorly difficult to dedicate any real time to exploring the unique intricacies of love and loss. See the far superior Love Actually for how it's done.
Saving it from complete dreadfulness is a handful of these big names probably not the ones you would suspect who manage to squeeze a laugh from their one-dimensional roles. The two Taylor's, Lautner and Swift, play their love-struck high school couple with a cheerful amount of tongue-in-cheek; Kutcher proves his charisma can go a long way as a heartbroken florist; and Cooper and Roberts (Julia, that is) are intriguing as plane passengers who don't know each other. Biel should hang her head in shame though, her standout woeful performance surely an early front runner for this year's Razzies.
Save your money and revisit its British counterpart on DVD instead.
1.5 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
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