| Videos (see all 4) |
| Jason Behr | ... | Jake Sawyer | |
| Mia Blake | ... | Sina | |
| David Fane | ... | Mr. Va'a | |
| Robbie Magasiva | ... | Alipati | |
| Ian Vincent | ... | The Tattooist / Lemi | |
| Caroline Cheong | ... | Victoria | |
| Nathaniel Lees | ... | Mr. Perenese | |
| Michael Hurst | ... | Crash | |
| John Bach | ... | Lazlo McFadden | |
| Matailiili Denzel Tuimaunga | ... | Osone | |
| Glen Jackson | ... | Cousin #1 | |
| Edmund Paongo | ... | Cousin #2 | |
| Fasitua Amosa | ... | Dr. Lima | |
| Lauren A Jackson | ... | Triage Nurse (as Lauren Jackson) | |
| Alison Bruce | ... | Charge Nurse | |
| Allison Strickett | ... | Second Nurse | |
| Pip Hall | ... | Third Nurse | |
| Dean Sacred | ... | Canine | |
| Chen Bangzhi | ... | Luke (as Bang Zhi Chen) | |
| Seiloga Sita | ... | Perenese Daughter | |
| Misa Tupou | ... | Perenese son-in-law | |
| Gerald Chew | ... | Mr. Lim | |
| Aleni Tufuga | ... | Peni (as Aleni Tufunga) | |
| Stuart Devenie | ... | Senior Doctor | |
| Justine Semei-Barton | ... | Mrs. Perenese | |
| Isabella Galluzzo | ... | Chanel | |
| Matthew Ridge | ... | Graham | |
| Timothy Balme | ... | Jake's Father (as Tim Balme) | |
| Jarred Blakiston | ... | Young Jake Sawyer | |
| Helene Wong | ... | Aunt Suzy | |
| Trevor Sai Louie | ... | Uncle Ken (as Trevor Sai-Louie) | |
| Pete Smith | ... | Taxi Driver 1 | |
| Vela Manusaute | ... | Taxi Driver 2 | |
| Tovey Lemusa | ... | Semo | |
| Peni Tuala | ... | Opeta | |
| Sijie Chan | ... | Mr. Lim's Son | |
| Yu-Beng Lim | ... | Mr. Lim's Lawyer | |
| Andy Wong | ... | Expo Customer | |
| Roy Levy | ... | Church Minister (as Reverend Roy Levy) | |
| rest of cast listed alphabetically: | |||
| Mema Maeli | ... | Herself (uncredited) | |
Directed by | |||
| Peter Burger | |||
Writing credits(in alphabetical order) | ||
| Matthew Grainger | ||
| Jonathan King | ||
Produced by | |||
| Pui Yin Chan | .... | co-producer | |
| Julie Christie | .... | producer | |
| Paul Davis | .... | executive producer | |
| James Dean | .... | producer | |
| Ng San San | .... | co-producer | |
| Robin Scholes | .... | producer | |
| Daniel Yun | .... | producer | |
Original Music by | |||
| Peter Scholes | |||
Cinematography by | |||
| Leon Narbey | |||
Film Editing by | |||
| Paul Maxwell | |||
Casting by | |||
| Christina Asher | |||
Production Design by | |||
| Gary Mackay | |||
Costume Design by | |||
| Gavin McLean | |||
Makeup Department | |||
| Mike Mekash | .... | special makeup effects artist | |
| Claire Rutledge | .... | key makeup artist | |
| Deb Watson | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Fiona MacMillan | .... | second assistant director | |
| Liz Tan | .... | first assistant director | |
Art Department | |||
| Troy Hannett | .... | head scenic | |
| Wade Hannett | .... | scenic artist | |
| Clara Lill | .... | property master | |
| Donna Pearman | .... | art department coordinator | |
Sound Department | |||
| Stefan Brough | .... | sound effects editor | |
| Chris Burt | .... | sound designer | |
| Gethin Creagh | .... | sound re-recording mixer | |
| Francis Linehan | .... | sound effects editor | |
Special Effects by | |||
| Brett Beacham | .... | prosthetic makeup artist | |
| Dan Perry | .... | prosthetics makeup | |
Visual Effects by | |||
| Maile Daugherty | .... | visual effects producer | |
| Ray Jay | .... | visual effects | |
| Andrew McCully | .... | digital effects artist | |
| Peter McCully | .... | visual effects supervisor | |
Stunts | |||
| Glen Levy | .... | stunt double | |
| Steve McQuillan | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Peter Cunningham | .... | first assistant camera | |
| Kevin Donovan | .... | key grip | |
| Dale McCready | .... | camera operator | |
| Dale McCready | .... | director of photography: second unit | |
| Grant McKinnon | .... | gaffer | |
| Todd Nevill | .... | grip | |
| Jim Rowe | .... | best boy grip | |
| Philip A.T. Smith | .... | clapper loader | |
| Manning Tillman | .... | camera operator: underwater unit (uncredited) | |
Costume and Wardrobe Department | |||
| Deb Brown | .... | costume supervisor | |
| Adele Hing | .... | costume assistant | |
Editorial Department | |||
| Clare Burlinson | .... | digital intermediate colorist | |
| David Hollingsworth | .... | telecine operator | |
| Damian McDonnell | .... | assistant editor | |
| Shanon Moratti | .... | digital intermediate artist | |
| Adam Scott | .... | digital intermediate supervisor | |
| Matthew Wear | .... | telecine operator | |
Other crew | |||
| Alex Cole-Baker | .... | production accountant | |
| Veronique Lawrence | .... | script supervisor | |
| Sue May | .... | unit publicist | |
| Damian Molloy | .... | safety supervisor/medic | |
| David Pollison | .... | acquisition consultant for Ghost House Underground | |
| Andy Wickens | .... | lab liaison | |
| Recent Posts (updated daily) | User |
|---|---|
| Jakes Dad | wentworths_angel |
| Other Tattoo themed movie | InsurrectoR |
| This movie bombed | walk35 |
| Worst Concept Ever? | kraus-10 |
| Jason Behr | superman-54 |
| The Flower Tat | JADE3168 |
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| Black Circle Boys | An American Werewolf in Paris | DMT: The Spirit Molecule | The Holy Mountain | Tattoo |
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IMDb User Rating: |
IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Netherlands section |
I am guessing that a lot of the low ratings have more to do with the fact that this movie does not immediately start splattering the audience with buckets of blood and splitting your ears with crescendoing screams.
This movie is NOT following the normal Hollywood script. There's no "Oh yeah-there's the Monster" There's no parade of "Oh Yeah, the A-hole is gonna get it"
This is Horror from the Suspense side of the formula. It's a story of a Guy who does something wrong in the pursuit of his art. And something is unleashed in return. Consequences and collisions occur in the context of a different continent and its own cultures and messy histories.
No, it's not a DEEP movie, but it's an interesting departure from the usual fare. Nor is it a non-stop splatterfest.
Watch this when you're in the right mood-- somewhere in the middle where you just want a good movie to fill the time and give you a story from a different place besides Hollywood.