Eight years after the Joker's reign of anarchy, the Dark Knight is forced to return from his imposed exile to save Gotham City from the brutal guerrilla terrorist Bane with the help of the enigmatic Catwoman.
In the near future, Earth has been devastated by drought and famine, causing a scarcity in food and extreme changes in climate. When humanity is facing extinction, a mysterious rip in the space-time continuum is discovered, giving mankind the opportunity to widen its lifespan. A group of explorers must travel beyond our solar system in search of a planet that can sustain life. The crew of the Endurance are required to think bigger and go further than any human in history as they embark on an interstellar voyage into the unknown. Coop, the pilot of the Endurance, must decide between seeing his children again and the future of the human race. Written by
Early in pre-production, Dr. Kip Thorne laid down two guidelines to strictly follow: nothing would violate established physical laws, and that all the wild speculations would spring from science and not from the creative mind of a screenwriter. Christopher Nolan accepted these terms as long as they did not get in the way of the making of the movie. That did not prevent clashes, though; at one point Thorne spent two weeks talking Nolan out of an idea about travelling faster than light. See more »
Inside the tesseract, while Cooper is ready to transmit data from the black hole to Murphy, its space suit changes with a mirror effect (his name is written on his right instead of the left). See more »
[Cooper sits to watch the video messages left for him over the years]
Messages span twenty-three years.
Play from the beginning.
[message from Tom starts playing]
Hey, Dad. Just checkin' in, sayin' hi. Um... finished second in school, Miss Carlin's still giving me Cs though. Pulled me down, but second's not bad. Grandpa attended the ceremony. Um... oh, I met another girl, dad. I, uh... I really think this is the one. Her name is Lois. That's her right there.
[...] See more »
Unmatched visuals and writing, yet sentimentalist and most definitely not Nolan's best directorial work
I will keep this short for the sake of not spoiling anything.
Right off i should say I love Nolan. I adore most of his movies, and Interstellar is no exception. It is a marvelous piece of work whose visuals will be hard to forget. His shots of space and the way he played with colors is rather masterful. Maybe i expected it to be greater than what i saw, but even though i was moved by the movie i did not quite feel like he created something great with 'Interstellar.' This could be attributed maybe to his overuse of sentimentalism in the father-daughter relationship he creates. Nolan really tries to make you cry with this one. I have never seen him use such powerful emotions in his movies; however that is not necessarily a good thing for this movie, given that he uses his time trying to develop a family relationship at the expense of flow and congruency. Again, the Visuals are completely off the charts. The visual imagery is truly beautiful and something that Nolan has always excelled at. Given that the most visually stunning movie in recent years, Gravity, recently came out, Interstellar does not lag behind and shows you a spectacle of Visual effects.He will most likely win Visual effects at the Oscars. The Hans's score is marvelous and will most likely earn an Oscar nomination. Matthew Mcconaughey's acting is good, but nothing stellar, especially coming off the best acting role of his career. He plays the character like it should be played, but Nolan's characters never being truly drawn out or rounded does not help him any.The same can be said for the rest of the cast. The little girl was marvelous though. I do not want to reveal any piece of the story whatsoever, but i have to say, it is one of the most original scripts i've ever seen.
Ultimately this movie is entertaining. There is no way Nolan can miss that. Another great thing that Nolan excels at is INSPIRING. By the time the credits rolled and people walked out, I sat there still in awe at the strong sense of human will the movie conveys. Personally, I don't think this is Nolan's best. I believe Memento stands as his masterpiece. But with Nolan, everyone has their own favorite movie. Maybe for some, Interstellar will be their favorite movie, for it is really Nolan's most ambitious and visually-striking work.
By the way, Anyone else who even tries to compare Interstellar to "2001: A Space Odyssey" is out of their mind. Kubrick's mission was to create art. Nolan in "Interstellar" sets to awe and inspire its audiences. It is truly a great piece of work.
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