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Conan the Barbarian (2011)

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A vengeful barbarian warrior sets off to get his revenge on the evil warlord who attacked his village and murdered his father when he was a boy.

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2 nominations. See more awards »

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Cast

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Storyline

A quest that begins as a personal vendetta for the fierce Cimmerian warrior soon turns into an epic battle against hulking rivals, horrific monsters, and impossible odds, as Conan realizes he is the only hope of saving the great nations of Hyboria from an encroaching reign of supernatural evil. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Enter An Age Undreamed Of


Motion Picture Rating (MPAA)

Rated R for strong bloody violence, some sexuality and nudity | See all certifications »

Parents Guide:

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Details

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Language:

Release Date:

19 August 2011 (USA)  »

Also Known As:

Conan, el bárbaro  »

Filming Locations:

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend:

$10,021,215 (USA) (19 August 2011)

Gross:

$21,270,904 (USA) (30 September 2011)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Both Jason Momoa and Rachel Nichols would later be offered the roles of Drax the Destroyer and Gamora in 2014's "Guardians of the Galaxy". Both turned them down and Dave Bautista and Zoe Saldana took the roles. See more »

Goofs

During the chase scene when Tamara flees the temple, Conan's sword repeatedly disappears and reappears in between shots as he pursues Remo. See more »

Quotes

[first lines]
Narrator: In between the years when the oceans drank Atlantis and the rise of the Sons of Aryas, there was an age undreamed of, when shining kingdoms lay spread across the world. Then, came the dark empire of Acheron, where cruel Necromacers sought 'Secrets Of Resurrection'. They crafted a mask from the bones of kings, and awakened it's wrath with the pure blood of their daughters. The mask summoned spirits of unspeakable evil, giving them power that no mortal man should posses.
Narrator: Acheron ...
[...]
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Soundtracks

Enta W'Bas
Written and Performed by Hossam Ramzy
Published by ARC International USA
Courtesy of ARC Music Productions International Limited
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Frequently Asked Questions

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User Reviews

The Studios NEED real people standing over their shoulders ...
21 August 2011 | by (United States) – See all my reviews

I'm not going to get into the plot set-up and all that other stuff which has already been prefaced to this movie's release a thousand different ways. Just straight to the review ...

The entire introduction sequence at the beginning of this Conan was great, up until you see the Jason as the adult Conan. The child actor who played young Conan was broodier, and the sequence where he proves himself as a warrior was more dynamic and believable than most of the other action sequences in the movie. I really enjoyed that entire first portion of the movie, but it went down hill after that.

Jason Mamoa can be a really good Conan. He brought some new flare to the character, but I have to say that ultimately I'm split between him and Arnie, with a bit more leaning to Arnie's Conan. The director, and Jason himself, almost made this Conan rather "sun-shiney" and somewhat fluffy. They had all the sequences they needed to really get dark with him, but they kept it fairly light. With the exception of some mild nudity they really didn't take advantage of the "R" rating. With exception to that mild nudity much of this movie felt like a made-for-TV movie more so than something which should be in the theaters.

Plot ... bleh. It was a weak twist on the original movie's plot. Nothing special in any way, shape or form. In watching Conan go through the progression of the plot I felt like I was watching a video game play out where he was just maneuvering through the different level bosses of the game to his ultimate goal. To say the plot was formula is almost an insult to formula plots.

The CGI, especially in the scenics, was entirely too obvious and very light-hearted comic book-ish. I know there was a lot in this movie where they were drawing upon the great Frazetta artworks, but they missed the marks several times. At the end of the movie, as with many other contemporary special effects movies, I was missing the days of mechanical special effects and matte paintings as backdrops. CGI has destroyed a lot of movies over the years and this was another victim of the over-reliance that's been wrought by the movie industry.

The Studios NEED real people standing over their shoulders DURING production of what should be great movies, ESPECIALLY when there's already a fan base for the subject matter. They need people who aren't afraid to NOT be "Yes Men" and tell them straight up that something is stupid, or over-done, or under-done or just plain not right and let's start it over. The Studios don't have the genital fortitude to do this, so this is the kind of disappointment we have to live through 2 hours at a time throughout our lives. This movie could have been a beginning-of-summer blockbuster, but instead it's stuck in the "could-have-been" file.


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