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Conan the Barbarian (2011)

5.2
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Ratings: 5.2/10 from 75,370 users   Metascore: 36/100
Reviews: 313 user | 304 critic | 29 from Metacritic.com

A vengeful barbarian warrior sets off to get his revenge on the evil warlord who attacked his village and murdered his father when he was a boy.

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Title: Conan the Barbarian (2011)

Conan the Barbarian (2011) on IMDb 5.2/10

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Perseus, mortal son of Zeus, battles the minions of the underworld to stop them from conquering heaven and earth.

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Cast

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Storyline

A quest that begins as a personal vendetta for the fierce Cimmerian warrior soon turns into an epic battle against hulking rivals, horrific monsters, and impossible odds, as Conan realizes he is the only hope of saving the great nations of Hyboria from an encroaching reign of supernatural evil. Written by Anonymous

Plot Summary | Plot Synopsis

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Enter An Age Undreamed Of


Motion Picture Rating (MPAA)

Rated R for strong bloody violence, some sexuality and nudity | See all certifications »

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Details

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Release Date:

19 August 2011 (USA)  »

Also Known As:

Conan  »

Filming Locations:

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend:

$10,021,215 (USA) (19 August 2011)

Gross:

$21,270,904 (USA) (30 September 2011)
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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In this film, Steven Lang's character Khlar Zym attacks and massacres Conan's tribe. In "Avatar", Lang's character Miles Quartich leads an attack on the Na'vi tribe. See more »

Goofs

During the fight on the ship, Conan is thrown back onto a raised platform in the cargo hold. When his legs fly up you can see the rubber soles of the athletic shoes built into his leggings at 1h:12m:28s See more »

Quotes

Conan: Run from me... and I will tear apart the mountains to find you! I will follow you to Hell!
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Frequently Asked Questions

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User Reviews

 
The Terrible Wrath of Darkest Gods
18 August 2011 | by (San Francisco, Ca.) – See all my reviews

Director Marcus Nispel is undoubtedly the long-lost offspring of trash master and fellow German, Uwe Boll, as this film is so profoundly awful on every level that it's hard to think that it wasn't intentionally made this way.

Remarkably, the movie gets bad immediately and stays that way. One of its most jarring aspects is that it begins with Morgan Freeman's narration, which sounds so utterly out of place, with his comforting, slightly Southern drawl the total opposite of everything bloody and Cimmerian, that it instantly comes across like self-parody, as if we were seeing some schticky Mel Brooks interpretation after the fact. This ham-handed disregard for appropriate tone haunts every frame of the film.

The story fails to find the real Conan -- who in Robert E. Howard's stories is a smart, tough, brutal survivor -- and instead seems to reveal to us the underwhelming idea that Conan's just another hunky sword dude with a knack for slaughter.

The script inconsistently sticks to any epic poetic flair in the dialog, so that when such words are delivered, they feel forced and flat. The noted line "I live, I love, I slay, and I am content," is meted out with such lack of panache or feeling that I wanted to wash out Jason Momoa's mouth with soap, right after forcing him to watch Schwarzenegger -- not a great actor, by any means -- deliver the unforgettable tagline: "To crush your enemies, drive them before you, and to hear the lamentation of their women." But then again, John Milius bothered to direct his actors.

Stephen Lang (Colonel Quaritch of "Avatar") is the half-assed villain Khalar Zym, who inspires zero awe and no respect on his whatever quest for some supernatural thingy, which is such an afterthought that you constantly forget about it. And post plastic-surgery Rose McGowan as his witchy daughter Marique is so outrageously goth that you half-wish for a Sisters of Mercy musical cue every time she steps on camera; if only her performance received the same attention as her over-the-top costumes. Ron Perlman, as Conan's father, is simply wasted. Weep!

I'm totally sick of the short-attention-span style of storytelling. The filmmakers are so afraid that if some big action sequence doesn't occur every ten minutes, that we'll be bored; and of course, this quickly has the opposite effect, as we instead become bored from so much pointless, poorly shot and edited action unsupported by character or story. Video games often have more character development than this film, and yes, I'm specifically thinking of the comparatively Shakespearean struggles portrayed in Donkey Kong.

I bestowed two stars on this flick, as the second is for unintentional hilarity, of which the film has much. Its hyperbolic Hyborian cartoonishness makes you either wince or chuckle derisively. Hopefully, as many heads as roll on screen will also roll in Hollywood for this abortive, dreadful garbage.

Perhaps the noble Conan will someday get his proper due in a modern film. But not today.


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Way better than 1982 film, in every respect, IMO rogerwatersfan3
Jason Momoa ShelleyMoonZombie
Stop destroying our Classics... PLEASE outkastpharaoh
Did this kill the franchise? Zackery-Arbela
Rose Mcgowan thatoneuglyguy
khalar Zym and daughter elasalle
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