6.3/10
557
9 user 13 critic

Sasaeng gyeoldan (2006)

Not Rated | | Crime, Drama, Thriller | 26 April 2006 (South Korea)
The underworld of pushers, addicts, cops, and mobsters in Buson. Sang-do is a pusher, selling meth, abstaining from using it, living the high life, and, passing on information to the police... See full summary »

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Cast

Credited cast:
...
Oh Sang-do (as Seung-beom Ryu)
...
Do Jin-kwang (as Jeong-min Hwang)
Hee-ra Kim ...
Lee Taek-jo
...
Ji-young
Do-gyung Lee ...
Jang Chul
...
Yoo Sung-geun
Woo Jung ...
Detective Kim (as Jung Woo)
Jeong-geun Sin ...
Section Chief Go
Jin-hyeok Kim ...
Young-nam
Rest of cast listed alphabetically:
Jin-ho Choi ...
Chang-joon
Won-jae Kang ...
Police Officer
Young-woong Kim ...
Criminal (as Young-Woong Kim)
Jae-myung Yoo ...
Police Officer
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Storyline

The underworld of pushers, addicts, cops, and mobsters in Buson. Sang-do is a pusher, selling meth, abstaining from using it, living the high life, and, passing on information to the police. He enters into a special one-year deal with Lieutenant Doh, a loose canon on the force, seeking revenge against a mob boss who killed his partner and fled to China. Word is he's back, and Doh wants Sang-do's help. Perhaps Sang-do's uncle, a meth manufacturer, can help. Along the way, Sang-do tries to rescue an old girlfriend from the depths of addiction and prostitution, but she may be unable to stay straight. Doh's nemesis is slippery. Can there be any victors on Buson's docks? Written by <jhailey@hotmail.com>

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Genres:

Crime | Drama | Thriller

Certificate:

Not Rated | See all certifications »

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Release Date:

26 April 2006 (South Korea)  »

Also Known As:

Bloody Ties  »

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User Reviews

 
Transposes old-school Western ideals to the sinful port city of Busan
6 May 2007 | by See all my reviews

Cleaving closely to the contours shaped by De Palma, Scorcese and Mann, "Bloody Tie" operates on a level rarely seen in Korean cinema. It transposes old-school Western ideals to the sinful port city of Busan and essentially becomes a hodgepodge of the gritty American crime potboilers replete with corruption in the ranks, perversely bankrupt codes of honour and lots of drug-fuelled thrusts into viciously muscular confrontations. Developing upon the similar tropes of buddy movies such as "48 Hrs." sans the forced male bonding, it pairs up two reprobates at opposite ends of the law who approach their line of work in the same, unconscionable way. Conducting itself with a bit of frantic, icily droll dick-swagger, the film still dares to stare deeper into the abyss than its thematic peers. Tunnelling under the shiny pastel surface of its pulsating city lights, a darkly poetic significance filters through the slithering hand-held camera-work, revealing the tenebrous tongue shared between its agents.


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