| Videos (see all 4) |
| Diana Glenn | ... | Grace | |
| Maeve Dermody | ... | Lee | |
| Andy Rodoreda | ... | Adam | |
| Ben Oxenbould | ... | Jim | |
| Fiona Press | ... | Pat |
Directed by | |||
| David Nerlich | |||
| Andrew Traucki | |||
Writing credits | ||
| Andrew Traucki | (written by) & | |
| David Nerlich | (written by) | |
Original Music by | |||
| Rafael May | |||
Cinematography by | |||
| John Biggins | |||
Film Editing by | |||
| Rodrigo Balart | |||
Production Design by | |||
| Aaron Crothers | |||
Costume Design by | |||
| Justine Seymour | |||
Makeup Department | |||
| Catherine Biggs | .... | hair stylist | |
| Paul Katte | .... | special makeup effects | |
| Nick Nicolaou | .... | special makeup effects | |
| Sheldon Wade | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Ian Astridge | .... | first assistant director | |
Art Department | |||
| Sam Johnson | .... | art department assistant | |
| Simon Way | .... | stand-by props | |
Sound Department | |||
| Shanti Burn | .... | boom operator | |
| David Glasser | .... | sound recordist | |
| Andrew Neil | .... | sound effects editor | |
| Michael Thompson | .... | sound re-recording mixer | |
| Michael Thompson | .... | sound supervisor | |
| Mario Vaccaro | .... | foley artist | |
Special Effects by | |||
| Lloyd Finnemore | .... | special effects consultant | |
Visual Effects by | |||
| Dan Ashton | .... | film recording technician | |
| Nick Booth | .... | film recording supervisor | |
| Peter Jeffs | .... | compositor | |
| David Nerlich | .... | visual effects creator | |
| Stephen Roucher | .... | film recording technician | |
| Andrew Traucki | .... | visual effects producer | |
| Pete Williams | .... | film recording manager | |
Stunts | |||
| Harry Dakanalis | .... | stunt coordinator | |
| Anthony Molinari | .... | stunt double | |
Camera and Electrical Department | |||
| Simeon Bryan | .... | camera operator | |
| Steven Schofield | .... | gaffer | |
Editorial Department | |||
| Sophie Dick | .... | assistant editor | |
Music Department | |||
| James Edward Barker | .... | composer: additional music (UK trailer segment) | |
Other crew | |||
| Mike Cowap | .... | project manager: Australian Film Commission | |
| Ingrid Kleinig | .... | assistant safety | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Australia section |
Black Water is not your typical creature slaughter fest where it's one victim after the other with plenty of blood and gore. It's a rather intimate psychological suspense with practically no gore and little blood. It's set in some mangrove swamps in Australia. A few tourists are stranded far from civilization and no hope of rescue on trees surrounded by water with an immersed crocodile lurking unseen . It's a movie from the school of the least you see of the monster, the scarier it is. I was first taken aback by the long period of waiting without much happening. Heck, I even found it a little boring and was afraid it was one of those no-budget films always teasing the monster but never really showing it, or when they did, it was lame.
On hindsight, I think that the creators clearly tried to slowly make you paranoid about where the crocodile was exactly and in that they were rather successful. There was a nice build-up of tension and the characters looked genuinely frightened. The movie did have a real life aspect to it and the unknown actors (at least in North America) really helped. The crocodile was well done and although sometimes I thought it was a prop (when only the head was showing), it was apparently a real croc composited in. Not CGI, not animatronics and yes the characters eventually seem to be in the same frame and not always filmed separately. My most memorable moment involved the crocodile jumping out of the water higher than you would expect... I also liked the night with the flashes of lightning, going from dark to anguished faces constantly. I didn't like seeing the mostly calm water so much but I understand the reasoning behind it. I didn't expect this kind of realistic claustrophobic siege by one crocodile when I rented it but it turned out reasonably entertaining. Like the stranded characters though, it's better to be patient...
Rating: 6.5 out of 10 (good)