| Videos (see all 2) |
| Stephen Adly Guirgis | ... | Himself | |
| Tim Allen | ... | Himself | |
| Andy Borowitz | ... | Himself | |
| W. Bruce Cameron | ... | Himself | |
| David Cross | ... | Himself | |
| Andy Dick | ... | Himself | |
| Tate Donovan | ... | Himself | |
| Illeana Douglas | ... | Herself | |
| Jeff Garlin | ... | Himself | |
| Judy Gold | ... | Herself | |
| Annabelle Gurwitch | ... | Herself | |
| Jeff Kahn | ... | Himself | |
| Richard Kind | ... | Himself | |
| Anne Meara | ... | Herself | |
| Bob Odenkirk | ... | Himself | |
| Robert Reich | ... | Himself | |
| Jeffrey Ross | ... | Himself | |
| Walter Scheib | ... | Himself | |
| Harry Shearer | ... | Himself | |
| Sarah Silverman | ... | Herself | |
| Ben Stein | ... | Himself | |
| Fisher Stevens | ... | Himself | |
| Paul F. Tompkins | ... | Himself | |
| Jordan Werner | ... | Dinner Guest | |
| Fred Willard | ... | Himself | |
| Roy Zimmerman | ... | Himself |
Directed by | |||
| Chris Bradley | |||
| Kyle LaBrache | |||
Writing credits(in alphabetical order) | ||
| Annabelle Gurwitch | ||
Produced by | |||
| Richard Foos | .... | executive producer | |
| Annabelle Gurwitch | .... | producer | |
Original Music by | |||
| Gary Stockdale | |||
Cinematography by | |||
| Kyle LaBrache | |||
Film Editing by | |||
| Chris Bradley | |||
| Emery Emery | |||
| Kyle LaBrache | |||
| DeWalt Mix | |||
Production Management | |||
| Aaron Hurvitz | .... | production manager | |
Sound Department | |||
| Jeremy Grody | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Brad Kelly | .... | additional camera: Boston (as Bradley Kelly) | |
Editorial Department | |||
| Annie Eifrig | .... | additional editing | |
| Alison Flierl | .... | book | |
Other crew | |||
| Ryan Maples | .... | research assistant | |
| Recent Posts (updated daily) | User |
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| Footage of Woody Allen | jbels |
| Annabelle | treednls |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
Annabelle Gurwitch has a certain amount of sadsack charm, but that's not enough to carry an entire film that is mostly about comedians and other performers who regale us with their ever-so-funny experiences about getting fired.
This is a one-trick pony of a film that somehow pretends to have much deeper import -- i.e. 'downsizing in America,' which is a truly devastating problem affecting many millions of people in the U.S. and other Western countries. It's isn't light-hearted hilarity to be driven to the sidelines of society, perhaps never to return.
I think Gurwitch means well, but I kept wondering how many of the stories in this film were actual or imagined. Call me cynical (which I am, of course), but performers are trained (and paid) to be 'on,' to pretend they're someone else.
There's too much 'padding' in this film. The segments with the truly irritating Andy Dick, as just one example, should have been excised or at least shortened. Somebody, somewhere, once told Dick that he was funny and, alas, he took it seriously. And I've never seen Fred Willard, Jeff Garlin and Harry Shearer so UNfunny. How is that possible?
Nice try anyway.