Cinéma, de notre temps (TV Series 1988– ) Poster

Episode List

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19 Feb. 1993
Souleymane Cissé
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16 Apr. 1993
Chahine & Co
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23 Apr. 1993
David Lynch: Don't Look at Me
A documentary about American director David Lynch.
 
31 Jan. 1994
D'un silence à l'autre
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28 Feb. 1994
Jacques Rivette - Le veilleur
This is a film made of interviews of the film director Jacques Rivette, by a film critic ("Les Cahiers du Cinéma"), Serge Daney.
 
28 Mar. 1994
Oliveira - L'architecte
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16 May 1994
Nanni Moretti
Film-interview with Italian director Nanni Moretti.
 
31 Oct. 1994
The Scorsese Machine
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13 Sep. 1995
Boetticher Rides Again
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2 Jul. 1997
Citizen Ken Loach
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3 Mar. 1999
Philippe Garrel - Portrait d'un artiste
A biographical movie on film director Philippe Garrel, based on a live interview during which his ideas and relationships are discussed, and illustrated with inserts from his movies.
 
14 Jun. 2001
Une journée d'Andrei Arsenevitch
A documentary made prior to the death of filmmaker Andrei Arsenevitch (Tarkovsky) and showing him working on his final film, this record was made at Arsenevitch's request to stand as a record of his working practices. Interspersed with clips of the director's films, this should prove especially interesting for fans of Arsenevitch's work
 
18 Jul. 2001
Aki Kaurismäki
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12 Sep. 2003
Abel Ferrara: Not Guilty
An intimate portrait of Abel Ferrara: an eccentric road movie, with the restless film maker, around New York by night.
 
10 Sep. 2011
L'archipel du cas O
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19 Sep. 2014
Nolot en verve
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29 May 2016
Reminiscences of Mekas
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24 Sep. 2016
No Return Rafi Pitts
The portrait of an exiled film-maker. Pitts survives by filming beyond boundaries. The story of an auteur who will always say ''I am situated in the meantime''.
 
13 Nov. 2016
Un, parfois deux
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2017
Olivier Assayas
30 years after his debut, Olivier Assayas is back in New York to present his latest feature film shot in Paris, London, Prague and Oman.
 
31 Jan. 2017
Por la libertad
In this portrait, Mexican light master Carlos Reygadas (Post Tenebras Lux, 2012) seldom addresses the camera directly, but allows himself to be filmed during his first commercial assignment. An unexpectedly playful approach from this solitary filmmaker, in which his driver has as much to say as he does. (Rotterdam International Film Festival)
 

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