Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
A young woman's nightmarish past returns to trigger off a bizarre phobia she was once cured of; an intense fear of space, eased only by closeness to walls. She becomes a psychological ... See full summary »
A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.
Jeffrey Dean Morgan,
After the death of her ill mother in a fire, the young teenager Anna tries to commit suicide and is sent to a mental institution for treatment. Ten months later, Anna still cannot remember what had happened on the night her mother died. Her psychiatric Dr. Silberling, however, discharges her telling that she has resolved her issues. Her father and successful writer, Steven, brings her back home in an isolated mansion nearby the coast. Anna finds that her mother's former nurse, Rachel Summers, is her stepmother now. Anna meets her beloved sister, Alex, swimming in the sea. She discovers that Steven has not delivered the letters and CDs that Alex had sent to her. As time moves on, Anna is haunted by ghosts and she believes that Rachel killed her mother. Alex and Anna decide to look for evidences to prove that Rachel is the murderer and Anna discovers the truth about the fire in the boat house. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A variation of clever camera angles and forced perspective helped maintain the illusion Elizabeth Banks was several inches taller than Emily Browning who in reality is only two inches shorter. See more »
In the beginning, Anna looks out her bedroom window to see the lake at the back of the house. In the penultimate scene, her father stands in her bedroom looking out the same window, which is now facing the driveway at the front of the house. See more »
I love you. And I have a condom.
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I typically find newer horror movies to be cheesy, humorous, boring, and above all: not scary. You know that feeling you get when a movie starts to take its toll on your patients and causes your eyes to wander around the theater? You don't get that at all with this film. This movie grabbed me from the beginning and refused to let go. The film's music score is extremely effective at creating a suspenseful and uneasy viewer sensation, which I think deserves full appreciation for the movie's ghostly flavor. Without any doubt, appropriate music in a movie is like butter on popcorn. Would Jaws scare you without the renowned theme music? The cast was nothing less then superb. Emily Browning was perfect at playing the "sad, quiet girl with horrible visions" role. I'm not going to spoil it for anyone, but the ending of this movie really twists your mind and makes you think. I found it to be an adequate yet abrupt closure for the story despite how it is following a certain trend with recent horror movie endings.
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