| Photos (See all 12 | slideshow) | Videos (see all 5) |
| Bill Maher | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Tal Bachman | ... | Himself | |
| Jonathan Boulden | ... | Himself | |
| Steve Burg | ... | Himself | |
| Francis Collins | ... | Himself | |
| George Coyne | ... | Himself (as Father George Coyne PhD) | |
| Benjamin Creme | ... | Himself | |
| Jeremiah Cummings | ... | Himself | |
| Jose Luis De Jesus Miranda | ... | Himself | |
| Fatima Elatik | ... | Herself | |
| Yahuda Etzion | ... | Himself | |
| Reginald Foster | ... | Himself (as Father Reginald Foster) | |
| Mohamed Junas Gaffar | ... | Himself | |
| Bill Gardiner | ... | Himself | |
| Ted Haggard | ... | Himself (archive footage) | |
| Rabbi Halperin | ... | Himself | |
| Ken Ham | ... | Himself | |
| Dean Hamer | ... | Himself (as Dr. Dean Hamer) | |
| Mohammad Hourani | ... | Himself (as Dr. Mohammad Hourani PhD) | |
| Jeffrey Hunter | ... | Jesus (archive footage) | |
| Nelson Leigh | ... | Jesus (archive footage) | |
| Julie Maher | ... | Herself | |
| Kathy Maher | ... | Herself | |
| Aki Nawaz | ... | Himself (as Propa-Gandhi) | |
| Andrew Newberg | ... | Himself (as Dr. Andrew Newberg MD) | |
| Fred Phelps | ... | Himself (archive footage) | |
| Mark Pryor | ... | Himself | |
| Shmuel Strauss | ... | Himself (as Rabbi Shmuel Strauss) | |
| Ray Suarez | ... | Himself | |
| Jimmy Turkmani | ... | Himself | |
| Ferre van Beveren | ... | Himself (as Reverend Ferre van Beveren) | |
| Yisroel Dovid Weiss | ... | Himself (as Rabbi Dovid Weiss) | |
| John Westcott | ... | Himself (as Pastor John Westcott) | |
| Geert Wilders | ... | Himself | |
| Jim Bakker | ... | Himself (archive footage) (uncredited) | |
| Osama bin Laden | ... | Himself (archive footage) (uncredited) | |
| Kaya Bousquet | ... | Model (uncredited) | |
| George W. Bush | ... | Himself (archive footage) (uncredited) | |
| Kirk Cameron | ... | Himself (archive footage) (uncredited) | |
| Johnny Carson | ... | Himself (archive footage) (uncredited) | |
| Larry Charles | ... | Himself (uncredited) | |
| Tom Cruise | ... | Himself (archive footage) (uncredited) | |
| Jerry Falwell | ... | Himself (archive footage) (uncredited) | |
| Billy Gibbons | ... | Himself (archive footage) (uncredited) | |
| Theo van Gogh | ... | Himself (archive footage) (uncredited) | |
| Charlton Heston | ... | George Taylor (archive footage) (uncredited) | |
| Dusty Hill | ... | Himself (archive footage) (uncredited) | |
| Benny Hinn | ... | Himself (archive footage) (uncredited) | |
| Mike Huckabee | ... | Himself (archive footage) (uncredited) | |
| Kim Hunter | ... | Zira (archive footage) (uncredited) | |
| Michael Jackson | ... | Himself (archive footage) (uncredited) | |
| The Bishop Don Magic Juan | ... | Himself (archive footage) (uncredited) | |
| Larry King | ... | Himself (archive footage) (uncredited) | |
| Joe Lieberman | ... | Himself (archive footage) (uncredited) | |
| Marilyn Manson | ... | Himself (archive footage) (uncredited) | |
| John McCain | ... | Himself (archive footage) (uncredited) | |
| Pope John Paul II | ... | Himself (archive footage) (uncredited) | |
| Elvis Presley | ... | Himself (archive footage) (uncredited) | |
| Prince | ... | Himself (archive footage) (uncredited) | |
| Oral Roberts | ... | Himself (archive footage) (uncredited) | |
| Pat Robertson | ... | Himself (archive footage) (uncredited) | |
| George C. Scott | ... | Abraham (archive footage) (uncredited) | |
| Gene Simmons | ... | Himself (archive footage) (uncredited) | |
| Britney Spears | ... | Herself (archive footage) (uncredited) | |
| Paul Stanley | ... | Himself (archive footage) (uncredited) | |
| John Travolta | ... | Himself (archive footage) (uncredited) | |
| Max von Sydow | ... | Jesus (archive footage) (uncredited) | |
| Kanye West | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Larry Charles | |||
Writing credits(in alphabetical order) | ||
| Bill Maher | written by (uncredited) | |
Produced by | |||
| Jesse Johnston | .... | executive producer | |
| Leila Lak | .... | field producer: England | |
| Alexandra Lambrinidis | .... | associate producer | |
| Bill Maher | .... | producer | |
| Kevin O'Donnell | .... | line producer | |
| Flavia Oertwig | .... | field producer: Italy | |
| Lisa Rudin | .... | associate producer | |
| Charlie Siskel | .... | executive producer | |
| Jonah Smith | .... | producer | |
| Alon Tuval | .... | field producer: Israel | |
| Palmer West | .... | producer | |
Cinematography by | |||
| Anthony Hardwick | (director of photography) | ||
Film Editing by | |||
| Jeff Groth | |||
| Christian Kinnard | |||
| Jeffrey M. Werner | |||
Production Management | |||
| Chelsea Barnard | .... | field supervisor | |
| Tommaso Colognese | .... | production supervisor: Italy | |
| Craig Conolly | .... | unit production manager (as Craig J. Conolly) | |
| Jan Diederen | .... | field supervisor: The Netherlands | |
| Brad Goodman | .... | post-production supervisor (as Bradley M. Goodman) | |
| Kevin Kolovich | .... | production supervisor: England | |
| Alexandra Lambrinidis | .... | field supervisor | |
| Mary Prendergast | .... | post-production supervisor | |
| Charlie Siskel | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Craig Conolly | .... | first assistant director (as Craig J. Conolly) | |
| Charlie Siskel | .... | first assistant director | |
| Dale Stern | .... | first assistant director (as Dale S. Stern) | |
Sound Department | |||
| Rick Camera | .... | sound re-recording mixer (as Rick Camara) | |
| John Cannon | .... | first assistant sound editor | |
| Jason George | .... | supervising sound editor | |
| Scott Harber | .... | sound mixer | |
| Geoffrey G. Rubay | .... | sound re-recording mixer | |
| Geoffrey G. Rubay | .... | supervising sound editor | |
| James Wright | .... | sound consultant: Dolby (as Jim Wright) | |
| James Bailey | .... | foley artist (uncredited) | |
| Fabrizio Donati | .... | audio restorer (uncredited) | |
Visual Effects by | |||
| Scott M. Davids | .... | visual effects & graphics supervisor: Yard VFX (as Scott Davids) | |
| Jalal Jemison | .... | digital compositor: Yard VFX | |
| Jalal Jemison | .... | graphics animator: Yard VFX | |
| Benjamin Locke | .... | graphics animator: Yard VFX | |
| Benjamin Locke | .... | main title animator: Yard VFX | |
Camera and Electrical Department | |||
| Anthony Hardwick | .... | camera operator | |
| Ryo Kinno | .... | first assistant camera (as Ryo Kinino) | |
| Mark Schwartzbard | .... | camera operator | |
| David Mickler | .... | camera operator: behind the scenes (uncredited) | |
| Sam Moon | .... | camera operator: "c" camera: England (uncredited) | |
| Owen A. Smith | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Jason Alper | .... | stylist: England | |
Editorial Department | |||
| Thomas J. Cabela | .... | assistant editor (as Tom Cabela) | |
| David Egan | .... | first assistant editor | |
| Evan Goldstein | .... | post-production coordinator | |
| John Klos | .... | final cut pro systems support: Big Time Picture Company | |
| Asim Matin | .... | assistant editor | |
| Jeff Mee | .... | first assistant editor | |
| Aaron Peak | .... | colorist | |
| Aaron Peak | .... | on-line editor | |
| Silja Tõnisson | .... | first assistant editor (as Silja Tonisson) | |
| Leroy Wolf | .... | color timer | |
| Mike Ford | .... | post-production associate (uncredited) | |
| Micky Hohl | .... | post-production assistant (uncredited) | |
| Neil W. Smith | .... | digital intermediate supervisor: Hollywood-DI (uncredited) | |
Music Department | |||
| Michael Dittrick | .... | music editor | |
| Richard Henderson | .... | music consultant | |
| Chris Robertson | .... | music clearance: Diamond Time | |
| Ben Zales | .... | assistant music editor | |
Transportation Department | |||
| Andrea Bonanni | .... | driver: Italy | |
| Lori Chavez | .... | transportation coordinator | |
| Eli 'Kiko' Cohen | .... | transportation coordinator: Israel | |
| Jeff Hyland | .... | driver | |
| Tom Jenkins | .... | driver | |
| Shalom Kleiman | .... | driver: Israel | |
| Gianfranco Renzoni | .... | driver: Italy | |
| Jared Robbins | .... | transportation captain | |
| Meir Tabcznik | .... | driver: Israel | |
| Massimiliano Taglioni | .... | driver: Italy (as Massimilano Taglioni) | |
Other crew | |||
| Fouad Abughosh | .... | field coordinator: Israel | |
| Robyn Adams | .... | researcher | |
| Giosué Arcuri | .... | production security | |
| Chelsea Barnard | .... | researcher | |
| Bhanu Bhatnagar | .... | production assistant: England | |
| Roberta Brodsky | .... | field coordinator | |
| Cara Casey | .... | field coordinator | |
| Sophie Charles | .... | researcher | |
| Kate Coe | .... | archival researcher | |
| Michelle Cornelius | .... | assistant: Mr. Maher | |
| Peter Dally | .... | international legal contracts | |
| Mike Diaz | .... | production assistant | |
| Jan Diederen | .... | researcher: The Netherlands | |
| Alon Farago | .... | location manager: Israel | |
| Tal Fiala | .... | account executive | |
| Classietta Foreman | .... | field coordinator (as Classietta Davis) | |
| Amiran Gicelter | .... | international legal contracts | |
| Max Gottlieb | .... | production insurance: Frankel & Associates | |
| Alan Grodin | .... | legal services: Weissmann, Wolff, Bergman, Coleman, Grodin & Evall | |
| Octavia Hartland | .... | production assistant: England | |
| Gill Havivi | .... | production security | |
| Dave Herrmann | .... | production assistant (as David Hermann) | |
| Lauren A Jackson | .... | travel coordinator (as Lauren Jackson) | |
| Mano Janssen | .... | international legal contracts | |
| Armand Killan | .... | international legal contracts | |
| Mary Knowles | .... | booker | |
| Dalit Koren | .... | production secretary: Israel | |
| Calum Latham | .... | production assistant: England | |
| Anjani Mandavia | .... | legal services: Weissmann, Wolff, Bergman, Coleman, Grodin & Evall | |
| David Mickler | .... | production assistant | |
| Mark Monto | .... | security | |
| Massimiliano Mostardini | .... | international legal contracts | |
| Shannon Murphy | .... | assistant: Mr. Smith & Mr. West | |
| Dana Ostroff | .... | production accountant | |
| Lisa Rudin | .... | assistant: Mr. Charles | |
| Kathy Sarreal | .... | legal services: Weissmann, Wolff, Bergman, Coleman, Grodin & Evall | |
| Estee Seward | .... | assistant: Mr. Maher | |
| Julie Shapiro | .... | production travel: Travel Corps | |
| Noam Sharon | .... | researcher: Israel | |
| Marc R. Sinderman | .... | production accountant | |
| Matthew N. Sugarman | .... | legal services: Weissmann, Wolff, Bergman, Coleman, Grodin & Evall (as Matt Sugarman) | |
| Rieko Takagi | .... | production assistant | |
| Greg Wishnev | .... | researcher (uncredited) | |
Thanks | |||
| Cliff Dorfman | .... | special thanks | |
| Ned Goldreyer | .... | special thanks | |
| Julie Maher | .... | in loving memory of | |
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| The God Who Wasn't There | Jesus Camp | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | Saved! | Munich |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
With 16 percent of the U.S. population, the un-/non-/anti-religious represent a larger segment than blacks (13%), gays (3%), or NRA members (2%). Never mind the exact figures (which vary from source to source), focus on the question what kind of lobby do the non-religious have, with impact approaching those other groups? None, alas. Why is that?
It could be this: The militantly religious must be *right*, the secular - by definition - will not fight to the death for his truth (or god, not in evidence). My money is on the righteous, the fervent, the militant, the possessed. One day, they may even have an influence over the U.S. government! Meanwhile, in our corner, there is Bill Maher.
His "Religulous," directed by Larry Charles, is an entertaining, funny, angry, thought-provoking journey from the Al-Aqsa Mosque, Via Dolorosa, the Qumran Caves, to Stonehenge, Habibi Ana (and a Moslem Gay bar), the Vatican, the Holy Land Experience Park in Florida, the U.S. Capitol, Mormon Tabernacle, and many others.
Everywhere, Maher is asking a few simple questions: What do you believe, why, and how can you possibly...? Half Catholic, half Jewish, and fully agnostic, Maher is incredulous, in every sense of the word, but curiously warm and gentle asking questions about the "the final battle between intelligence and stupidity that will decide the future of humanity."
In Larry Charles' words, the situation confronted is like this: "An old God, a very buff old God that lives in space decides to create the first man from earth dust, then makes a woman from that man's rib. They get to live forever if they don't eat the forbidden fruit from the tree of knowledge, but the woman is tricked into eating a piece by a talking snake and all future humanity is cursed." And that, of course, is just the basic tenet of one religion. Discuss.
Maher goes on in his polite crusade to dissect some of the similar Star Wars/Disney scenarios in Scientology, Mormonism, among Orthodox Jews and televangelists. All interviews are interesting, but some are amazing and memorable. Father Reginald Foster - a senior Vatican scholar, principal Latinist for the Pope - will stun you as he agrees with Maher on some points. There is unexpected goodwill and kindness from a group of evangelists "attacked" by Maher; they pray for him, and really mean it.
You may have chills running down your back as you listen to Sen. Mark Pryor (D-Arkansas), sitting in his Capitol office, speaking about his belief in Creationism and the literal interpretation of the Bible. You don't need to be a Christian to be offended (and amused) by the commercial Jesus impersonators Maher interviews, and you may feel a bit sorry for the Pentecostals speaking in tongues. (Gov. Palin and John Ashcroft, neither featured in "Religulous," are members of that church.)
After comedy, irony, and sarcasm, Maher turns serious at the end of the film, and asks with deep concern if the future of the world can be entrusted to the many varieties of believers in the unreal, the illogical, the incongruous, the phantasmagorical. Looks like we are well on our way to that eventuality.