4.5/10
161
3 user 18 critic

Irene in Time (2009)

PG-13 | | Comedy, Drama, Romance | 19 June 2009 (USA)
Trailer
2:43 | Trailer
A film about the complex relationships between fathers and daughters, and the potential lifelong consequences of those relationships.

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Cast

Cast overview, first billed only:
...
Irene Jensen
...
Helen Dean
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Eleanor Jensen
...
Sheila Shivvers
...
Jacob
...
Mikey Cagney
...
Norm Forentino
...
Larry
...
Jo Jo Farentino
...
Sam
Adam Davidson ...
Gordon
...
Gaby
...
Sandie Fuse
Julius Noflin ...
Bill
Dato Bakhtadze ...
Max
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Storyline

A film about the complex relationships between fathers and daughters, and the potential lifelong consequences of those relationships.

Plot Summary | Add Synopsis

Taglines:

Time Never Kills the Love of Your Life

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements and some sexual content
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Details

Official Sites:

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Language:

Release Date:

19 June 2009 (USA)  »

Also Known As:

Irene és a pasik  »

Filming Locations:

 »

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Box Office

Budget:

$2,000,000 (estimated)

Opening Weekend USA:

$9,332, 3 July 2009, Limited Release

Gross USA:

$194,316, 29 November 2009
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Soundtracks

Forever In Time We'll Be
Lyrics and Music by Harriet Schock
Performed by Andrea Marcovicci
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User Reviews

 
If the film weren't ... then I wouldn't have walked out.
23 August 2009 | by See all my reviews

This movie was a little like seeing a friend's kid's recital. You'd only stay, smile and nod if the parent were a close friend who happened to be sitting in the next seat. I didn't make it beyond the first half.

The film is a sorry, star-vehicle for the lead actress, Tanya Frederick. If only she were a star, or if Harriet Schock had less treacly lyrics or didn't have an overly-sentimental singing style, perhaps Irene Jensen's character might have been tolerable.

The film fails to explore the relationships between women and their fathers, instead focusing on superficial conclusions and sappy constructs of child-parent connection. It tries to make up for its heterosexual focus by providing an unconvincing man-kissing lesbian.

Mostly though, if the dialog was not laden with grown women referring to their fathers as, "daddy," and Irene Jensen hadn't cried saying she'd never find a man like her father to cut bananas into rounds for her cereal....well, then I wouldn't have walked out.


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