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Irene in Time (2009) 4.3
A film about the complex relationships between fathers and daughters, and the potential lifelong consequences of those relationships. Director:Henry JaglomWriter:Henry Jaglom |
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Title: Irene in Time (2009)
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Cast
| Cast overview, first billed only: | |||
| Tanna Frederick | ... | ||
| Andrea Marcovicci | ... | ||
| Victoria Tennant | ... | ||
| Karen Black | ... | ||
| Lanre Idewu | ... |
Jacob
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| Jack Maxwell | ... | ||
| David Proval | ... | ||
| Zack Norman | ... | ||
| Kelly De Sarla | ... | ||
| Reni Santoni | ... |
Sam
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Adam Davidson | ... | |
| Claudia Brown | ... | ||
| Harriet Schock | ... | ||
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Julius Noflin | ... |
Bill
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Dato Bakhtadze | ... |
Max
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Storyline
A film about the complex relationships between fathers and daughters, and the potential lifelong consequences of those relationships.
Taglines:
Time Never Kills the Love of Your LifeMotion Picture Rating (MPAA)
Rated PG-13 for thematic elements and some sexual contentParents Guide:
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Details
Country:
USALanguage:
EnglishRelease Date:
19 June 2009 (USA) See more »Box Office
Budget:
$2,000,000 (estimated)Opening Weekend:
$9,332 (USA) (3 July 2009)Gross:
$194,316 (USA) (27 November 2009)Company Credits
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Technical Specs
Runtime:
Sound Mix:
DolbyColor:
ColorAspect Ratio:
1.85 : 1
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Lyrics and Music by Harriet Schock
Performed by Harriet Schock and her band
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Soundtracks
"Searching For You"Lyrics and Music by Harriet Schock
Performed by Harriet Schock and her band
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This movie was a little like seeing a friend's kid's recital. You'd only stay, smile and nod if the parent were a close friend who happened to be sitting in the next seat. I didn't make it beyond the first half.
The film is a sorry, star-vehicle for the lead actress, Tanya Frederick. If only she were a star, or if Harriet Schock had less treacly lyrics or didn't have an overly-sentimental singing style, perhaps Irene Jensen's character might have been tolerable.
The film fails to explore the relationships between women and their fathers, instead focusing on superficial conclusions and sappy constructs of child-parent connection. It tries to make up for its heterosexual focus by providing an unconvincing man-kissing lesbian.
Mostly though, if the dialog was not laden with grown women referring to their fathers as, "daddy," and Irene Jensen hadn't cried saying she'd never find a man like her father to cut bananas into rounds for her cereal....well, then I wouldn't have walked out.