Dot (Belle), a young deaf and mute woman, is sent to live with her godparents (Falco and Donovan) and their daughter (Cuthbert). The new addition to the household realizes that everything is not copacetic in the home, and the family's dark come to light.
Young Augusten Burroughs absorbs experiences that could make for a shocking memoir: the son of an alcoholic father and an unstable mother, he's handed off to his mother's therapist, Dr. Finch, and spends his adolescent years as a member of Finch's bizarre extended family.
A dramatic thriller about Diana, a suburban wife and mother who begins to question her seemingly perfect life--and perhaps her sanity--on the 15th anniversary of a tragic high school shooting. In flashbacks, Diana is a vibrant high schooler who, with her shy best friend Maureen, plot typical teenage strategies--cutting class,fantasizing about boys--and vow to leave their sleepy suburb at the first opportunity. The older Diana, however, is haunted by the increasingly strained relationship she had with Maureen as day of the school shooting approached. These memories disrupt the idyllic life she's now leading with her professor husband Paul and their young daughter Emma. As older Diana's life begins to unravel and younger Diana gets closer and closer to the fatal day, a deeper mystery slowly unravels. Written by
At the start of the movie, when 'Uma Thruman''s character is flipping through radio stations, one of the songs you hear is "She's not there" by The Zombies (1964), which was covered under the title "About Her" by Malcolm McLaren. That cover was used in Kill Bill: Vol. 2 (2004) which Uma also starred in. See more »
The sophisticated Perelman/Kasischke sensibilities will not be for all markets; this is essentially a rather highbrow film, with a surprise ending which will spoil it for some who want their movies to be straightforward, but which is essential to its philosophical heart. Thurman is outstanding as the older, pensive Diana, and Wood perhaps even better as the self-confident, rebellious younger version. Perelman's direction captures the dreamy lyricism contrasting with a sometimes brutal realism that is also found in Kasischke's beautiful and poetic 2002 novel. There won't be many better, genuinely adult movies this year, and most likely it will be ignored.
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