Young Augusten Burroughs absorbs experiences that could make for a shocking memoir: the son of an alcoholic father and an unstable mother, he's handed off to his mother's therapist, Dr. Finch, and spends his adolescent years as a member of Finch's bizarre extended family.
A dramatic thriller about Diana, a suburban wife and mother who begins to question her seemingly perfect life--and perhaps her sanity--on the 15th anniversary of a tragic high school shooting. In flashbacks, Diana is a vibrant high schooler who, with her shy best friend Maureen, plot typical teenage strategies--cutting class,fantasizing about boys--and vow to leave their sleepy suburb at the first opportunity. The older Diana, however, is haunted by the increasingly strained relationship she had with Maureen as day of the school shooting approached. These memories disrupt the idyllic life she's now leading with her professor husband Paul and their young daughter Emma. As older Diana's life begins to unravel and younger Diana gets closer and closer to the fatal day, a deeper mystery slowly unravels. Written by
The names of the 26 victims seen on the memorial and the banner (with the exception of prominent characters such as Maureen and Mr. MacLeod) are the names of members of the production crew who worked on the film. See more »
William James, that most American philosopher, once advised: "begin to be now what you will be hereafter". One might ask how? Our deepest guide in our beginning to be, is our imagination. Our ability to project, and mold our future selves from the myriad possibilities before us. And to imagine takes courage and effort. But it gives us hope too, hope that we can author our own destinies, hope that rightness of the decisions we make now will be borne out in the future. As much as we can be ...
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I also saw this at Toronto, and visually speaking, this movie is one of the best looking films of the year. This director's first film was the great "House of Sand and Fog" and here he confirms how talented he is. Uma Thurman hasn't been better as she plays a woman who is now well into adulthood, living in the small town that she grew up in, with a professor husband and a little girl. I love the way Perelman uses flashbacks here to inform us about Thurman as a teen. In many films, flashbacks can yank us around and cut tension, but here Evan Rachel Wood is so good that the two characters are seamlessly interwoven in a way that we are treated to a complex character study of a grown woman who is driving herself mad with regret and anxiety and guilt. There's nothing more fascinating than watching conflict that is internal rather than external, and Thurman here is so good, I hope she is remembered come Oscar season.
Just a solid movie in every way. Good score from James Horner, the guy who did the music for "A Beautiful Mind" and "House of Sand and Fog", equally lovely scores in their own right.
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