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Frontier(s) (2007)

Frontière(s) (original title)
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A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.

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1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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David Saracino ...
Tom
Chems Dahmani ...
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Eva
Amélie Daure ...
Rosine Favey ...
Adel Bencherif ...
Joël Lefrançois ...
Patrick Ligardes ...
Jean-Pierre Jorris ...
Stéphane Jacquot ...
Christine Culerier ...
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Storyline

In Paris, during the riots due to the election of a conservative candidate to the presidency of France, a group of four muslim small-time criminal teenagers from the periphery; Alex, Tom, Farid, the pregnant Yasmine, and her brother Sami, plan to run away from Paris to Amsterdam with a bag full of robbed money. However, Sami is shot and the group split up, with Alex and Yasmine going to the emergency hospital with Sami while Tom and Farid head to the border with the money. Tom and Farid decide to stop in a bed and breakfast nearby the frontier, and are hosted by Gilberte and Klaudia that offer free room and sex to the newcomers. They call Alex and Yasmine who are fleeing from Paris to join them in the inn. But soon they discover that their hosts are sadistic cannibals of a Nazi family led by the deranged patriarch and former SS officer and Nazi war criminal Le Von Geisler who plans to make Yasmine the brood mare for a new Aryan master race. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

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Genres:

Horror | Thriller

Motion Picture Rating (MPAA)

Rated NC-17 for extreme sadistic graphic violence and gore | See all certifications »

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Details

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Release Date:

23 January 2008 (France)  »

Also Known As:

Frontier(s)  »

Filming Locations:

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Box Office

Budget:

$3,000,000 (estimated)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film was intended to be one of the 8 films to die for as part of 2007's Horrofest but had to be pulled as it was given an NC-17 rating by the MPAA. See more »

Goofs

In the middle of the movie, when Farid escapes to the basement, he hits Karl in the face with a sledgehammer and knocks him down. Then, in the next scene Karl is sitting at the dinner table, with no mark of that stroke on his face. See more »

Quotes

[first lines]
Yasmine: My name is Yasmine. I'm three months pregnant. One day, someone said "Men are born free with equal rights". The world in which I live is the opposite. Who would want to be born to grow up in the chaos and the hate? I've decided to spare him the worst.
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Connections

Referenced in Viande d'origine française (2009) See more »

Soundtracks

Deesse Africaine
Written by Roca-Ira Kodiche and Jean-Pierre Taieb (as Jean-Pierre Taïeb)
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User Reviews

 
The Final Frontier(s)?
2 August 2008 | by (Hellfudge, Pennsylvania) – See all my reviews

Homage is a tricky thing–there is an extremely fine line in paying tribute to the cinematic works of others and merely ripping them off (hello, "Doomsday"!). And integrating a whiff of political commentary to give an aura of sophistication to what is, at heart, an unabashed splatter-fest, is even trickier (and much harder to pull of convincingly–see George Romero's "Living Dead" series). Despite how wobbly Xavier ("Hitman") Gens' blood-soaked "Frontier(s)" is in both of these departments, it comes out ahead due to its own maniacal, implacable energy; while prone to including too many monotonous chases that slow up (rather than quicken) the overall pace, there are scenes of such visceral savagery on display that it's hard to take your eyes off the screen. While some of the performances and characterizations veer dangerously close to camp, Gens comes close to establishing the same sort of fever-dream madness that made "The Texas Chainsaw Massacre" so endearing: when an extreme right-wing candidate is elected to the French presidency, the citizens take to the streets in protest (the film's opening images are culled from actual news footage); using this as a cover, 5 small-time crooks knock off a bank and meet up at a countryside hostel that just happens to be run by several generations of an inbred, neo-Nazi family (including a patriarch that looks like B-movie king Roger Corman; and a sister who resembles Gen from The Genitortures); what ensues is a survival-of-the-luckiest chase through bowels-of-hell settings that have been well-established in the "Saw" and "Hostel" flicks. Gens also pulls (un)inspiration from the likes of "The Descent" (a fantastically claustrophobic tunnel-crawl; subhuman critters in underground caverns), "High Tension" (the beleaguered heroine spends the last 20 minutes wearing a literal coat of gore), and seemingly every one of the "Texas Chainsaw"s (coming closest to the family dynamic of Part III). While "Frontier(s)" spills its share of the red vino, it doesn't approach the level its reputation would lead you to believe–by comparison, the far more original "Inside" trumps this in terms of jaw-dropping carnage–but Gens instills his violence with such a brutally misanthropic tone that it comes across with more discomfort than catharsis. That being said, there is a bizarre appeal to our protagonists, probably because their initial crime and in-fighting becomes more forgivable in the face of the malevolent menace they bump up against; and the villains are grotesquely charismatic, forming an interlacing network of poison DNA and an undeniable (and undeniably perverse) sense of familial honor. "Frontier(s)" is messy, and certainly no masterpiece, but it makes for a diverting trip into the potential for genre extremity.


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