Directed by | |||
| Abderrahmane Sissako | |||
Writing credits(in alphabetical order) | ||
| Abderrahmane Sissako | ||
Cinematography by | |||
| Jacques Besse | |||
Film Editing by | |||
| Nadia Ben Rachid | |||
| Pauline Casalis | |||
Production Design by | |||
| Mahamadou Kouyaté | |||
Costume Design by | |||
| Maji-da Abdi | |||
Makeup Department | |||
| Batoma Kouyaté | .... | key makeup artist | |
Production Management | |||
| Thomas Alfandari | .... | production manager | |
| Ndiouga Moctar Ba | .... | production manager: Mali (as Moctar Bâ) | |
| Dramane Traoré | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Philippe Tourret | .... | first assistant director | |
Sound Department | |||
| Christophe Bourreau | .... | foley artist | |
| Geraldine Falieu | .... | assistant dialogue editor | |
| Dana Farzanehpour | .... | sound | |
| Charles Ferré | .... | boom operator | |
| Bruno Tarrière | .... | sound mixer | |
| Christophe Winding | .... | sound editor | |
Visual Effects by | |||
| Stephanie Boutinaud | .... | visual effects coordinator | |
Camera and Electrical Department | |||
| Emmanuel Daou | .... | still photographer | |
| Makhete Diallo | .... | camera operator | |
| Thomas Nikiema | .... | camera operator (as Thomas Nikéma) | |
| Lydie Rappaport | .... | still photographer | |
| Abdourahmane Somé | .... | camera operator | |
| Gilles Viallard | .... | still photographer | |
Editorial Department | |||
| Nicolas Criqui | .... | digital conformation | |
| Frederic Jupin | .... | editor: Colurus | |
| Carlos Pinto | .... | assistant editor | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Raymond Terrentin | .... | colorist | |
| Philippe Tourret | .... | digital intermediate coordinator | |
| Clement Zveguintzoff | .... | digital conformation | |
Other crew | |||
| Sophie Audier | .... | script supervisor | |
| Pierre Escande | .... | production assistant | |
| Romeo Julien | .... | avid conformation | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Mali section |
I'm hardly an expert on African economics, or social life, but this story whose political viewpoint is clearly African does what I think a movie should: it presents both sides of an issue -- in this case Mali's financial struggle and whether the World Bank and IMF should be blamed for the distress of the people.
Through a story that revolves around a court case, we see the stories of struggle of a wide range of people: mother, educator, escapee, unemployed person, and the average guy trying to make ends meet but having a difficult time.
For me, it clarified some of the issues and effects of fairly extreme poverty and lack of government prioritization for social services, health and education. It made the argument that a government may be at fault for selling out the country's future at the expense of developing a stronger base.
The bleakness, however does something bigger, or I hope it does -- I hope it gives strength to continue to fight as the producers, I think, would like.
See this. Africa is an important piece of the world and an important piece of the globalization of the world.