Bamako. Melé is a bar singer, her husband Chaka is out of work and the couple is on the verge of breaking up... In the courtyard of the house they share with other families, a trial court ...
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In the last days of 1999, after a few shots of a French supermarket, abundant in food and color, we hear Dramane compose a letter home to his father in Mali whom he then visits in the ... See full summary »
Set in the Watts area of Los Angeles, a slaughterhouse worker must suspend his emotions to continue working at a job he finds repugnant, and then he finds he has little sensitivity for the family he works so hard to support.
Henry G. Sanders,
After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and ... See full summary »
Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have ... See full summary »
Hélène de Saint-Père
Bamako. Melé is a bar singer, her husband Chaka is out of work and the couple is on the verge of breaking up... In the courtyard of the house they share with other families, a trial court has been set up. African civil society spokesmen have taken proceedings against the World Bank and the IMF whom they blame for Africa's woes... Amidst the pleas and the testimonies, life goes on in the courtyard. Chaka does not seem to be concerned by this novel Africa's desire to fight for its rights... Written by
During the inset "Death in Timbuktu" "western," just before the first gunshot, a car can be seen moving between two buildings in the background. This, however, could be interpreted as intentional by the director, who was parodying non-Western interpretations of a "western" (other countries who partake in a love of westerns are Thailand and Cambodia). The child in this scene is also wearing a Nike shirt. The effect is to present the sort of low-budget, pulp film one might see in a television broadcast in Mali, while supplying a metaphor to the actual movie's plot. See more »
As a South African, I have just been riveted by this film. It is not an entertaining film. Thought provoking would be a better description.
Though made a year before, it throws light on what the Bali Conference was all about. The theme of the film - what the first world has done and continues to do to Africa - is of the utmost importance and the device used by the director to get his message across is just appropriate. It's just not possible to describe what you will see - just see it. If you watch it, you must see the interview with the director, for it helps to put the whole extraordinary film into perspective. He trained in Russia you can see the influence of Eisenstein and other Russian directors. I've deliberately not talked much about what you will see. The element of surprise is central to the success of the film.
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