Michael returns home from military school to find his mother happily in love and living with her new boyfriend. As the two men get to know each other, he becomes more and more suspicious of the man who is always there with a helpful hand.
The Stepfather escapes an insane asylum and winds up in another town, this time impersonating a marriage counselor. Now he seems to have found the perfect future wife, with a stepson who ... See full summary »
A group of high-schoolers invite Mandy Lane, a good girl who became quite hot over the summer, to a weekend party on a secluded ranch. While the festivities rage on, the number of revelers begins to drop quite mysteriously.
That psycho stepfather has escaped from the insane asylum and had his face surgically altered. Now he's married again, this time to a woman with a child in a wheelchair. He goes on a ... See full summary »
Michael Harding returns home from military school to find his mother happily in love and living with her new boyfriend, David. As the two men get to know each other, Michael becomes more and more suspicious of the man who is always there with a helpful hand. Is he really the man of her dreams or could David be hiding a dark side? Written by
Dylan Walsh, Jessalyn Gilsig, and director Nelson McCormick all worked on the FX show Nip/Tuck. See more »
When the ex-husband arrives at the family home to say goodbye to his kids, he has a taxi waiting outside. The ex is then murdered, and waiting taxi disappears from the plot, whereas you would have expected the cabbie to come to the door to ask where his passenger is? See more »
One female in her late 30s, three minors. Multiple stab wounds and blunt force trauma.
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Amber Heard in a bikini...oh yeah...and some other stuff.
I have to give this movie a favorable review only because it delivered something it didn't promise and that took me by surprise. The Stepfather, as I'm sure you all know, is a remake (reboot?) of the 80's slasher series that set the tone for every darn Lifetime movie starring Valerie Bertinelli or Nancy McKeon. A desperate divorcée falls for a mysterious guy who, despite telegraphing to the audience how evil he secretly is, manages to fool his fiancée and her family into thinking that he's a swell guy....that is, until the body count starts. The plot isn't worth discussing. There's nothing here that we haven't seen before. What IS worth discussing is the director's obvious decision to exploit Amber Heard's lovely figure in one long never ending cheesecake sequence. You could make the argument that the ONLY reason this film was even made in the first place was to launch Amber into the stratosphere of blogworthy sex symbols (not unlike what Michael Bay managed to do with Megan Fox). You'll see Amber in her underwear lounging in bed, Amber in her itsy bitsy teeny weeny bikini, gratuitous close-ups of her splendid anatomy, etc. This exploitation becomes so flagrant that it distracts from the story itself, which is probably a good thing. In a way the Stepfather 2009 comes off more like a 70's Drive-In flick; the kind teenagers would flock to in hopes of seeing a little skin. Maybe that was the point after all? I sure hope it was. The movie certainly doesn't deliver much else.
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