| Gabrielle Jeru | ... | Molly (French) (26 episodes, 2006) | |
| Chiara Zanni | ... | Molly (English) (26 episodes, 2006) | |
| Junko Noda | ... | Molly (Japanese) (26 episodes, 2006) | |
| Thomas Guitard | ... | Jordan (French) (26 episodes, 2006) | |
| Rémi Caillebot | ... | Aikka (French) (26 episodes, 2006) | |
| Jérôme Keen | ... | Don Wei (French) (26 episodes, 2006) | |
| Michael Dobson | ... | Flint / ... (26 episodes, 2006) | |
| Ron Halder | ... | Don Wei (English) (26 episodes, 2006) | |
| Unshô Ishizuka | ... | Don Wei (Japanese) (26 episodes, 2006) | |
| Hiroaki Miura | ... | Aikka (Japanese) (26 episodes, 2006) | |
| Kirby Morrow | ... | Aikka (English) (26 episodes, 2006) | |
| Keiichiro Satomi | ... | Jordan (Japanese) (26 episodes, 2006) | |
| Robert Tsonos | (26 episodes, 2006) | ||
| Sam Vincent | ... | Jordan (English) (26 episodes, 2006) |
Series Directed by | |||
| Thomas Romain | (unknown episodes) | ||
| Savin Yeatman-Eiffel | (unknown episodes) | ||
Series Writing credits | ||
| Jeffrey Paul Kearney | (26 episodes, 2006) | |
| Savin Yeatman-Eiffel | (26 episodes, 2006) | |
Series Produced by | |||
| Katsunori Haruta | .... | associate producer (26 episodes, 2006) | |
| Benoit Runel | .... | executive producer (26 episodes, 2006) | |
| Minoru Takanashi | .... | associate producer (26 episodes, 2006) | |
| Savin Yeatman-Eiffel | .... | executive producer / producer (26 episodes, 2006) | |
Series Original Music by | |||
| Taku Iwasaki | (26 episodes, 2006) | ||
Series Film Editing by | |||
| Takeshi Seyama | (26 episodes, 2006) | ||
Series Production Management | |||
| Olivier Bizet | .... | production manager (unknown episodes) | |
| Fabienne Lievant | .... | production manager (unknown episodes) | |
Series Art Department | |||
| Sôichi Masui | .... | storyboard artist (4 episodes, 2006) | |
| Kiyoko Sayama | .... | storyboard artist (4 episodes, 2006) | |
| Yoshimitsu Ôhashi | .... | storyboard artist (3 episodes, 2006) | |
Series Sound Department | |||
| Jérôme Wiciak | .... | sound designer / sound mixer (26 episodes, 2006) | |
| Chris Ove | .... | adr recordist (14 episodes, 2006) | |
| Xavier Marsais | .... | post-synchronization recording (13 episodes, 2006) | |
| Guadalupe Cassius | .... | foley artist / sound editor (unknown episodes) | |
| Arnaud Rolland | .... | sound editor (unknown episodes) | |
Series Visual Effects by | |||
| Christophe Delisle | .... | visual effects (26 episodes, 2006) | |
| David Galante | .... | lead modeler (26 episodes, 2006) | |
| Ahmidou Lyazidi | .... | cg supervisor (26 episodes, 2006) | |
| Loic Laurelut | .... | digital compositor (20 episodes, 2006) | |
Series Animation Department | |||
| Stanislas Brunet | .... | lead background designer (26 episodes, 2006) | |
| Christophe Delisle | .... | animator (26 episodes, 2006) | |
| Loic Penon | .... | character designer (26 episodes, 2006) | |
| Régis Schuller | .... | layout artist (26 episodes, 2006) | |
| Isao Sugimoto | .... | mecha design (26 episodes, 2006) | |
| Chie Tanimoto | .... | color coordinator (26 episodes, 2006) | |
Series Music Department | |||
| John Adair | .... | composer: title theme (26 episodes, 2006) | |
| Brad Hamilton | .... | music producer: title theme (26 episodes, 2006) | |
| Steve Hampton | .... | composer: title theme (26 episodes, 2006) | |
| Yôko Kanno | .... | composer: opening/ending themes (26 episodes, 2006) | |
| Toshiaki Oota | .... | music producer (26 episodes, 2006) | |
| Kent Verderico | .... | original music engineer (26 episodes, 2006) | |
Series Other crew | |||
| Claude Fenioux | .... | chief financial officer (26 episodes, 2006) | |
| Jeffrey Paul Kearney | .... | story editor (26 episodes, 2006) | |
| Ahmidou Lyazidi | .... | rigging & skinning supervisor (26 episodes, 2006) | |
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| Star Wars | Final Fantasy: The Spirits Within | The Fifth Element | Superman | The Matrix Reloaded |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | IMDb TV section | IMDb Animation section |
| IMDb France section |
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Theatrical-quality animation, beautiful design and fun, engaging characters make this a must-watch for anyone interested in this art form. The story, an unexceptionable coming-of-age adventure framed around a series of contests, is consistently enlightened by great dialog and well-rounded characters who grow and change. A myriad of small details--of dress, speech, professions, weather--make for an imagined science fiction world of great richness and charm. The violence is of the cartoon action type, with a fair amount of gunplay but no excessive gore. The animation, by a co-partnership of French and Japanese studios, is simply excellent. This show is too good to be compared with the normal run of United States cartoons.