In Los Angeles, Andy Conners works in Fearless Records selecting new talents. Andy is in love and engaged to Lauren Baker for one year but he is unable to satisfy Lauren in bed. Further, he... See full summary »
The year is 2048, and global warming has flooded much of Earth's land areas. A father and his two sons try to salvage treasures from sunken buildings when they are given an important assignment by the New Vatican.
Jean de Segonzac
Time Framed tells the story of Agent Truman Black; a gun-for-hire secret operative who is entrained to protect government and corporate interests in high-stakes missions. During his latest ... See full summary »
Based on Daniel Wright's award-winning play "Colored Eggs", is a drama/comedy about life, loss and love among an eccentric group of characters whose lives intersect under less than ideal circumstances.
A young boy uses his video camera that he got for his birthday to spy on his mother's boyfriend, who's plotting a crime. Mix in a nosy neighbor, jealous fiancé, shady maintenance man, a UPS... See full summary »
Cedric the Entertainer,
Vivica A. Fox
Assigned to accompany two priests on a mission to convert the court of Kublai Khan to Christianity, Marco Polo is abandoned in the mountains when the priests, doubting the very existence of China, turn back. Polo eventually pushes bravely forth alone toward the fabled country where he is accepted as an envoy into Khan's court. Marooned on the far side of the world, Polo, accompanied by his servant, Pedro, advances as a Mongol grandee for twenty extraordinary years. What he eventually brings back with him to the West is a chronicle that changed history forever. Written by
Given the fact that the makers had access to plenty of money, good costuming, and even to the locations (or convincing computer-generated substitutes), this could have been a very good historical movie.
Alas,the derogatory comments on this site regarding script, acting, and casting are perfectly valid. Who on earth cast Brian Dennehy as an oriental? There are established oriental actors who look the part John Lone would be an obvious choice.
The real Marco Polo could speak Italian and French, and on his way to meet Kublai Khan may well have learned Turki, the language Kublai sometimes used in his written communications. But the ridiculous scene where they meet bears not the slightest resemblance to Marco Polo's real-life account, in which the great ruler was the soul of courtesy. Dennehy's grumpiness was pure fiction, like so much else in this tedious production.
The question that begs to be asked is: if one wants to make a historical epic, why present bad fiction instead of interesting fact?
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