El Bola, a 12 year old boy a.k.a. "Pellet" is a 12 year old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The ... See full summary »
Juan José Ballesta,
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
In the harsh post-war years' Catalan countryside, Andreu, a child that belongs to the losing side, finds the corpses of a man and his son in the forest. The authorities want his father to ... See full summary »
True story of thirteen totally normal young women that suffered harsh questioning and were put in prison under made up charges of helping the rebellion against Franco back in the 1940's. ... See full summary »
Emilio Martínez Lázaro
Pilar López de Ayala,
Ourense, Spain, 1940. Every time that Elena locks the door, she locks her secrets. Her husband Ricardo spend years hidden in his house with his children (Elenita and Lorenzo), trying to ... See full summary »
The movie tells the story of a family of comedians that work in the towns of Spain during the 40's and 50's. Life gets very tough for them since they cannot compete any longer with cinema. ... See full summary »
Set in 1973 Spain, a struggling encyclopedia salesman and his wife take advantage of an offer to make adult films. The act turns him into an aspring legit filmmaker and her into an international sex symbol.
Jaime Rosales's 'La Soledad' is a bit of an experimental mood-piece. To give it a very slice of life feel, Rosales uses no music or the typical postcard visuals and special effects. It follows the life of a single mother who moves to Madrid from the countryside and of a widow quietly battling her own struggles.
There isn't much that is 'happening' in the film per se. Many of the visuals pretty much mimic glimpses of daily life in Madrid. However, the director focuses too much on the simple visuals that are just there and, as a result, 'La Soledad' moves at a very slow pace. There is some gratuitous nudity (perhaps to compensate for the lethargic pace). Only in the last half hour does it pick up but overall the film failed to keep me engaged.
While the split-screen idea is quite new in Spanish films, at times it serves no purpose and is rather distracting. With the exception of Petra Martinez, most of the actors do a passable job that is nothing particularly outstanding but nothing dreadful either. Martinez is the one who gives a memorable performance as the mother of three trying to hold on to her memory and identity while her selfish eldest daughter continues to push her mother into selling her house to buy a guest house.
Anyway, to sum it up, the editing was a big disadvantage for me especially for a film that heavily relies on mood and less on story.
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