| Dries Van Hegen | ... | Dries | |
| Norman Baert | ... | Koen de Geyter | |
| Gunter Lamoot | ... | Jan Verbeek | |
| Sam Louwyck | ... | Ivan Van Dorpe | |
| François Beukelaers | ... | Pa Verbeek | |
| Bernadette Damman | ... | Mother Verbeek | |
| Joris Van Der Speeten | ... | Jan Verbeek 10 years | |
| Nancy Denijs | ... | Ivan's Wife | |
| Nomie Visser | ... | Ivan's Daughter | |
| Dolores Bouckaert | ... | Lio | |
| Wim Willaert | ... | Jimmy | |
| Barbara Callewaert | ... | Christine | |
| Jan Hammenecker | ... | Dikke Lul | |
| Vinnie Bonduwe | ... | Friend Dikke Lul | |
| Chantal Wannyn | ... | Erna | |
| Tristan Versteven | ... | Dorian | |
| Sebastien Dewaele | ... | Stef Vanneste | |
| Hans Claerhout | ... | Fan Dries | |
| Eric Vanrenterghem | ... | Mayor | |
| Flip Kowlier | ... | Jury Member | |
| Frank Dubbe | ... | Jury Member | |
| Kurt Vandemaele | ... | Jury Member | |
| Sophia Theys | ... | Jury Member | |
| Peggy Heyninck | ... | Woman Parking Lot | |
| Patrick Cronenberg | ... | Buss Driver | |
| Sylviane Aliet | ... | Woman car | |
| Marcel Deblauwe | ... | Referee | |
| Greta Baert Bruynoghe | ... | Mother Koen |
Directed by | |||
| Koen Mortier | |||
Writing credits(in alphabetical order) | ||
| Herman Brusselmans | novel | |
| Koen Mortier | screenplay | |
Produced by | |||
| Ruben Goots | .... | executive producer | |
| Eurydice Gysel | .... | producer | |
| Koen Mortier | .... | producer | |
Original Music by | |||
| Arno | |||
| Flip Kowlier | |||
| Millionaire | |||
| Guy Van Nueten | |||
Cinematography by | |||
| Glynn Speeckaert | |||
Film Editing by | |||
| Manu Van Hove | |||
Casting by | |||
| Kris De Meester | |||
Art Direction by | |||
| Geert Paredis | |||
Costume Design by | |||
| Catherine Marchand | |||
Art Department | |||
| Jeroen Bogaert | .... | set dresser | |
| Diego Deceuninck | .... | construction assistant | |
| Kurt Rigolle | .... | props | |
| Peggy Verstraeten | .... | set dresser | |
Sound Department | |||
| Mathieu Cox | .... | sound re-recording mixer | |
| Marc Engels | .... | sound | |
| Aline Gavroy | .... | foley re-recording mixer | |
| Senjan Jansen | .... | sound designer | |
| Olivier Thys | .... | foley artist | |
| Seppe van Groeningen | .... | boom operator | |
Visual Effects by | |||
| Bert Deruyck | .... | digital compositor | |
Editorial Department | |||
| Arnout Deurinck | .... | digital intermediate supervisor | |
Other crew | |||
| Nicolas Daenens | .... | making-of | |
| Koen Maenhout | .... | scanning technician | |
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| Salò, or the 120 Days of Sodom | A Serbian Film | Irreversible | Cruising | Ichi the Killer |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Belgium section |
For the portion of Herman Brusselmans's oeuvre I've read, the movie gave me quite the same feelings as his books. Is that a good thing? It is if you like the man's early work. It shares the very cynical humorous comments the protagonist dispenses in reaction to the other character's actions, as well as his patronizing lecturing towards the young attractive females.
None of the characters are even remotely likable. They're antisocial, immoral sometimes even homicidal ugly bastards and bitches. A normal conversation between them is simply impossible, insults and curses galore. At times it can get a bit cartoonesque.
Is it funny? Yes. Well, funny crude. Everything is quite over the top: the nudity, the violence and especially the music, which saves the film for a great deal. The soundtrack is an amalgam of Belgian and international noise rock, with some softer tracks to ease the pace.
I found it 90 minutes well spent, even if it dragged on a bit too long in the end.