| Photos (See all 16 | slideshow) | Videos (see all 3) |
| Mark Kelly | ... | Jeremy | |
| Steve Zissis | ... | Mark | |
| Jennifer Lafleur | ... | Stephanie | |
| Julie Vorus | ... | Alice | |
| Brendan Robinson | ... | Young Mark | |
| Noël Wells | ... | Stripper | |
| rest of cast listed alphabetically: | |||
| Ricky Dillard | ... | Laser Tag employee | |
| Elton LeBlanc | ... | Poker Player | |
| Alex Lipschultz | ... | Poker Player | |
| John Melvin | ... | Race Announcer | |
| Brett Patron | ... | Poker Player | |
| Jordan Stidham | ... | Young Jeremy | |
| Reid Williams | ... | Hunter | |
| Jon Dainty | ... | Race Spectator (uncredited) | |
| Martyn Hale | ... | Young Jeremy age 16 (uncredited) | |
| Johanna Igel | ... | Kate (uncredited) | |
| Brock Patrick Kaufman | ... | Young Jeremy age 10 (uncredited) | |
| Laurie Lee | ... | Race Spectator (uncredited) | |
| Codie Scott | ... | Poker Player (uncredited) | |
| Terry Lee Smith | ... | Poker Player (uncredited) | |
Directed by | |||
| Jay Duplass | |||
| Mark Duplass | |||
Writing credits(WGA) | ||
| Jay Duplass | (written by) & | |
| Mark Duplass | (written by) | |
Produced by | |||
| Jay Duplass | .... | producer | |
| Mark Duplass | .... | producer | |
| Stephanie Langhoff | .... | producer | |
| J.M. Logan | .... | associate producer | |
| Ross Partridge | .... | co-producer | |
| Josh Polon | .... | associate producer | |
Original Music by | |||
| Julian Wass | |||
Cinematography by | |||
| Jas Shelton | |||
Film Editing by | |||
| Jay Deuby | |||
| Nat Sanders | |||
Costume Design by | |||
| Ross Partridge | |||
| Marguerite Phillips | |||
Makeup Department | |||
| Marguerite Phillips | .... | makeup artist | |
Production Management | |||
| J.M. Logan | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Ross Partridge | .... | first assistant director | |
Art Department | |||
| Ross Partridge | .... | set designer | |
| Marguerite Phillips | .... | set designer | |
Sound Department | |||
| John Chalfant | .... | sound supervisor & re-recording mixer | |
| Elyse Lamonde | .... | foley editor | |
| Alex Lipschultz | .... | sound mixer | |
| Xander Lott | .... | sound effects editor | |
| David Mann | .... | foley artist | |
| David Mann | .... | foley editor | |
| David Mann | .... | sound effects editor | |
| Erin Oakley | .... | dialogue editor | |
| Laura Smith | .... | sound assistant | |
| John Soukup | .... | sound transfer (uncredited) | |
Editorial Department | |||
| Philip Beckner | .... | digital intermediate editor (as Phil Beckner) | |
| John Daro | .... | digital intermediate artist | |
| Jon Fletcher | .... | associate editor | |
| Paul Lavoie | .... | digital intermediate producer | |
| Jeff Man | .... | editorial production assistant | |
| Gus Comegys | .... | digital intermediate conform artist (uncredited) | |
Music Department | |||
| Marguerite Phillips | .... | music supervisor | |
Other crew | |||
| Teddy Blanks | .... | title designer | |
| Stephen Ledet | .... | key set production assistant (as Stephen 'Darkness' Ledet) | |
| Ginny Zissis | .... | caterer | |
Thanks | |||
| Katie Aselton | .... | the producers wish to thank (as Katie Aselton Duplass) | |
| Larry Blake | .... | the producers wish to thank | |
| Eddie Boettner | .... | the producers wish to thank | |
| Rebekah Sean Conroy | .... | the producers wish to thank | |
| Warren Dern | .... | the producers wish to thank | |
| Tristan Rappold Dupepe | .... | the producers wish to thank | |
| Cindy Duplass | .... | the producers wish to thank | |
| Jen Tracy Duplass | .... | the producers wish to thank | |
| Larry Duplass | .... | the producers wish to thank | |
| Lisa Fitzpatrick | .... | the producers wish to thank | |
| Tave Fitzpatrick | .... | the producers wish to thank | |
| Sean Hackett | .... | the producers wish to thank | |
| Julie Keller | .... | the producers wish to thank | |
| Boo Langhoff | .... | the producers wish to thank | |
| Janice Langhoff | .... | the producers wish to thank | |
| Muriel Langhoff | .... | the producers wish to thank | |
| John Melvin | .... | the producers wish to thank | |
| Chris Ohlson | .... | the producers wish to thank | |
| Jeffrey Peterman | .... | the producers wish to thank | |
| Cara Singleton | .... | the producers wish to thank | |
| Elaine Stevens | .... | the producers wish to thank | |
| Shelby Weiser | .... | the producers wish to thank | |
| Joanne Wiles | .... | the producers wish to thank | |
| Ginny Zissis | .... | the producers wish to thank | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Jay and Mark Duplass get back to their really, really indie roots with "The Do-Deca-Pentathlon," a low-budget comedy centered on the competitive tension between brothers. It's not exactly new territory for the mumblecore kings, but it shows they can still be effective filmmakers with a basic story and even more basic production quality.
Just as they did with "Jeff, Who Lives at Home" the year prior, the Duplasses further exploit the idea that siblings, especially brothers close in age, never stop competing, or in the case of characters Mark (Steve Zissis) and Jeremy (Mark Kelly), never stop holding grudges that assure sibling rivalry endures.
Mark, his wife Stephanie (Jennifer Lafleur) and son Hunter (Reid Williams) visit Mark's mother (Julie Vorus) for his birthday, but only after they've been assured that his estranged brother Jeremy, a transient professional poker player, won't be there. But Jeremy figures it out, arriving just in time to provoke his brother into racing him in the town's annual 5K run. Jeremy's presence brings out the worst in Mark, whose doctors have told him to take it easy, but instead of listening to his wife, Mark and Jeremy secretly agree to reignite a competition they held in their teens called the Do-Deca-Pentathlon, a series of 25 physical events that ultimately determines the better brother, a tournament that ended in controversy about 20 years ago.
In the hands of a Hollywood-hired screenwriter, this would be a physical comedy in which the winner would probably be determined in the final event, with history repeating itself in some way just before it all ends, but if you know the Duplass Brothers, you're not going to get that formula at all. They're experts at setting up situational comedy potential and then ignoring it, focusing instead on the relationship dynamics that arise from would-be shenanigans.
You'll immediately notice "Do-Deca" features no stars or even slightly known quantities, and the sound quality is unusually poor. Considering this comes from the guys who made the aforementioned "Jeff" as well as "Cyrus" starring Jonah Hill, John C. Reilly and Marisa Tomei, you have to assume the choice to strip everything down was intentional, because the money/equipment and interest from big actors would have been there if they wanted it. Consequently, you feel like you're watching real people dealing with a real conflict, even if most grown-up brothers wouldn't engage in such childish antics.
The acting quality doesn't take much of a hit in spite of the no-name cast. It does, however, take a bit of time for the authenticity of the performances to kick in. Zissis and Kelly do an excellent job in the film's home stretch, balancing characters with animalistic, childish instincts who also possess adult-like emotions and insights as evidenced by the final half hour of the movie. Sure, it would be tough for anyone to take their antics too seriously, but the montage that depicts their afternoon of competing doesn't entirely spoil the moments when the script strives for some emotional depth.
Zissis' Mark is a definite balancing act as he endures a really wild ride for such a short movie. He starts out as the voice of reason, the man who cannot be provoked by his bachelor brother, and then he loses total control. He becomes blinded by a lust for competition and ends up taking it way too seriously.
The Duplasses help ground Mark through his relationship with his wife. He lies to Stephanie because he knows he'll never get her approval and support in awakening the competitive beast inside of him, so like men often do, he refuses to confront her about it and tries to work around her even though it's painfully obvious no one in this movie is pulling wool over anyone's eyes. It's tough to understand how Mark could be so caught up in the Do-Deca that he can't see what was important to him just a couple days ago, but the film strikes enough of a realistic nerve to avoid falling apart.
Although the film deserves praise for being so anti-formula, you can't help but feel a bit cheated by the lack of attention given to the tournament. It could've felt a little more vital to the movie than it ends up being without getting too cliché. That said, "Do-Deca" boasts the best laser tag scene ever committed to film.
"The Do-Deca-Pentathlon" proves that without a single layer of glitz, Jay and Mark Duplass can capture family relationship dynamics that ought to resonate with everyone. People looking for something a little more comfortable are bound to be disappointed by the film's lack of adherence to the Hollywood guidebook, but there's no denying that the Duplass Brothers have a keener understanding that almost anyone of good storytelling when it involves family.
~Steven C
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