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Whether you’re a fan of CBS’ 1990 version of “The Flash,” “Star Wars,” or comic book culture in general, the March 31 episode of “The Flash” is sure to satisfy, with genre icon Mark Hamill reprising his ’90s role as one of the Scarlet Speedster’s main antagonists, James Jesse — aka The Trickster — a character that demonstrated the actor’s anarchic chops even before he lent his voice to The Joker for “Batman: The Animated Series” and its many offshoots. While the villain starts out safely behind bars (allowing Hamill to channel his inner Hannibal Lecter), it doesn’t take long for chaos to engulf Central City after a copycat Trickster (Devon Graye) starts pulling from the criminal’s explosive playbook.
Not only is “Tricksters” an unrepentant trip down memory lane for fans of the previous show, it also ties into the larger mythology of the current CW series, progressing the »
- Laura Prudom
Expect to see a lot of premature eulogies for Vince Vaughn's career today, after the disastrous opening of "Unfinished Business," just like you saw a lot of premature obituaries last week for Will Smith's career after the lackluster debut of "Focus."
True, "Business" was an especially spectacular flop, premiering in 10th place with only an estimated $4.8 million, less than half of the already modest $10 million pundits were predicting. That the movie is only the latest in a string of Vaughn flops (including "The Watch," "The Dilemma," "The Internship," and "Delivery Man") seems reason enough for pundits to start measuring the coffin.
Weep not for Vaughn. His hands and feet were immortalized in concrete outside Hollywood's Chinese Theatre just this past Wednesday. Next month, he'll star in the eagerly-anticipated second season on HBO's "True Detective," which, if nothing else, will remind those viewers who think of him only as »
- Gary Susman
Thanks in part to strong performances from Fifty Shades of Grey and The SpongeBob Movie: Sponge Out of Water, overall domestic box office totaled a very solid $765 million in February.That's up nine percent from last year but down around $50 million from the all-time record, which was set in 2012.Through the end of February, total domestic box office was at $1.77 billion. That's 11 percent above the same period last year and 22 percent higher than the same frame in 2013. That year ultimately went on to be the biggest in history at $10.92 billion, which is a number that 2015 has a very strong chance of topping.Fifty Shades of Grey led the February box office with $145 million. Opening over Valentine's Day weekend, the movie set a new February record with its $85.2 million debut. Unfortunately, demand for this title was very frontloaded, which resulted in a stunning 74 percent second weekend drop. Fifty Shades is now »
- Ray Subers <email@example.com>
Jupiter Ascending has launched in Australia with $2 million in four days on 415 screens, one of the more respectable debuts for the sci-fi action-adventure.
That's a long way short of recouping the production cost reported to be between $175 million and $205 million, and the hefty P&A bill.
So Jupiter Ascending is shaping as yet another misfire for siblings Andy and Lana Wachowski following WB/Vrp.s Speed Racer ($120 million budget, $93.9 million in global B.O.) and the independently-financed Cloud Atlas ($100 million cost, $130.5 million B.O.).
Pro-rata, the Australian opening is slightly ahead of the $18.4 million Us debut, to the surprise of some exhibitors. Wallis Cinemas program manager Bob Parr tells If, .I didn.t expect that at all because of the Us result, »
- Don Groves
T.E. Lawrence (1888-1935) ranks among the 20th Century’s oddest heroes. This short, smart, and mischievous British soldier helped organize the Arab Revolt against Turkey, a secondary front of the First World War. He became Emir Feisal’s trusted ally, painfully conscious that the Allies wouldn’t honor promises of independence. After the Paris Peace Conference, Lawrence retreated into the Royal Air Force and Tank Corps as a private soldier, T.E. Shaw… read the full article.
It is a truth universally acknowledged, that a little girl in possession of a good imagination must be in want of a heroine. At least, this was the truth of my childhood. Like many people of my generation, my »
It is a truth universally acknowledged, that a little girl in possession of a good imagination must be in want of a heroine. At least, this was the truth of my childhood. Like many people of my generation, my early pop culture intake was a healthy mix of Disney (this included an extensive library of worn-out VHS in the classic white plastic clamshell packaging), Saturday morning cartoons (from DuckTales to Teenage Mutant Ninja Turtles), and Japanese imports repackaged for North American kids (Power Rangers, Speed Racer). But my one true love was science fiction. And anyone familiar with my work on this website could probably guess that this love begins and ends with Star Wars. Or really, it begins with Princess Leia.
I don’t remember my first viewing of the original trilogy; it exists in my memory as a constant presence. And like any healthy child weaned on TV and movies, »
- Mallory Andrews
8 Actors Who Can Be The Next Spider-Man
We’re not even a year removed from The Amazing Spider-Man 2, and already Sony and Marvel are exploring new options on who could be the next webslinger. And we already have some insight that the next Spider-Man is going back to high school, and Dylan O’Brien (The Maze Runner) and Logan Lerman (Fury) are on Sony’s short list… read the full article.
Five Film Composers that Hollywood Needs Back
Hollywood has no shortage of talented composers crafting mostly serviceable tunes for the next young adult literary adaptation or prestige awards tearjerker. But for every auteur like Hans Zimmer and John Williams, you have musical yes men pounding out ominous notes in anticipation of the next horror movie jump scare or making ratatat noise to underscore a superhero chase scene. The film world screams for diverse sounds, but is often left »
Actor Emile Hirsch checked into a rehab facility in the wake of an incident in which he allegedly choked a female executive at last month’s Sundance Film Festival.
“Emile consumed an enormous amount of alcohol on the evening in question and he has no memory of what happened,” Hirsch’s lawyer, Robert Offer, said in statement released Friday.
“Emile takes these allegations very seriously, and is devastated that any of this has occurred,” Offer added. “A few days after the incident, Emile sought help and checked himself into an alcohol rehabilitation facility, where he remains today, to ensure nothing like this ever happens again.”
Hirsch was charged Thursday with felony assault in connection with the incident at the Tao nightclub on Jan. 25. Police responded to a 4 a.m. call and a Paramount executive, Daniele Bernfeld, described a physical altercation and accused a drunken Hirsch of putting her “in a chokehold. »
- Dave McNary
Ever since the Matrix series made them a household name, the Wachowskis – that is, Andy and Lana Wachowski – have turned Hollywood into their own idiosyncratic playground, routinely gaining access to gigantic budgets in order to fund projects that still maintain a deeply personal touch. That idiosyncrasy is certainly detectable in their long-delayed sci-fi/action opus Jupiter Ascending, and it’s perceptible even in their hyperactive, cultish adaptation of the classic childrens’ cartoon Speed Racer. Ricky and Simon are joined by Sos writer and blogger extradordinaire Molly Autumn Faust to talk auteurism, bees, incest, monkeys, intergalactic corporate dynasties, and the utility (or lack thereof) of film critics, among (many) other topics.
Please give us a rating on Itunes. It would be very much appreciated!
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- Sordid Cinema Podcast
Since Jupiter Ascending.s world premiere at Sundance the sci-fi action-adventure and writers-directors Andy and Lana Wachowski have been pilloried by most critics and the production is shaping as a costly write-off for Warner Bros and Village Roadshow Pictures.
Much of that criticism is unfair and disrespectful to the filmmakers, according to Kick Gurry, who plays Jupiter.s cousin Vladie in his second collaboration with the Wachowskis.
.The Matrix was the best action film of the last 25 years,. the Los Angeles-based Gurry tells If. .I don.t know why people revel in lampooning Jupiter Ascending so much. The Wachowskis should be held in higher regard than they are by some reviewers.
.I love the movie, its message and what it stands for. It.s great that movies inspire debate and conversation but it upsets me when some of the criticism gets more personal. »
- Don Groves
UK box office top ten and analysis for the weekend of Friday 6th February to Sunday 8th February 2015…
Despite four new entries cracking the top ten this week, Disney’s Big Hero 6 and Matthew Vaughn’s Kingsman: The Secret Service held firm in first and second place this past weekend, with Aardman’s Shaun the Sheep Movie putting up the most competition, the animated feature debuting in third with £2,095,061.
The Wachowskis’ critically-mauled sci-fi Jupiter Ascending took fourth place with an opening weekend of £1,349,938, which was up on the filmmaking siblings’ previous efforts Speed Racer (£362,000) and Cloud Atlas (£544,725), while Selma pulled in £792,365 in sixth and The Interview managed just £283,811 in tenth.
Number one this time last year: Mr. Peabody & Sherman
1. Big Hero 6, £2,540,116 from 513 sites. Total: £7,476,518 total (2 weeks)
2. Kingsman: The Secret Service, £2,190,090 weekend; £8,245,752 total (2 weeks)
3. Shaun the Sheep Movie, £2,095,061 weekend (New)
4. Jupiter Ascending, £1,349,938 weekend (New)
5. American Sniper, £980,434 weekend; £11,084,808 total (4 weeks)
6. Selma, »
- Gary Collinson
Go big or go home. That seems to be the motto of directing duo the Wachowskis, who pulled out all the stops for Jupiter Ascending, their very own space opera, cramming this thing so full of backstory and character history, that it might have been better suited for a dozen novels instead of one two-hour fairy tale. Will it go down as a underrated gem a la Speed Racer? A misunderstood near masterpiece a la Cloud Atlas? Or is it something closer to Star Wars -- particularly the prequel trilogy -- for better or worse? Previously on Stripped: Dumb and Dumber To, Big Hero 6, Interstellar, Amazing Spider-Man 2, Godzilla, X-Men: Days of Future Past, Edge of Tomorrow, Dawn of the Planet of the Apes, Guardians of the...
- John Gholson
With a hugely underwhelming opening weekend in the Us of just $19 million, Jupiter Ascending is another in a long line of films from the Wachowski siblings where the box-office has failed to match the grand, epic-scale ideas of their films. Their previous two films, Cloud Atlas and Speed Racer, both flopped on release, with final grosses of $130 million and $95 million respectively from budgets of considerably more.
Speaking just before Jupiter Ascending’s opening to The Wall Street Journal, the sibling duo had already spoken about how their access to hundreds of millions of studio dollars may be about to come to an end.
“Everyone says, ‘Why can’t you be simpler?’”, states Lana. “We’re drawn toward difficult subjects, like the disparity of rich and poor….. We’ve been lucky. People at studios have been interested in our crazy, strange brand of complexity. And we’ve been allowed to keep making them. »
- Scott J. Davis
6th Update, Monday Actuals, 3:20 Pm: Paramount’s SpongeBob SquarePants: Sponge Out Of Water came in with $635K less than its weekend estimate reported yesterday of $56M. Still, it’s a great gross for this time of year, especially when there aren’t a lot of kids out of school. Per Rentrak, only 1% of all K-12 and college students were off this Friday. That figure moves to 17% this Friday, and then 15% for the February 20-22 frame.
As reported this morning, Warner Bros./Village Roadshow’s Jupiter Ascending dropped ducats and is now filing $18.37M while Universal/Legendary’s Seventh Son is a $100K better with a $7.2M actual. They’re in for a hammering this coming weekend as two R-rated mass-appeal pics hit the sked: Universal’s long-awaited E.L. James bestselling adaptation Fifty Shades Of Grey at an estimated 3,600 theaters and 20th Century Fox’s Kingsman: The Secret Service on »
- Anthony D'Alessandro
Paramount Pictures' SpongeBob Movie earned $56 million in North America, a huge debut for the animated Nickelodeon big-screen transfer, according to estimates Sunday. That finally pushed American Sniper off the top spot after a three-week reign. The Navy Seal drama took in $24.2 million in its fourth week of wide release.
The Wachowskis' lavish science-fiction adventure Jupiter Ascending opened with just $19 million, a meager amount for a $175 million production. Warner Bros. delayed the release of the movie, starring Channing Tatum and Mila Kunis, from last summer.
Universal's Seventh Son, a supernatural thriller set in medieval times, debuted with a scant $7.1 million. The film, produced by Legendary Pictures and starring Jeff Bridges, cost nearly $100 million to make.
That gave the box office a couple »
- Cineplex.com and contributors
Be careful what you wish for.
Originality is a virtue in most creative pursuits, but in Hollywood, it will always be less appealing to studio bosses than more of the same. Audiences and critics often decry the sequels and franchises that flood multiplexes, but when filmmakers like the Wachowskis answer their calls for something original and innovative with a film like “Jupiter Ascending,” they’re often rewarded with a cold shoulder. With a production budget of $179 million, not to mention tens of millions spent to promote the science-fiction adventure, and an opening of only $19 million, “Jupiter Ascending” will likely be one of the year’s biggest flops.
“Audiences are kind of reticent to take a chance on something they don’t know or understand,” said Paul Dergarabedian, senior media analyst at Rentrak. “They marketed the heck out of this movie, and it was still tough to bring people through the door. »
- Brent Lang
<< Continued from "Weekend Report: 'Jupiter Ascending' Crushed by Super 'SpongeBob'"Playing at 3,181 locations, Jupiter Ascending opened in third place with a very disappointing $18.4 million this weekend. That's a fraction below the Wachowskis' Speed Racer ($18.6 million); with seven years of ticket price inflation and the addition of 3D premiums, it's likely that attendance for Jupiter was substantially lower.Jupiter Ascending's opening was also around $10 million less than recent big-budget sci-fi movies like Elysium ($29.8 million), Edge of Tomorrow ($28.8 million), After Earth ($27.5 million) and Ender's Game ($27 million), all of which were considered misses on opening weekend.The marketing for Jupiter Ascending never quite found a way to sell the convoluted story, and also struggled to hide the movie's sillier elements. It also doesn't help that the Wachowski brand is essentially worthless now: the massive amount of goodwill generated by The Matrix has faded thanks to two lukewarm sequels followed by »
- Ray Subers <firstname.lastname@example.org>
Jupiter Ascending is not only the latest offering from The Wachowski's, it's also their first 3D offering to the public. How in the world it took them this long to release a film in the third dimension is beyond me, especially with Speed Racer just begging for the perfect conversion and IMAX re-release to happen any day now. Suffice it to say your mileage may vary on this film, as it's been all across the board with the reviews. Our theatrical review will weigh in on whether or not this new release is worth your time, while this column will focus solely on the film's use of 3D. Considering seven separate categories, To 3D Or Not To 3D evaluates the full scope of the 3D viewing experience. Think of it as a consumer's guide for your movie-going, complete with a viewer.s poll where you can weigh in on how »
“The SpongeBob Movie: Sponge Out of Water” soaked up a massive $56 million at the weekend box office, leaving little remaining for two other new releases, “Jupiter Ascending” and “Seventh Son,” both of which flopped.
“Jupiter Ascending,” an ambitious science-fiction fantasy from Andy and Lana Wachowski, eked out $19 million from 3,181 screens, making it the “Matrix” siblings’ third consecutive whiff after “Cloud Atlas” and “Speed Racer.” The film stars Channing Tatum and Mila Kunis and cost a staggering $179 million to produce. It was originally scheduled to open in July, but was pushed back to accommodate complex special effects. Village Roadshow co-financed the film with Warner Bros.
“The Wachowkis have an incredible history of making fan favorite films,” said Jeff Goldstein, Warner Bros. distribution executive vice president. “This didn’t hit the wide audience their films have in the past, but they’ll do better in the future.”
Males were “Jupiter’s” core audience, »
- Brent Lang
Warner Bros.’ “Jupiter Ascending,” starring Channing Tatum and Mila Kunis, is quickly falling in box office estimates to a skimpy $18 million opening. With a budget of $175 million, the Wachowskis’ sci-fi tentpole could lose tens of millions barring a dramatic turnaround overseas.
The forecast for Universal and Legendary’s long-delayed “Seventh Son,” starring Jeff Bridges, isn’t much brighter. The medieval fantasy tentpole has a projected loss of $85 million, as Variety exclusively reported this week, despite earning $82 million at the international box office. It’s on track for only $6.6 million in its U.S. debut.
Neither of the B.O. casualties are a shock — both pics were long-delayed due to poor tracking, and Paramount’s “The Spongebob Movie, »
- Variety Staff
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