Detective Superintendent Jane Tennison's investigation of the murder of a Bosnian refugee leads her to one, or possibly two, Serbian war criminals determined to silence the last witness to a massacre a decade before.
Anna Maria Ashe
A series of brutal sex murders disturbingly similar to the pattern of Superintendent Jane Tennison's first major case leads to the awful suggestion that she may have caught the wrong man the first time.
From the Irish countryside to London to New York and back again, Maggie reenters the world as a countess and shady art dealer. With her panache and charisma, she finds more than an auction,... See full summary »
Helen Mirren returns for the final time as Jane Tennison in the long-awaited Prime Suspect 7. Retirement looms for Detective Superintendent Tennison, but as her career draws to a close, the body of a missing schoolgirl is found, and the hunt for her killer begins. However, as Jane and her colleagues work to identify their prime suspect, the emotional fallout from the murder begins to take its toll on the battle-scarred detective. As the investigation gets underway, Jane is not only dealing with the imminent death of her father, but also an addiction to alcohol which she is desperately trying to keep hidden. There are plenty of twists and turns as Jane confronts her toughest challenge yet: herself, as the popular award-winning series reaches its devastating finale. Written by
"The Final Act" is the splendid concluding episode of a (generally) gripping series. As in the very best crime dramas, the focus really isn't the plot or the "whodunnit?" but the character of the central players. And if Helen Mirren almost eclipses them, that's only a bonus for the viewer. The tension is generated not by the crime plot (which is serviceable but predictable) but from Mirren's gripping portrayal of the powerful and all-too-human Jane Tennyson who treads the tightrope of her final days in her career. She somehow manages to give us a woman who balances the angels and the devils in her character without once lapsing into the predictable or the incredible. And THAT's what keeps you leaning forward in your seat.
God, but she's good!
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