Kevin, Sam and Rob are founding members of a theoretical group which pulls off heists. Leo, a gangster, blackmails them into pulling off a real multi-million dollar heist. Now it's up to them to get out alive.
While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with -- a woman whose rejection of him turned him into a ferocious womanizer.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
José Luis García Pérez,
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
Gary, an actor who plays a cop on television, uses too much lighter fluid when he burns his ex-girlfriend's things, then he drinks and drives, uses crack, and crashes his car. He sobers up in jail and is placed under house arrest and the watchful eye of a publicist, the cheery and tough-minded Margaret. She moves him into the empty house of a writer who's away in Canada on a shoot. Gary meets Sarah, an attractive and seemingly-willing neighbor. His friendship with Margaret blooms and strange things happen: he finds notes he doesn't remember writing, he hears noises, and he seems to bump into himself in the kitchen. Two remaining chapters reveal what's going on. Written by
The film is divided in to three acts: "The Prisoner" tells of a troubled actor, Gary, under house arrest living in another person's house because he burned down his own. While living in the house he is befriended by both a P.R. 'handler', Margaret, and the single mom next door, Sarah, who may or may not be interested in him romantically. Over the course of his house arrest, Gary becomes convinced that he is being haunted by the number nine.
"Reality Television" tells of a television writer, Gavin, trying to get his pilot made. The house he lives in is the house Gary later stays in. During the process of post production and the 'upfronts', a television executive, Susan, pushes for Gary to ditch the unconventional lead actress of his project, Melissa. This segment was somewhat inspired by writer/director John August's own experiences in the television industry.
"Knowing" tells of an acclaimed video game designer, Gabriel, who is lost when his car breaks down, a situation shown in Gavin's pilot. Gabriel leaves his wife and daughter with the stranded vehicle and meets up with Sierra, a mysterious woman.
"The Nines" is a film definitely worth watching, just for the weirdness of it and how thought-provoking and unlike any film you've ever seen. It's in the vein of, let's say, "Being John Malkovich" and "Eternal Sunshine of the Spotless Mind." This is the film where you won't stop thinking about it and that you'll talk about it with the people who have seen it.
It's not a film that you'll forget after the credits start rolling. Now that you get the point, it's time to talk about the movie. Even so, it's hard to describe this movie in words. When you ask people if this movie is good or not, they'll either like it or not, but it's hard to explain their reason and it's hard to explain why I love this.
The performance by the three main characters from the three stories, Ryan Reynolds, Melissa McCarthy, and Hope Davis, were all fantastic, having themselves to change their personality so much. It's pretty amazing. But of course, the movie will arise more questions than answering them. It's like "Donnie Darko," per se. This should be a cult hit, even though it isn't right now.
This is a really weird film and it's hard to explain anything, as you can tell. All I can say is watch it because the way the stories are told, the thought put into all of this, and the strong performances are already some reasons to watch it.
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